Yu Huai is talented and charming, and his poems are written in a deeper and more detailed way, showing a leisurely and lingering artistic conception. For example, "From Three Ruo River to Hexi River": "The painting boat enters the Hua River with the wind. The sky is high in autumn and the five peaks are low. Outside the solitary smoke of Luluo Monastery, there is a mangrove house in the west. There are many clear fish in the Ruo River, and there will be no birds in Huangshan Mountain. The sky cries. The peach land is not nowhere to be found, and the maple leaves are lost in the road." The feeling of loss is integrated into the desolate and lonely picture. Zhu Yizun commented that this poem has a "late Tang style" and an "autumn flower" style of "bright evening fragrance". Especially after the fall of the Ming Dynasty, he expressed a lot of sad and beautiful words about the rise and fall of a generation. His six poems about encounters, through the lyrics of Wang Jiefu, Su Zizhan, Lu Fangweng, Liu Houcun and others, vividly describe a person who is "nine points haggard" and "heart turned to gray" when the motherland is overthrown. The sorrow of Jiangnan wanderers. These works have sad emotions and clear and beautiful words, which were highly praised by Wu Weiye and Wang Shizhen.
In addition, his notebook "Banqiao Miscellaneous Notes" records the events of Xiaoxie. It is divided into three volumes, the first volume is Yayou, the middle volume is Lipin, and the second volume is anecdotes. His preface explains the reasons why he was moved by the events of Niaoxie and Yanye, saying: "Since the Ding revolution, time has changed and things have changed. Ten years of old dreams, as promised in Yangzhou. A joyous field, with bows turning into lush grass. Red teeth and green strings, The wonderful dances and clear songs cannot be seen but can be heard; the stream of flowers in the bridal chamber and the embroidered curtains cannot be seen; the famous flowers and grasses are surrounded by brocade and rhinoceros, but cannot be seen and admired, and the eyes are full of mugwort. , Buildings are robbed of ashes, beauties are dusted, and emotions of ups and downs have never happened before!" Therefore, it is a characteristic of the writing of this notebook to try to exaggerate the prosperity of the past to contrast with the desolation of today. 1. He is the author of ten volumes of "Yu Zi Shuo Shi", which was compiled by Yu Huai Danxin of Jiangbiao. Zhang Qin, a native of Yi, also has a copy.
2. He wrote eight volumes of "Dongshan Tan Yuan", signed as a native of Xiapi (Yu's county is called "Xiapi County"). When he lived in Xiapi, Gai met the ancients' good words and deeds, and wrote them frequently in his essays. , enough to make up for the history. Yu Huai's writings were signed in Chang Guanli books, either in Sanshan, or connected to Puyang and Putian, and he named his book after the east mountain of the city. He missed Zili and saw it in Simi; It serves as a place of residence and a second home.
3. He wrote "Remnants of History", which is very extensive and records the party struggles in the late Ming Dynasty.
4. Author of eight volumes of "Miscellaneous Records of Four Lotus Houses", also signed and edited by Pi Yuhuai. This book was written after the Jiashen Revolution. The collected contents include: anecdotes, utensils and antiques, Flowers, plants, animals, fragrant tea, local conversations, etc., are all included.
Fifth, he wrote a volume of "Inkstone", signed by Putian people, and Yu Huai's writings were widely searched. Self-knowledge said: "Compiled old things and compiled them into one book." Zhang Chao's postscript said: "Mr. has written a lot, but the inkstone can barely cover it; borrowing is not promising. With such a good inkstone, how can I be competent and happy?" Huai Suo said. There are actually eighty-six stories about inkstones written by me at the age of seventy-one.
6. The author of a volume of "Supplement to the History of Tea", signed by a native of Puyang, said: "I became addicted to tea, and I started to steal the manuscript for the book "Tea Garden"... I have not prepared it. It is called "Tea History Supplement", which means that Shu Jizu Shaosun supplemented "Historical Records" and Li Zhao supplemented "Tang History". "This book was republished by Liu Naida in the sixth year of Yongzheng (1728).
7. He wrote a volume called "A Study of Women's Shoes and Socks", which was also signed by Putian people. He also had "Shanji Series" and "Xiangyan Series" which were popular in the world.
8. The author of a volume of "A Little List of Palace Concubines", signed as a native of Puyang, is a masterpiece written by Yu Huai when he was seventy-nine years old. First, You Dong wrote the "Small List of Palace Concubines" to express his indifference. Huai said: "It's so beautiful and prosperous. There should be one or two other things mentioned in the rest, please record them later." You Dong lamented that "it is a supplement to the missing pieces of women's history." "Summary of Sikuquanshu" has comments and textual research on it. .
Yu Huai’s writings are dominated by poetry and are highly praised by later generations.
9. Wrote seven volumes of "Jia Shen Ji", without any official records. It was printed in the early Qing Dynasty and is now stored in the National Library in Beijing. This book was written in the seventeenth year of Chongzhen (1644). Volumes 1 to 7 are respectively: "Poems of Maoling", "Poems of Wutang", "Poems of Xiling", "Poems of Shanyin", "Poems of Ming'an", "Poetry of Miao". "Ancient Poems" and "Lvhuan", Huai intended to use Jiashen's famous collection to commemorate the death of the late emperor in the year of Sheji.
10. He wrote three volumes of "Jiangshan Ji", signed by Jiang Biao. One volume is "Shihu Tour Manuscript", the second volume is "Maohu Tour Manuscript", and the third volume is "Yuanhu Tour Manuscript" ", is a collection of Yu Huai's poems. Nankai University, Tsinghua University and other libraries have three volumes of Qing manuscripts of "Jiangshan Collection".
11. The author of "Poems on Wine and Boats on the Fengjiang River" is not divided into volumes. It is signed by Jiang Biao Yu Huai and contains thirty-eight poems. It is preceded by Jiang Gai's (characterized by Ru Xu) "Preface" ", one of the "Jiangshan Collection", was engraved during the Kangxi period and is now in the Fujian Provincial Library.
12. Author of three volumes of "Five Lakes Travel Manuscript". "Shi Shi Shi Shu Lu" says: "There are only seventy poems, all of which were written while traveling in Jiaxing. They have their own prefaces, and they are called Yuanhu Self Prefaces, and they are also called Hantie Taoist." Beijing Library's "Catalog of Rare Books" contains this book .
13. Author of "Wei Waixuan Poetry Collection". The poems and essays written by Yu Huai before Jiashen were all burned. The ones that survive today are those written after Jiashen. The manuscripts compiled by Kang Jue, a native of Yi, are in the library of Fujian Normal University. Kang Jue also compiled a volume called "Wei Wai Xuan Shi Ling".
14. He wrote "Xiling Singing Collection", which contains poems and lyrics. It was written when he and Cao Erkan (named Zigu) traveled to the West Lake. Kang Jue has a fragmented copy.
Fifteenth, he wrote "Collection of Man Weng Yousheng" and "Collection of Guangxiashan Renren Tongren", including poems and essays written by Gai Yuhuai and the famous official Yanshuo. There are manuscripts and two kinds of lost books attached.
Sixteenth, he wrote a volume called "Travel Chronicles of Sanwu", signed by Jiang Biaoren, which contains miscellaneous notes on poems and essays about traveling to Sanwu. It is one of the "Jiangshan Collection". According to the diary, he recorded his own journey and what he heard, saw and felt, and often improvised poems written on that day to express the pain of the country's subjugation. His poem goes like this: "It is the year when Geng Yin mourns Chu Xiang, and the boats are full of whistles and drums weeping in the high sun. The cloud flags go in and out of Dooshan ghosts, and the orchids clearly separate the emperor's hometown. The thread of life continues into the silence, and the sky is speechless. The road is vast. The water is deep, the waves are wide, and the dragon "Evil, empty souls are heartbroken." The remaining poems are full of deep emotions, and they read very much like the original flavor of Du Fu's poems. There are more than 80 poems in "Sanwu Travel Chronicles", including five-character and seven-rhythm poems and ancient poems. Whether they express the ambition to fight and restore the country, the passion for victory, or vent the grief of losing the country and destroying the family, they also express personal feelings. The inner anger is similar to Du Shi's desolation, generosity and frustration. Dr. Zhu Lixia, a doctor of literature, commented: "Yu Huai used the wanderings of mountains and rivers to write about the ambition of a scholar; used the gathering of scholars to express the sorrow and anger of the country's subjugation; used the experience of the singing girl to lament the uncertainty of the future; used the withering away of friends to express his own aspirations. "Charity." (See Qilu Academic Journal "Looking at Yu Huai's Survivor Complex from a Tour to Huating").
17. Four volumes of the manuscript of "Yu Qin Zhai Ci", with blue silk covers, not divided into volumes, handwritten by Yu Danxin, with clear and elegant fonts. Dong two postscripts, and inscriptions by Gu Guangqi and Sun Xingyan. There are Zhu Yinyang inscriptions in the book; the book is collected by the Cao family of Nei Ting (Cao Xueqin's father Cao Xi and grandfather Cao Yin). Wu Weiye said in "Yuqinzhai Ci·Inscription": "The Danxin Ci is mainly based on Fang Weng, and it is dyed with algae to reveal the lightness and handsomeness, and it is also obtained by others (note: Jinquan, that is, Tang Wen Tingyun's "Jin" "Tsuan Collection") Qingzhen. This is because he is rich in knowledge and talented in everything. "You Tong's "Yu Qin Zhai Ci·Inscription" says: "The pure words and fancy words come in droves." Huai's poetry indeed has the strengths of Wei Liaoweng (Heshan) and Xin Qiji (Jiaxuan). Xu Zeng, a modern bibliophile, called this book "eternally wonderful" in the inscription of "Yuqinzhai Ci". In the seventeenth year of the Republic of China (1928), Liu Yizheng, a master of Chinese studies who was the director of the Nanjing Library at the time, photocopied the "Yuqinzhai Ci" in the library.
18. He wrote a volume of "Autumn Snow Ci". The Beijing Library has a collection of "Ci Chao of Hundred Famous Masters", which was published by Luyintang during the Kangxi period. It contains a volume of Dan Xin's "Autumn Snow Ci". Gong Dingzi (also known as Xiaosheng) says in "Mingjia Ci Chao·Qiu Xue Ci·Afterword": "Thousand-year-old unique tune, plump but not slender, beautiful but not slender, tragic but not fierce, broad-minded but not contoured, there is no need to use carving as the basis." Work, and the jade light and sword energy loom beyond the fragrance of the rhythm. "Yu Huai wrote 450 lyrics throughout his life, and "Quanming Ci" included 233 poems.
19. He wrote three volumes of "Banqiao Miscellaneous Notes", signed by Sanshan people, and recorded the beauties of Jinling in the late Ming Dynasty. The first one is full of self-awareness: "This is the rise and fall of a generation, and it is also the emotion of the ages. This is not just a description of evil, but a true biography of Yan Zhi. "You Dong also wrote "Ti Shi". The first volume is about elegant travels; the middle volume is about Lipin, which records the situation of famous prostitutes in Jinling, mainly in the old courtyard, with Zhushi attached; the second volume is about anecdotes, miscellaneously recording the anecdotes of the prostitutes in the old courtyard. The "General Catalog of Sikuquanshu" records: "The article is desolate, enough to arouse desire and increase sadness, and it is also like the Beili Chronicles of the Tang Dynasty. However, if the law is taught by names, it will be a sinner of elegance." "Manuscripts of Qing History·Yiwenzhi" is included in the miscellaneous notes category. There are many versions of this book in circulation.
20. He wrote "Yanshantang Collection". There is no biography of Yu Huai's collected works. Only Zhou Lianggong's "New Notes on Ruled Papers" collected nine passages from Yu Huai's writings and recorded "Yanshantang Collection" in his biography.
21. The author of "Legend of Yuanyang Lake", Chen Weisong (zi Qinian) wrote a "Preface to the Legend of Yuanyang Lake" in Volume 7 of "Collected Works of Chen Jialing" by Chen Weisong (zi Qinian). Unfortunately, this book has been lost. , this book and the following three are all Yu Huai's drama works.
Twenty-two, "The Legend of Ji Cuiqiu", Volume 12 of Zhou Lianggong's "Lai Gutang Collection" "Fu Yu Danxin" says: "Reading Guangxia Jun's "Ji Cuiqiu", I feel that Ma Zhiyuan, Qiao Mengfu's lamp is still not extinguished. It is purely true to its original character, without any delicacy." 23. "The Legend of Feng Fa Ji" records Tang Jia's blunt talk about his wife Dong's affairs. Dong Youqi was very honest. Following his father's exile, he said to Dong: "We can meet each other regardless of life or death." He ordered him to adapt. Dong entered the room, tied up his hair with a rope, took a pen and ordered him to seal it bluntly, saying: "No one can understand it. "It won't last until death." Twenty years later, the couple met again, with the same old title, and they were bathed in oil, and their hair fell.
Twenty-four. Two volumes of "Golden Powder of the Southern Dynasties" are stored in the Shanghai Library. The lithographic version was republished by Guangyi Book Company in the eighth year of the Republic of China (1919). Deng Hanyi's "Poetry Views" commented: "The Danxin poetry is purely based on the atmosphere, which is a legacy of the Shen and Song Dynasties in the early Tang Dynasty." Recommended as a leader."
The Xinji volume of Chen Tian's "Chronicles of Ming Poetry" records: "Dan Xin's poetry is good at the flowers of the Six Dynasties, and adopts the style of the Tang Xian. "The mountains are sad and beautiful, and Xiaodu is romantic."
Wang Wangzhen's "Yuyang Poems" praised him as "not less Liu Bin (Yu Xi)" and selected his poems into "Ganjiu Collection".
Xin Chou of Shunzhi sent a poem by Yan Zi to Guangling in reply, and the poem said: "For thousands of years, the Qinhuai River has flowed eastward around the old capital. After the army in the south of the Yangtze River, I was worried about Yu Lancheng." "Zhongfu Chiang Hou Temple" , Qingxi Jiangling's house. The poems from Shicheng were passed down, and the guests from Wucheng were heartbroken. "
Dong Cangshui said: "The poem style of Danxin is like entering the treasure tent of hibiscus, caressing the carved harp of tortoise shell, and the jade pistil. , which is totally different from the human world, like Lin Preserved Flax, Tathagata’s Immortal Cave, it is said that it has transformed into the beautiful state of the Tang Dynasty” (see Fang Baochuan and Chen Xudong’s “Yu Huai and His Writings”).
Zheng Wangchen, a native of Yi, said in his "Lanyi Poetry Talk": "I tried to write "Banqiao Miscellaneous Notes" and described the events in the song very clearly. Compared with "Menghua Lu", his poems are clear and beautiful, but not elegant. Mi, the poet from my hometown in the Ming Dynasty, cannot compete with him.
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Wu Weiye, the director of the Imperial Academy in Nanjing, wrote "Man Jiang Hong·Gift to Nanzhong Yu Tianxin", praising his talents: "In the green grassy countryside, this young handsome man is picturesque, enjoying himself, and the mountains and rivers are beautiful. Here, there is a dancing pavilion and a singing pavilion. ...Ask the next generation, who is the leader, such as the Qing Dynasty? Chicken Coop House, Qingxi Club, West Garden Drinking, and East Hall Shooting. ..." Yu Huai's poems are rich in poetry.