After Goddess, Guo Moruo wrote a lot of poems: Starry Sky (written between1921-kloc-0/922), Aquarius (written in the spring of 1925) and Thousand Cats (written in/.
The image system of "Starry Sky" is the same as that of "Goddess", lacking the passion of early poetry, but the technique tends to be mature: the structure is more rigorous, the language is more concise and implicit, and the feelings are more profound. Such as starry sky and winter scenery.
The Bottle is a love poem and a projection of depression in love during this period, but it still reflects Guo Moruo's romantic spirit. Such as "No.37".
Qian Mao and Restoration marked the change of Guo Moruo's poetic style. His poetry is full of revolutionary flavor of the times and is also an attempt of proletarian poetry. However, too many poems are used as political "phonographs" and individuals are used as "slogan people" and "slogan people", thus fundamentally losing their artistic individuality.