First, Shu Ting's "misty poetry"
Motherland, my dear motherland.
Shu Ting
I/am your old waterwheel by the river.
Songs that have been exhausted for hundreds of years/rotation
I am a miner's lamp on your forehead.
When you grope in the tunnel/snail of history.
I/am a withered ear of rice; Subgrade in disrepair
Yes/barges on mudflats
Put the rope/deeper.
Tighten your shoulders.
-the motherland!
I am poor.
I/am very sad.
I/am your ancestor.
Painful hope.
Yes/Tian Fei sleeve room
Millennium/Unforeseen Flowers/Flowers
-Motherland
I/am your brand-new ideal
Just broke away from the mythical spider web/broke free
I/am the germ of your snow quilt/ancient lotus.
I/am your vortex of tears/laughter.
I/am a new/white starting line.
Yes/crimson dawn
Presence/ejection
-Motherland
I am one billionth of you.
Is the sum of your 9.6 million square meters.
You/with scarred breasts
raise
Lost me, considerate me, boiling me.
Then/from my flesh and blood
get
Your richness, your glory, your freedom.
-Motherland
My dear/motherland
1, the content of each poem and the thoughts and feelings expressed.
Section 1: Write about poor and backward China. (emphasizing realism) (writing history) sadness
The second part: China in the pursuit of pain. (emphasis on spirit)
Section III: Write about China, which is prosperous and unfettered. (Write now) Happy.
Section 4: Write "I" and devote myself to the motherland. (Statement of "I")
2. How does this poem express the poet's feelings for the motherland? Through what things is this feeling expressed? What are the characteristics of these things?
(1), strong sense of patriotism and historical responsibility.
② Old waterwheels, miner's lamps, ears of rice, roadbed, barges, etc.
(3) There is still tenacious vitality after wind and rain.
3. Does "I" only refer to the author? What is the relationship between "I" and the motherland?
(1), I represent a generation with the same fate as China.
(2) Life and death are flesh and blood ...
The characteristic of Shu Ting's poems is to express her feelings tactfully and tortuous through concrete images. In the poem "Motherland, My Dear Motherland", the poet expressed a strong sense of patriotism and historical responsibility with his heavy historical accumulation. We should learn from her love and dedication to the motherland and make due contributions to the prosperity of the motherland.
Second, Shu Ting's love poems
Shu Ting's love poems are full of charm, and I can imagine after reading them, because there is always a story in these poems that is unclear but true. What the hell happened? It leaves us a huge space, which is fascinating. For example, "April Dusk": "There are groups of green melodies flowing in the April dusk/whispering in the canyon/wandering in the sky/if the soul is full of echoes/why do you want to find/sing if you want, but please/gently, gently, wet/April dusk/like a lost memory/maybe there is an agreement/so far it has not been booked; /Maybe once/Never promised. " This poem is obviously a deduction of a past love story, although there is only a faint shadow. Watch "Summer Night, Under the Sophora Tree". The poem says that under the bus stop in the city, when a girl is waiting for the bus, she always meets a young man by chance. They look like soul mates, but they don't talk, let alone communicate. When the girl came to the bus stop again that day, the young man didn't come and never saw him again. At this time, the girl's mind was: "The last bus has left,/for so many years, for so many years/I'm still thinking about that bus stop/that winding route,/the note signed on the old calendar,/and it has slowly drifted away with the dark tide of memory. /But when the beacon of your name/sent a signal in Wang Yang/my chest, something/answered in a broken voice. " What's between this young man and woman? Just like the previous poem, there seems to be no. If there is, it is so empty and illusory; If not, why is the heroine deeply saddened by this?
For readers, the attraction of poetry is enormous, because it brings people long-term imagination and aftertaste. Why is this? In our view, the emotional experience expressed in Shu Ting's poems is indeed a prototype of life emotion. The so-called prototype, in essence, is the common experience that people have accumulated in the same situation in their long-term life and expressed in the form of images, which is highlighted through specific situations. Shu Ting's recollection of the past in the above poems is just another representation of "peach blossom with a human face" in China's poems. According to Yi Wen Zhi, (Cui Hu) was promoted to the next Jinshi. On Qingming Day, you can go to the south of Beijing alone and live in a village. ..... flowers and trees, lonely. After a long time, a woman peeked through the door and asked, "Who is it?" Take the surname as the positive word, saying:' I am looking for spring alone, and I want to drink wine'. When a woman came in with a glass of water, she opened the door and set up a bed to sit down. She stood alone leaning against DOG Xie Ke, but it was extremely meaningful ... When she came to Tomb-Sweeping Day next year, she suddenly remembered it and couldn't help looking for it. The door wall is still locked. Because of the poem in Gu Men. A poem said: "Last year today, at this gate, peach blossoms set each other off. People don't know where to go, and peach blossoms are still smiling in the spring breeze. " Because this poem typically shows the beauty of people's lives and feelings, as a cultural accumulation, it has influenced the creation of similar works by later poets. Although the specific situation in the poem is different, it has a universal emotional experience. In Cui Hu's poems, it is "this door", and later poets can also be small cloisters, such as Zhang Bi's "Send away": "Don't dream, turn around in a small cloister. Affectionate is just a spring court, and it is still too late to leave people. " It can also be a "red chamber", such as Zhao Xie's "Red Chamber Feeling Old": "I am lonely in the red chamber, and the moonlight is like water. Where are the people who come to see the moon together? The scenery is vaguely like last year "; You can also use the "Boss Bridge", such as Liu Yuxi's "Zhi Zhu Ci": "There are thousands of willows in the Qingjiang River. Twenty years ago, the boss bridge was separated from the beauty bridge, but I hope I can't hear from you so far. " But what they have in common is a form of memory. Although there is no fervent cheerful consciousness and ups and downs in these poems, it is a kind of permanent memory: it yearns for the past that is difficult to grasp and feels the return of the world. It is the excavation and guidance of the hidden source of life. From the past to the present, time has melted into the emotional structure, thus extending the sense of depth of life and clarifying the inner meaning of life. The memory imagination represented by "Peach Blossom" is an endless suspense and a simple, eternal, simple and fresh beauty of mind fit; Love is not what you love, you can't forget the most beautiful notes you love. Isn't this the most beautiful movement in Shu Ting's poems?
Third, Shu Ting's lyrics
To Oak Tree-Author: Shu Ting
If I love you-
Never liked climbing Campbell flowers.
Show off yourself with your tall branches;
If I love you-
Never imitate spoony birds.
Repeat monotonous songs for the shade;
It's not just like a fountain.
Send cool comfort for many years;
It's not just a dangerous mountain peak.
Increase your height,
Set off your dignity.
Even during the day.
Even spring rain.
No, these are not enough!
I must be a kapok beside you,
Standing with you as the image of a tree.
Roots, clenched in the ground
Leaves, touching in the clouds.
Every gust of wind has passed.
We all greet each other,
But no one
Understand what we said.
You have your copper branches and iron stems.
Like a knife, like a sword,
Like a halberd;
I have my red flowers.
Like a heavy sigh,
Like a heroic torch.
We share cold waves, storms and lightning;
We like mist, flowing mist and rainbow.
As if we were separated forever,
But they are lifelong dependent.
This is great love,
Loyalty is here:
Love-not only love your great motivation,
I also love your stand, the land under your feet.
Shu Ting's poems have bright images and meticulous and smooth thinking logic. In this respect, her poems are not "hazy". Poetry, on the other hand, mostly uses metaphors, partial or whole symbols, and rarely expresses itself, so the images expressed are vague. Grasping this point, it is not difficult to interpret Shu Ting's misty poems.
To the Oak Tree enthusiastically and frankly sang the poet's personality ideal. Oak and kapok stand side by side, facing each other affectionately in an independent manner, which can be said to be a group of symbolic images with brand-new character in China's love poems. The establishment of this group of images not only denies the old relationship between men and women based on personal attachment, but also transcends the principle of mutual love that sacrifices oneself and only pays attention to each other. It perfectly embodies the modern gender character full of humanistic spirit: sincere and noble mutual love should be based on not giving up their independent positions and personalities. This is a great-span transcendence of personality over predecessors in gender concept in the new period. This transcendence comes from women's long-standing look up and sympathy, which is even more commendable. Poetry praises and praises the ideal of love, which is based on extremely ideological and powerful negation. The whole poem ***36 lines. Lines 1 to 13 use a series of natural objects for symbolic analogy, which profoundly denies the persistence (Lingxiaohua) and unilateral dedication (Dangerous Peak), which are based on one party's depression, atrophy and sacrifice, and form a profound and powerful contrast with the modern love ideal with opposite values. 14 to 3 1 lines positively express the ideal view of love: the two sides of love are completely equal in personality, which not only maintains their independent personalities, but also supports each other and goes hand in hand. Line 32-36 Portrait love should not only love the personalities of both parties, but also love his ideal-loyalty to the motherland.
The image of "oak tree" symbolizes the rigid beauty of men, while the kapok of "safflower" obviously embodies the female personality with new aesthetic temperament. She abandoned the delicate nature of old-fashioned women and was full of life breath, which was in line with the poet's ideal of women's independence and self-esteem.
In artistic expression, the poem adopts the lyrical way of inner monologue, which is convenient for expressing the poet's inner world frankly and openly. At the same time, the image is constructed as a whole symbol (the whole poem correspondingly symbolizes the independent personality and sincere love of both lovers with the whole image of oak and kapok), which makes philosophical thoughts and ideas germinate and poetic in a kind of intimate and sensible image, so this poem with rational temperament makes people feel that there is no preaching.
The reason why poetry adopts the overall symbol is that the poet's intention does not necessarily limit the theme of the work to the field of love. From the image composition of oak and kapok, we can also reasonably extend the moral ideals of mutual sympathy, mutual understanding and mutual trust among people, and at the same time be equal and independent.