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There is a word "Cuan" at home.
The origin of the word "Cuan" is explained as follows: First, it comes from the surname. Second, from the army.
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The origin of Chinese characters
Basic explanation
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Phonetic reference
Etymological glyph
Kangxi dictionary
The origin of the word "Cuan"
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The origin of Chinese characters
Basic explanation
Chinese dictionary
Phonetic reference
Etymological glyph
Kangxi dictionary
The origin of the word "Cuan"
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Edit this paragraph to explain these words.
Shuowen Bubu: "Bubu, that's called a dish." Mortar, like holding retort; Hey, like a cooking door; Hey, push the forest to start a fire. "
The original intention is to cook with fire.
light a fire to cook
Edit the basic explanation of this paragraph.
light a fire to cook
Pinyin: ㄘㄨㄢˋ Athena Chu
Simplified Chinese character radical: fire, external stroke: 26, total stroke: 30, which is the second largest simplified Chinese character. The first painting is Cloud, with 36 paintings.
Traditional radicals: fire, external strokes: 25, total strokes: 29.
Wu Bi 86: World Food Management Organization
Five strokes 98: emgo
Five elements: gold
UniCode:CJK unified Chinese character U+7228
Angle code: 77809
Cang Xie: Hexabromocyclododecane
Zheng code: NBGU
GBK code: ECE0
Standardized Chinese character number: 6499
Number of strokes: 32112512515112341344334.
Basic word meaning
● Width
Kuan ㄘㄨㄢˋ
◎ The original meaning is fire roasting: separate from each other.
◎ Kitchen: "It is said that Han Xiao does not smoke."
◎ The names of China Song Zaju and some short plays in Jin Zhong: Talking about Flowers. Four Treasures of the Study.
◎ Acting: "The husband's excellent performance really began with" Mu Lian Save Mother "in the Tang Dynasty."
Last name.
Detailed word meaning
imperial carriage
"Move"
Cook with fire
Here you are, Cook. -"Guangya"
Take it into the fire to ask for food, and take it out to ask for cooking. -"Shuowen Series Biography"
Xu Zi cultivated land with iron instead of kettle? -"Mencius Teng Wengong"
Yan Hui Somy, go get it, go get it. -"Lu Chunqiu Tongshi, Comments, Comments, Shu Ren"
(2) Another example: a man (husband). Chef); Bathroom (kitchen); A woman who cooks.
(3) incineration; Cook [burn]
If there is a slight thunder, stir it with grass and the smoke will explode. -"Notes on Water Classics"
Part of speech change
imperial carriage
(1) range. Kitchen stoves and cookers made of clay and pottery
Turn to pity and pay for your work. -Zhang Yan, "The Wind Disappeared"
(2) Another example: under the stove (under the stove); The fire in the hearth of the stove; Smoke (blowing)
imperial carriage
"Place name and surname"
Guuman and Baiman are the most popular names and ancient domain names. Wei, Jin, Southern and Northern Dynasties evolved from cuan clan, the ruling group in eastern Yunnan. During the Jin, Song, Sui and Tang Dynasties, cuan clan was divided into two parts (both in the east of Yunnan), with Qujing to Jianshui as the boundary. The eastern part is dominated by barbarians, and the western part is dominated by white barbarians. In the Yuan Dynasty, it was generally believed that Wu Man was black and Bai Man was white. After the Ming dynasty, it specifically refers to "Luo Luo". Baima people in Xi 'an area have accepted more Chinese culture in the long historical development process, with Yunnan, Yunnan and Guangxi as the main body, and constantly integrated people from other ethnic groups (mainly Han people who moved into the area). Heman, who lives in Erhai Lake area, and its nearby Songwaiman are all part of Baiman, which is not within the scope of cuan clan's rule. Many tribes of Kunming people live in Wuman in Dongkou. Known as "Kunming Fourteen Surnames" and "Wuman Seven Families". There are "Ayi Road" (now Dongchuan), "Amon" (now Zhaotong), "Kuishan" (now Daguan and Zhenxiong), "Lulu" (now Xuanwei, west of Shuicheng, Guizhou), "Momijian" (now Xuanwei and Qujing) and "Bao" (now Xingyi and Pu 'an, Guizhou). During the Tang and Song Dynasties, the Bai and Wuman in the hinterland of Yunnan gradually formed today's Bai, Yi, Naxi and Hani nationalities in different ways.
Edit this paragraph in the Chinese dictionary.
[①] [Width]
【 "Guang Yun" seven disorderly cut, change, clear. ]
Also known as "Ge 1". What else is it called? 1"。
(1) Cook with fire.
(2) refers to people who cook with fire.
③ refers to cooking.
(4) Incineration.
(5) the stove.
(6) China opera terminology. The names of some dramas in Song Dynasty and Jin Dynasty. In the past, it was also used to refer to performance.
(7) Names of ancient stars. Mercury today. See "Star".
(8) China ancient ethnic names and ancient place names. During the Three Kingdoms, the Jin Dynasty and the Southern and Northern Dynasties, Jianning (now Qujing, Yunnan), which was dominated by South China, evolved. Divided into two parts: east and west. Are all in the east of Yunnan Province today. In the Tang Dynasty, the East was barbarian and the West was white. In the Yuan Dynasty, Uman was called black pulp, while Baiman was called white pulp. After the Ming dynasty, the secretary specifically refers to Luo Luo.
(9) surname. There was fragrance in the Warring States period. See Warring States Policy Wei Ceyi.
Edit this phonetic reference
[Guangyun]: Seven chaotic cuts, twenty-nine changes, and width, to celebrate and blend with the mountains.
Ping: Go to the Voice of the Fifteenth Han Dynasty.
[Cantonese ]: Cyun 3
Edit the font of this paragraph.
Etymological evolution
[ 1]
Font contrast
Dialect set
◎ Cantonese: cyun3
◎ Hakka dialect: [Bao 'an dialect] con3 [Sha Tau Kok dialect] cion2.
◎ In contemporary Guanzhong dialect, it is often used to describe the flavor of food related to frying and roasting, "This (roasted) pepper is very strong". Xiang Xiang Xiang. Miracle's poem "Sending Flowers to the Mountain" says: "Purple fern is red and fragrant at noon", and Wei Zhuang's poem "Left Xi Mountain Left" says: "Stir the morning smoke and cook purple fern". These are all in line with the meaning of Guanzhong dialect to express cooking flavor.
English
Oven, cooking stove; cook
frequent term
Cooking, playing, playing, playing and smoking.
You are the best, you are the best, you are the best, you are the best.
You can't do anything, nothing, nothing, nothing to pay.
Edit this passage in Kangxi dictionary
Guang Yun, Ji Yun, Yun Hui and Zheng Yun cut randomly, and the sound is $ E.
Shuowen refers to cooking. The elephant is holding a bamboo raft, which is the mouth of the stove and pushes the fire in the forest.
"Jade" stove also.
Xiaoya is full of hesitation.
Biography is very important.
"Shu" focuses on meat and cooking.
"Zhou Li Tianguan Hengren" is an internal and external feeling.
"Attention" is the focus today. Mainly in the kitchen.
"Yi Li eats meat" is a big soup. Attention, on the fire.
"Huayang Guozhi" Changning has a habit.
"Shu Zhi" Jianning's family. Shu recorded the history of Jiaozhou.
Juyun is still written. Notes on detailed words. Cut the silk again and make a sound. So is cooking. Seven more slices, and bang. Yitong
In Zhou Li Shimonoseki Miscellaneous Records, in winter, when water is boiled with fire, it boils.
Note: use fire to boil water. According to "Zhou Li Shi Zhuan Shi Wen" and the seven-stringed cut sounds, the meaning of the words in the sutra is similar to that of the dynamic sound, and the dumb sound is silent. However, Zuo Zhuan Fifteen Years Biography: Analysis of Skeletons. Note: You can cook. Mencius, for example. It seems that everyone should read the flat voice. Mencius did not explain. "Zuo Zhuan" interpretation, but also the sound of seven chaos. If it's flat, you can stay.
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Cuanxia Village, located in Xibaobeigou, Zhaitang Town, Mentougou, 6 kilometers north of 109 National Road, was designated as a national key cultural relics protection unit by the State Council in 2006. Because there are too many strokes, it is inconvenient to write, so the word "Xiang" is usually rewritten as "Chuan". However, the ancient buildings in Xia Di Village are carved on the monument erected in the State Council, and the word "Cuan" still prevails. The origin of the word "Cuan" is explained in "Sichuan Xiacun Zhi" published by Mentougou Local Records Office as follows.
First, it is based on the surname. During the Wei, Jin, Southern and Northern Dynasties, the cuan clan family ruled the eastern part of Yunnan. During the Jin, Song, Sui and Tang Dynasties, cuan clan was divided into two parts, Yuan Dynasty was divided into black and white parts, and after the Ming Dynasty, it specifically referred to Rollo. Xian was a calligrapher in the Southern Song Dynasty. His name was Xian Daoqing, and he left the Monument to Long Yan. The other is Jianning satrap steamed stuffed bun, a general in the Jin Dynasty, who is famous for his steamed stuffed bun.
Second, from the army. There is a place called "Cuandou" in Chuandixia Village. Above the village, it was called "Cuandou Pass" in Ming Dynasty. The village name "Cuando Gorge" originated from the military pass in Ming Dynasty, which is homophonic with Sichuan, and later generations changed from complexity to simplicity as "Chuandixia". The terrain here is dangerous, and the ancient roads from Beijing to Huailai, Hebei Province all pass through here, forming a dangerous pass. The Liao Dynasty called "South Hidden Pass", which was the place where the Bai Qing Army was stationed in the "Eight Armies Behind the Mountain". During the Liao Dynasty, the Song Dynasty and the Jin State jointly attacked the Liao State. When Han Zhan, the general of the State of Jin, attacked Yanjing, he started from Fanshan small basin, crossed Huangcaoliang and attacked from the south. The Ming dynasty set up a port here and sent troops to guard it. Therefore, the village is located under the mouth, hence the name "under the mouth".
Cuanxia boulder
Xbs imitation stone
xbs
Edit this passage from Yan Longyan tablet.
In the main hall of Douge Temple in Xueguanbao, about two or three kilometers west of colored sarin in Lvliang, stands an ancient monument, which is one of the famous "two hexagrams" in China.
Yanlongbei
A monument to the dragon. Its full name is "Monument to the captain of the town protected by Prince Houyi of Deng Dou County, the secretariat of Ningzhou and General Long Xiang of Song Dynasty". In the second year of Daming in the Southern Dynasty (AD 458), Emperor Xiaowu of Liu Song ascended the throne. This monument is the tombstone of Ningzhou Secretariat, also known as the Great Monument. Compared with the Baozi Monument, this monument is bigger and has more words, with a height of 3.38m and a width of1.46m.. 24 lines of inscription on the front, 904 words, three paragraphs of inscription on the back, ***3 13 words. The monument is semi-circular, the upper part is embossed with Qinglong, Baihu, Suzaku and Xuanwu, and the lower part is perforated in the middle, and the sun and the moon are carved on the left and right, and the three-legged bird is carved on the day. There are toads in the middle of the month. In the title, "General Song Longxiang is a town protector, a captain, a secretariat in Ningzhou, and a monument to Hou Youjun in Du Qiong County".
In the sixth year of Qing Daoguang, when Ruan Yuan was the governor of Yunnan and Guizhou, he found this monument in Zhenyuanbao, Lvliang, and ordered Zhang Hao to build a pavilion for protection, with an inscription.
Yan Longyan was the leader of cuan clan in northeastern Yunnan at that time, and he was a hereditary local official. The inscriptions trace back to the origin and life story of cuan clan, which can make up for the lack of history. The inscription was written by Xian Daoqing.
Yan Yan Long Cup, Steamed Bun Cup and Ear Cong are two treasures of Nanbei. Yanlong Monument was built in the Southern Song Dynasty in two years, 53 years later than Baozi Monument. It can be said that these two monuments are both contemporary works. "Yanbei", the inscription calligraphy font is between regular script and unique calligraphy style, so it is called "regular script". The inscriptions are antique and dense. Although it is regular script, it is full of the meaning of official script, vigorous brushwork, strange meaning and changeable structure, which is a typical transition from official script to regular script.
Calligraphers admire it very much. Fan: "Yan Long Bei Ba" says: "The Wei and Jin Dynasties took it back, and these two tablets were the ancestors of calligraphers." Kang Youwei spoke highly of this monument, saying that this monument "is as pure gold and jade as the Miao Ling Monument, and all of them learned from Changyuan (Zhong Qin) and truly inherited the orthodoxy of Zhonglang God." He listed Yan Longyan as "the best" in "Monument" and praised him for "painting like a kundao carving jade, but seeing its beauty; Cloth, like a meticulous painter, is extremely important. " Because of the exquisite calligraphy, people often look for rubbings thousands of miles away. During the Daoguang period, someone wrote a poem: "My family is good at writing words, and the tiger lies and jumps." I came to Wanli to ask for this monument. Gui Ruan was quite detailed, but Wang was unprepared. I'll buy it for 1000 yuan, and I'll show you the park, St. Shen Feng and the Northern Wei Dynasty. "
Edit this part of graphics tablet.
It is called "the Tomb of Wei Zhen, Governor of Jianning in Jin Dynasty". The Qianlong Reform (AD 1778) was unearthed in Yangqitian (now Qi), 70 miles south of Qujing County.
Congbaozi Monument
Yuezhou Town in Forest Region). In the second year of Xianfeng (1852), he moved to Qujing City, and now he is hiding in Guibei Pavilion in Qujing No.1 Middle School Park. The head of the monument is semi-oval, and the whole monument is rectangular, with a height of 1.83m, a width of 0.68m and a thickness of 0.21m. Inscription 5 lines, 3 words per line; Inscription 13 lines, 7-30 words each; The official title 13 lines are listed at the bottom of the tablet, with 4 words in each line. The whole monument is ***400 words. Except for the last word in the last line of the title, the rest are basically complete and clearly visible. On the lower left of the monument, there is an inscription on Deng Erheng, the magistrate of Qujing in July of the second year of Xianfeng, which records the excavation and relocation of the monument.
Yuan Jiagu, a native of Yunnan, once wrote a book for the Monument Pavilion, "To serve the tycoons of the Eastern Jin Dynasty, steamed buns must add 300 words." This is called a small skull in southern Yunnan, and the stone tablet lives forever for two thousand years. The words "300" and "2000" here are for the purpose of language antithesis, and their approximate numbers are taken. In fact, it has been nearly 1600 years since the monument was erected, and the inscription * * * has 388 words. Tycoon was renamed by Emperor Jin 'an in Renyin's year (AD 402), Yuan Xing in the following year and Yixi in the second year (AD 405). Yunnan is far from the border, and I don't know the change of the year number in the mainland, so I still use it.
Cuanxiang Qujing
Qujing Cuan culture
Mr. Kang Youwei, the master of modern calligraphy theory in China, wrote in the book "The Double Courtesy of Guangyi Ship": "The second kind originated from Yunnan barbarism ... but its beauty has been crowned in ancient and modern times." "Er Cuan" is the common name of two famous monuments in the book world, namely Baozi Monument and Yanlong Monument. It is indeed appropriate for Mr. Kang to praise with "high" (lofty realm), "beauty" (wonderful art) and "the highest in ancient and modern times". To tell the truth, people who know a little about China's calligraphy art probably don't know the prominent position of these two famous monuments in the history of calligraphy art.
The second stone tablet is also called the big stone tablet and the small stone tablet. The big stone tablet is the tablet of Yanlong, and the small stone tablet is the tablet of steamed stuffed bun. Congbaozi Monument was erected in the first year of Yixi in the Eastern Jin Dynasty, that is, in the fourth year of Yuan Heng (AD 405), and Conglongyan Monument was erected in the second year of Liu Song and Daming in the Southern and Northern Dynasties (AD 458). The reason why it is divided into sizes is because there are differences in shapes. The Dragon Face Monument is 3.38 meters high and 1.46 meters wide, with a total of 927 words. The owner of the tomb, Long Yan, died at the age of 6 1 year. "Xian Baozi Monument" is only 1.85 meters high, 0.7l meters wide and has 403 Chinese characters. The tomb owner steamed stuffed bun is only 23 years old. However, there is no difference between the two monuments. They are both famous for their works.
Cuan clan, described in the inscription, was the ruler of Yunnan for hundreds of years from the late Han Dynasty to the middle Tang Dynasty. He ruled Qujing, was the satrap of the world leaders, and supported the soldiers with self-respect. Because he was far away from the central dynasty, he was actually the king of Yunnan. At the beginning of Liu Song Dynasty, the internal struggle was divided into two parts: East and West. The eastern part is dominated by Wu Man, the ancestors of Yi people, and the western part is dominated by Bai Man, the ancestors of Dai, Zhuang and Naxi people. With the passage of time, the surname of Yi gradually changed from "the most popular surname in the south" to the surname of various tribes, and the tablet of Ergui was the heyday of cuan clan's rule.
In the present campus of Qujing No.1 Middle School in Qilin District, Qujing City, Yunnan Province, 1937 admirers built a "monument pavilion" to protect it. Yuan Jiagu, the champion of the late Qing Dynasty, wrote a couplet and hung it on the pavilion.
Serve the Eastern Jin tycoons, and add 300 words to the treasure;
Known as a small mountain in southern Yunnan, the stone tablet lives forever for 2000 years.
The calligraphy style of Xiaoyan tablet is a transition from official script to regular script, but it is also full of interest in seal script, official script, line, grass and regular script. China's calligraphy has been developing from complexity to simplicity. In the Eastern Han Dynasty, Li was the main character, but it has evolved into line, grass and regular script. During the heyday of calligraphy in the Eastern Jin Dynasty, calligraphers were creative and innovative, and an epoch-making calligrapher, Rainbow Xizhi's son, appeared. The calligraphy of line, grass and regular script has matured. In the southwest and north, the popular regular script did not spread because it was far away from Jiangnan, the ruling center of the Eastern Jin Dynasty, so it always paid attention to the elegance and solemnity of the font. Therefore, the Eryao tablet was widely used, which seemed to be an unofficial and unofficial script, and because the tomb owners of the Eryao tablet were all overlords, the people who wrote the tablet were naturally masters at that time.
The full name of the small monument is "the tomb of the magistrate of Jianning, the general of the Jin Dynasty". Its language is quaint, its meaning is sonorous, its style is unique, its deeds are few, its inscriptions are numerous, and it is quite the style of the Six Dynasties. Its word structure is simple, each seal is inherited, the brushwork is both rigid and flexible, and the square is clumsy and skillful, and the unevenness is integrated into the end. Kang Youwei called it "quaint and full of strange postures"; Li Genyuan said that he was "bold as iron, charming as a goddess", also known as "strong pen, soaring in the sky", "tall and straight pen, calm and happy".
From an artistic point of view, this small stone tablet is a stroke of genius in terms of pen use, structure and composition. Its stippling features vigorous brushwork and distinct rhythm, with Fang Bi as the center and a round pen as the edge. The same stippling varies from word to word, and the odd and the positive change with each other. For example, the words "Jin" and "Pavilion" are long horizontal lines with upturned ends. After starting the pen, the upper left is turned into a sharp corner, that is, the lower right, and the right line is quickly raised. At the end, the pen was raised to the right, and the front was dark. The words "Quan" and "Long" are painted horizontally in reverse, and then the pen is written, and immediately the pen is moved forward, and the pen is closed, and then the pen is closed. Such horizontal paintings with upturned ends are varied and colorful. Others, such as vertical, hook, fold, left, press, point, pick, etc. They all strive for innovation in the rigor of their work, and have the aesthetic feeling of "like a plate of jade filled with large and small beads". Its structure broke through the square and flat pattern of official script font size, and some were square structures, most of which were ingenious and abnormal, which could not be measured by later regular script laws. For example, the font is particularly curious, and the size does not depend on the number of strokes. Less square strokes, more tomb strokes, bigger square LL tomb, more Wei strokes, less children's strokes, and Wei is smaller than children. "Show", "follow", "number" and "Miao" are four times as big as the word "He". The shape of Bang is short, the shape of Zhi is long, and the shapes of Bit and Lake are square and flat. All kinds of strange changes are dizzying. Its composition and layout are extraordinary. Fiona Fang is on the right, with big and small songs, and each capital is swaying. It means "when viewed from the side of the ridge, it becomes a peak, and the distance is different." The wonderful collection sets each other off and becomes interesting, which is pleasing to the eye and breathtaking. So it is famous all over the world, like a cloud.
The full name of the Great Monument is "Monument of Hou Yao, the county ambassador assassinated by a captain Ningzhou under the protection of General Longxiang in the Song Dynasty". In addition to words, there are many inscriptions on the Yin tablet, which is an important cultural relic for studying the local history of Yunnan, especially the family history of cuan clan. The original monument is located in Yuanbao Town, 20 miles southeast of luliang county, Qujing City, Yunnan Province. It was mentioned as early as Jing Li's Annals of Yunnan, and it was also recorded in Zheng De's Annals of Yunnan in the Ming Dynasty. During the Daoguang period of the Qing Dynasty, Ruan Yuan, the governor of Yunnan and Guizhou, found it in a barren land, and was later protected by Qiu Junen, the then magistrate, and is still in Zhenyuanbao Primary School.
This large stone tablet has been highly praised by the calligraphy circle since it was unearthed. When clearing Daoguang, Ruan Fuzan said, "... Unfortunately, in the eighty years between Liu He and Liu He, there were no stones in the palace. Wei Wei, this monument is far from the border, and it has been shocking so far. A Qing Fan compared the famous inscriptions in the Southern and Northern Dynasties with the great ones, and thought that "it is the best one among the five inscriptions" ... Since it was transferred from one person to another, numerous practices were initiated in the Tang and Song Dynasties. Jin Yiye, these two monuments (Dayi Monument and Song Gaoling Temple Monument) are the ancestors of real calligraphers. No one appreciates this monument more than Kang Youwei, who called it "the ultimate principle of official script" and "the first official script method in ancient and modern times", and listed it as "the first calligraphy in China", which almost reached the supreme position, even compared with the ancient sages: "If the dragon face is ancient, the crown will hang down", and he also wrote a lyric poem:
Iron stone has a strange vertical and horizontal posture.
Who inherited Xiang Si's brushwork?
After the Han dynasty, the voice died,
Only the first monument in Longyan.
The system of the big monument is similar to that of the small monument, both of which are official books and part-time books, but the atmosphere is different. Its meaning is majestic and powerful, its brushwork is vigorous, its momentum is magnificent and broad, its artistic conception is broad and far-reaching, and its brushwork is uneven. For example, Fang Bi and a round pen are used together, which is the ultimate monument. As far as Fang Bi is concerned, it is more generous and majestic than the "Zhang Menglong Monument" in the monument 64 years later; As far as the round pen is concerned, it is more dignified, more calm and upright than the famous monument "Zheng Wengong Monument" 53 years later, reaching the spiritual realm of combining rigidity with softness.
The name of Er Cuan Monument has a long history and is widely circulated at home and abroad. Calligraphers of all ages worshipped it and produced many anecdotes. For example, in the Qing Dynasty, no poet visited the two monuments and wrote a poem saying, "The calligraphy of the two books is rare and simple, and they know a few things. It is more appropriate to meet guests and read the monument against the light. " During the period of War of Resistance against Japanese Aggression, a calligrapher Lu, who had studied Eryao Monument for 30 years, made a special trip to Qujing to see this small monument with a long-cherished wish. But there were soldiers stationed in the small tablet pavilion, so he had to peek through the window. I read aloud: "I came to Quzhou, Wan Li to find a monument, and the pavilion was unlocked. The gentleman peeped out of the window and lingered under the shade." The next day, he hurried to Lvliang to visit Daxian. Fortunately, he was ecstatic when he saw the original tablet computer. He wrote a poem saying: "Climbing on the Youlong Rock in the rain, passers-by in the quiet room, feeling attentive and caressing, boating in the sunset."
Cuan township ancient music is a kind of music with unique local ethnic characteristics. Dongjing music is the cultural product of Yunnan's specific history and society. According to legend, in the 14th year of Hongwu in Ming Dynasty, 300,000 Ming troops wiped out the Liang Yuan King in Jiang Baishi, Qujing, and won the victory of "fixing Yunnan in World War I". Later, most of the soldiers who conquered the south stayed in Yunnan to practice "leading troops to plow the fields", and then brought "Jiangnan Yuefu" and court dance music to Yunnan, and gradually merged with local folk songs. During the Wanli period of the Ming Dynasty (A.D. 1579), with the prevalence of Buddhism, the changes of people's world outlook and outlook on life and the requirements of living customs, the scriptures of Wenchang Dadong Fairy Classic were filled in some tunes as lyrics, so it was called Cave Classic, which has a history of about 500 years. In this sense, Dongjing music is actually an integral part of ancient music in Cuan township, and ancient music in Cuan township is an important part of Cuan culture. Some people say that the music of Dongjing is a "Taoist attribute" or a "religious organization with Confucianism outside and Taoism inside", which is completely wrong, and it is a mistake that neither conforms to historical facts nor reality.
So what is culture? As far as its history is concerned, Yao culture is a historical civilization created by China during the 400-odd years from the Eastern Jin Dynasty (3 17 AD) through the Northern and Southern Dynasties to the seventh year of Tang Tianbao (749 AD), including some counties and cities in Guizhou and Sichuan today, including food culture, costume culture, customs, rituals and rituals. Its historical origin can be traced back to the saying that Qiang slaves gave mountains in Qin and Han dynasties, and also to the imam calling for the seal of a foreign country in the middle Tang dynasty. Among them, there are jade pipa, dragon wing Zheng, Bodhisattva Man, jujube, pomegranate flower, bird walking, children's songs with thorns, embroidery, sister-in-law night talk and so on.
During the 400-odd years of cuan clan's rule, because the Central Plains Dynasty was in the war of feudal separatism for a long time, it basically lost control of Yunnan, and cuan clan took advantage of it, "taking the Central Plains Dynasty as the new moon", but in fact it formed a closed-door situation of "opening the door of princes and closing the door of emperors", so Yunnan's society was relatively stable and its economy was relatively developed. With the "mountains spitting essence", "materialistic cross-flow" and "urban relative" At the same time, through the influence and integration of Central Plains culture, culture has become "unique to southern Xinjiang" and has become a unique and valuable cultural and spiritual wealth in Yunnan.