(Of course, throughout the Southern Dynasties, Song, Qi, Liang and Chen Ye were very popular. There is a development process. Even continued to the Sui and Tang Dynasties. But what you want to ask is the specific "which dynasty")
The poetry creation of Xiao Gang Literature Group at the end of Liang Dynasty in the Southern Dynasty was the most prosperous and far-reaching. Created an epoch-making palace-style literature, and Xiao Gang is the most influential representative of palace-style poetry.
Xiao gang (503 ~ 55 1) was a writer in Liang dynasty. Wendi Deng in the south of Liang Jian. 53 1 year (the third year of Datong), Prince Xiao Tong of Liang Zhaoming died, and Xiao Gang was in the East Palace (Prince), and he became the leader of the central literary world of Liang Dynasty. Jin (Xiaogang) Literature Group was renamed Oriental Palace Literature Group. At this time, although Xiao Yi, the king of eastern Hunan, was far away in Jingzhou, he was roughly the deputy head of Xiaogang Literature Group. Xiao Gang and Xiao Tong have the same father and mother, and they are very loving. Xiao Gang and Xiao Yi are different mothers, but they are brothers. When Xiao Gang became a prince, people often compared Cao Pi with Xiao Gang and Cao Zhi to Xiao Yi. Xiao Gang and Xiao Yi really led the literary world of the times hand in hand, just as Cao Pi and Cao Zhi led the literary world of Jian 'an. From the late period of Datong to Datong, the atmosphere of new literature was colorful and popular for a while. Therefore, critics in Sui and Tang Dynasties blamed the popularity of palace poems on "Wen Jian (Xiao Gang) and Xiangdong (Xiao Yi)".
Since the Eastern Jin Dynasty moved to the south, the Han regime turned to the left. Although vigorous monarchs appeared from time to time, most emperors and nobles were content with pleasure and debauchery. Reflected in literary creation, empty and dissolute content is often expressed in flashy words.
During the Qi and Liang Dynasties, although the whole society was turbulent, the social environment was more stable in the southern dynasty than in the northern dynasty. The development of agriculture, handicrafts and economic prosperity have brought about densely populated commercial cities. On the basis of relatively rich material life, the rulers and ministers of the Southern Dynasties became increasingly decadent and indulged in debauchery. The dissolute life of emperors provided the soil and life foundation for the production of palace poems. At the same time, the emergence of writing and temperament theory makes the forms of literature and poetry tend to be independent, and literary creation has entered a more conscious and liberated period. Poets and poetic works are produced in large numbers.
From Qi Dynasty to Liang Dynasty, the literary group centered on the members of the royal family had a far-reaching influence on the development of literature, especially poetry. Among them, there are three literary groups with the largest scale and the greatest influence: Xiao Literature Group of Jingling Wang in the Southern Qi Dynasty, (the father of Xiao Gang), Xiao Tong (the brother of Xiao Gang) and Xiao Gang Literature Group in the Liang Dynasty. (This is like the "Three Caos" in the Cao Wei period. The leader is Xiao and his son. Nanqi {Xiao} and Nanliang belong to the same family, and Xiaoyan was given a "Zen position" by Qi and Emperor Xiao Baorong, and was renamed Liang Dynasty).
Xiao Gang wrote many poems about this when he was a fan and a prince. At that time, officials such as Xu Shuo and Yu Jianwu added fuel to the flames, and ministers competed to imitate them, forming a genre of "palace-style" poetry. In Xiaogang's works today, such as Ode to My Wife's Sleeping during the Day, Ode to Song and Dance, Beauty in the Makeup, etc., which describe women's volume modality, all belong to this category.
Xiaogang was literate at the age of six, and had a "poetic addiction" at the age of seven. He is a literary teenager with early wisdom. At the age of four, he was named King Jin 'an, and at the age of seven, he was General Yun Hui, who led the Shi Shoujun and served as an assistant officer. This is the beginning of Xiaogang's "poetry addiction". The cultivation of his "poetic spirit" and the formation of his later "palace-style" poems are directly related to the rate of harmony. Xu Shuo attended the reading club in Xiao Gang, and he was "a new and good writer, regardless of the old style". In fact, its new form is palace poetry. Zhang rate "twelve years old, can belong to the text, often limited to poetry", he has long had the basic conditions for writing palace poems. Moreover, his poems are full of eroticism today. His "ten years as an official, very respectful", the impact on Xiaogang is also conceivable. Xiao gang 1 1 General Xuan Hui, Yin Danyang, Yu Jianwu and others entered the curtain. 18 is the history of Nanxu, and the entrance of others made Xiaogang Literature Group take shape. From four years as a general to two years as a general in Datong, China (530), Xiao Gang served as the secretariat of Yongzhou for seven years. Liu Xiaoyi, Liu Xiaowei and others have seen the shogunate here. His literary group naturally formed and his poetry creation became increasingly prosperous. After Xiao Gang entered the East Palace, literary talents gathered together. (Xu Shuo, Lv Zhang, Yu Jianwu, Wang Gui, Liu Xiaoyi, Liu Xiaowei ...) Xiaogang has raised the East Palace for eighteen years, and like the usual prince, he has no special achievements. In the third year of Taiqing (549), Hou Jing rebelled, was imprisoned and starved to death, Xiao Gang succeeded to the throne, and in the second year of Dabao (55 1), he was killed by Hou Jing.
"(Xiao Gang, Jian Wendi) is a scholar who tirelessly accepts and appreciates literature ... gentle and good at writing poems. At the age of seven, his preface cloud was addicted to poetry, long and tireless, but the emperor Wen was slightly injured, so it was called' palace body'. " Palace-style poetry, whose name originated from Xiaogang, Jian Wendi. Palace-style poems originated in the Jin Dynasty, and Yuefu in the Jin and Song Dynasties (Southern Dynasties and Song Dynasties), such as Song of Peach Leaves and Song of Jasper, were all written in Jiangzuo with a wretched and mournful voice and ended in (Southern Dynasties and Qi Dynasties) and became popular and prosperous. It also applies to five-character poets between Jin and Song Dynasties, followed by Bao Zhao, who had a retreat before, especially. (Liu, History of China's Medieval Literature) "As for the Liang Dynasty, its body is particularly prosperous." Liu told a clear dynasty.
"Palace-style poems" mostly come from folk Yuefu in the Southern Dynasties. As the saying goes, "Words stop at frivolity and you can't recite Sangzhong". So, why is the royal family in Xiao Liang so interested in folk literature and art? It turns out that most of the founding fathers of the Southern Dynasties were generals who started with military achievements, with low academic qualifications and vulgar taste. The turmoil of the times and the ups and downs of identity make their feelings about life more impermanent than ordinary people, so the idea of eating, drinking and having fun in time is extremely strong, and their greed for extravagant women is often expressed in a direct form. The appearance of palace poems is related to the folk culture of the Southern Dynasties. During the Southern Dynasties, commerce was very prosperous, and a large number of Qin Lou officials and prostitutes appeared in the cities, which constituted the unique commercial atmosphere of the Southern Dynasties culture. The low-quality court of the Southern Dynasties hit it off and was full of praise.
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