Poetry related to traditional Chinese opera

One thousand pounds of spoken English is sung in pairs, and three points are sung and seven points are read. It's better to lose the backstage than the front desk, only if you don't dare. Nankun (Kunshan), Yi Bei (Yiyang), Liu Dong (Liu Zi) and Xibang (Bangzi). Men are afraid of running at night, and women are afraid that the madness of the Tang Dynasty will not last a minute on the stage. The audience will not practice their knowledge for one day, two days and three days after ten years of work. Kung fu is practiced at home, and there is no stage fright on stage. Saving the scene is like putting out a fire. It is the "madman" who sings in the opera and the "fool" who watches the play. There was a cry on the stage, and thousands of people cried under the stage; There was laughter on the stage and everyone under the stage was very happy. A play with eyes, a fart without eyes. Art never leaves, and music never leaves. Clear up the two, mix the three deficiencies (the result without basic treatment is: the first time it is ok, the second time it is blurred, and the third time it is forgotten). Play (blow) and sing hungry. Sun and moon lights, clouds, thunder, drums, a drama between heaven and earth; Tang Wujing, Wen Wusheng, Huan Wen Ugly, ancient and modern characters are all roles. A man can lead a horse to the water but he cannot make him drink. Disciples of the Church, Master of Starvation. Only top students, no top students. No ancestors, no status, no teachers, no inheritance. A good teacher makes a good apprentice. One is not overwhelmed. Three points depend on teaching and seven points on learning. It is better to spread a word of spring than to send an ingot of gold. (Spring: refers to jargon) It's better to give ten dollars to an artist's belly, a grocery store. Artists are bold, and bold people are skilled.