Jiang and Tang Ci are monotonous. The first time I saw Wei Zhuang's ci in Huajianji, it was monotonous, with 35 words, seven sentences and five rhymes. Or "tune" is named after a sentence in Ouyang Jiong's ci that "the mirror of learning Chinese characters reflects the river". Song people changed to two tones, 70 words, and the upper and lower films were all seven sentences and five rhymes. Ouyang Jiong's monotonous use of words turned two three sentences with a mezzanine at the end into seven sentences, which opened the way of mezzanine in Song poetry. Yin E's monotonous use of words in Houshu changed the original seven-character quatrain into three-character two-sentence, which opened the way to reduce words in Song Dynasty.
The DPRK changed its name to Jiang Shenzi, and Han□ had the sentence of "one hospital in the village after la and before spring", so it was also called "one hospital in the village".
[Edit this paragraph] Jiangchengzi Qin Guan
Willow trees in the west city make spring soft. Stay away from troubles. Tears can't be collected. I still remember my feelings. I once went back to the boat for the department. In the days of Bi Ye Zhu Qiao, people disappeared and the water flowed in vain.
Youth is not for teenagers. Hate you. When do you rest? As soon as the flying catkins fell, they went upstairs. Being by the river, I can't stop crying and have a lot on my mind.
Appreciation of Qin Guan's Ci
This is a masterpiece in late spring at the beginning of less travel. The first part of the poem is described as "the willows in Xicheng are soft in spring", which evokes memories of the past and expresses sad feelings for late spring; In the following films, from the sigh of "teenagers don't leave teenagers" to the description of "going upstairs when flying catkins fall", our sadness and hatred are further expressed.
The first sentence, "Willow in the west city, soft in spring", looks like pure scenery, but in fact it has profound implications. Because this willow color can usually remind people of youth and its perishable nature, and it can also make people feel sad in spring. The word "soft" in Make Spring Soft has hundreds of tender feelings, and the word "soft" has the meaning of pretending to provoke. Endowing the heartless landscape with emotion, unintentionally embodying the anthropomorphic method. The result of "willow makes spring soft" is that people "move away from sorrow, tears can't be collected". The following is written because of willow: "I still remember returning to the boat with passion." On Bi Ye Zhu Qiao's Day, people disappeared and the water ran out. "It is suggested here that this willow is not the willow in another place, but the willow in the pavilion near Shuitie, so it was once a boat trip, and there is a separation here. At that time, a pair of lovers stepped on the Red Banqiao and looked at Yuan Ye where spring grass was flourishing. Here, we say goodbye. Everything is fresh in my memory, but in front of me, the scenery is different and people are far apart. The melancholy expressed by the word "empty water flow" is deep and long.
The movie "Teenagers don't stay for teenagers" is because teenagers are in their prime of life and are particularly sentimental. The so-called "I hate you, when will you stop?" These two sentences are virtually reconciled with the previous two sentences: "Tears cannot be collected" and "Water cannot be left empty". "When the flying catkins fall, they will go upstairs", but when they climb, they are really "tears, endless tears when they are doing riverside, and many worries." This is an extremely clever metaphor. Tears, water and hate written down gradually from the beginning of the article merge into a river of spring water, which flows eastward endlessly, making people immersed in the torrent of feelings. It is really wonderful. This metaphor is not sudden, but gradually meets, naturally.
This word, written on the willow tree, is a wonderful word for "softening spring". Meticulous, appropriate and natural, anthropomorphic techniques are inadvertently displayed, and ruthless vitamins are affectionate; The word "sorrow" is written implicitly and in a gentle tone. Finally, a clever metaphor was triggered by the scene: clear tears, running water and parting hate merged into an emotional stream, and the words could not be exhausted.
[Edit this paragraph] Jiang Sushi
Jiangchengzi Mizhou Hunting Su Songshi
I said juvenile madness, which led to yellow on the left and pale on the right. Golden hat, mink and fur, thousands of riding rolls and leveling posts. In order to repay the people of the whole city for following my generous hunting proposal, I will shoot this tiger myself like Sun Quan.
Wine, chest and gallbladder are still open, and the temples are slightly frosty. What are the disadvantages? When will Feng Tang deliver it? I will make my strength as full as the full moon, full as the full moon, heading northwest and shooting at the team in West Xia Jun.
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This poem is an early work of Su Shi's uninhibited ci, written in the winter of the eighth year of Xining (1075), when Su Shi knew Mizhou. According to Dongpo Chronicle: "Sacrifice the long mountain in winter and learn to shoot eagles with colleagues." Su Shi has a poem "Sacrificing Long Mountain for Small Hunting":
Point a soap flag in front of the green cover. Huang Mao just went out.
Make the wind arrogant and the horse empty, and the rabbit goshawk sweeps the floor and flies.
Looking back at Guo Cui, Bai Yunsheng, I came back with red leaves in my eyes.
If Shengde uses the book of western calmness, white is still energy-saving.
Its description of the spectacular hunting scene and the ambition shown in the pawn chapter are similar to this song "Jiangchengzi".
Su Shi said in a letter to his good friend Xian a few days after writing this word: "This word is quite small recently. Although it doesn't have the taste of Liu, it is also a family, hehe. I hunted in the suburbs a few days ago and gained a lot. I made a shovel, so that the strong men of the Eastern Zhou Dynasty could reach their palms, stamp their feet and sing, and play flute and drum as a festival. Isn't it spectacular?
Shang Kun focused on the hunting scene, full of excitement and magnificent momentum. The word "crazy" is the core. Although it is a chat, it comes from the facts. When Su Shi was abroad or in exile, he often described himself as "sparse", "crazy" and "old crazy". For example, "Ten Beats": "It's crazy to dye the cream moustache to help the sleeves. Madmen are older and crazier. "
He was thirty-eight years old when he wrote this poem, but he called himself an "old man", which showed that he needed special experience.
The sentence "for the newspaper" is written about the cordial relationship between the satrap and the people and his rather conceited pride.
I wrote my wish to serve my country. From the third year to the seventh year of Xining, Liao and Xixia invaded the south several times, and the government of the Northern Song Dynasty ceded land to pay for silver, humiliating the country and the people, which made many people who were still upright angry. Therefore, Su Shi used the excitement of hunting to tell his long-cherished wish exactly, and the sincerity hidden under the word "crazy" was awe-inspiring.
A series of dynamic words such as hair, pull, hug, roll, pat, hug and hope are also very vivid.
[Appreciation]
In the era when the author lived, Liao and Xixia were the main frontier troubles in the Song Dynasty. Despite the humiliating peace treaty, the military threat is still very serious. The first paragraph of this word says that the hunting scene is very vivid. The second half extends from hunting to Sirius, which shows the author's ambition and determination to fight against the enemy. The spirit of the whole article is very heroic, full of the spirit of "writing poems horizontally", which has turned the soft language of Wu Nong, which has always been fragrant, into the sound of the yellow bell that can make contributions to the country, expanding the scope of expression and improving the artistic conception of the words.
This word was written in the eighth winter of Xining (1075). Su Shi's ci style was formally formed in Mizhou period, and this word is recognized as the first word of boldness. Su Shi is quite proud of this exciting work. In a letter to a friend, he wrote: "This is a rather small word. Although it doesn't smell like Liu, it is also a family. Hehe, I hunted in the suburbs a few days ago and gained a lot. I made a shovel, let the Dongzhou brave men sing, beat the time, play the flute and drum as a festival, which is quite spectacular. " Su Shi's ci is in contradiction with the traditional concept of "poetic and picturesque", which broadens the realm of ci and sets up a different banner of ci style.
Influenced by Confucian people-oriented thought, Su Shi has always been diligent and loving the people. Wherever he went, he made great achievements and was supported by the people. During his stay in Michigan, his life was still lonely and frustrated. He was depressed for a long time, and the outbreak became more and more violent. He acted when something happened, such as carrying the wind and waves at sea. This word begins with a bold sentence, and covers the whole article with the word "crazy", expressing the heroic spirit in the chest. When Su Shi was forty years old, he was in his prime. He shouldn't say that he is old, but he calls himself "old lady" and "chatting", which is in sharp contrast with the word "teenager" and vividly reveals his depressed mood. He is holding a yellow dog in his left hand and a falcon in his right hand, wearing a gorgeous hat, mink coat and hunting suit. He is majestic and majestic. The word "thousand riding and rolling flat hills", a word of "rolling", suddenly shows how magnificent the team led by the satrap is like waves. The whole city came to see their beloved satrap hunting, and there was no one in the street. What a big hunting map this is. The satrap was very encouraged and angry about the bullfight. In order to repay the kindness of the people who went hunting with him, he decided to kill the tiger himself, so that everyone could see the majestic posture of Sun Quan when he killed the tiger. Shang Kun wrote a magnificent hunting scene, which showed the author's ambition and hesitant heroism.
Next, I further wrote the "crazy" state of "husband". When I was hunting, I drank a good wine, which made me more interested and courageous. Although the "old man" is old and my hair is gray, what does it matter! The contrast between "old" and "crazy" shows the author's heroic nature. During the period of Renzong in the Northern Song Dynasty, the national strength was weak and the national situation was weak, and it was often invaded by Liao and Xixia. Su Shi was associated with national affairs from the beginning of hunting, and with the situation that his talent was not satisfied and his ambition was difficult to be rewarded. He couldn't help taking Shang Wei as his condition in the Western Han Dynasty, hoping that the imperial court could send envoys like Feng Tang to call him back to the DPRK and gain the trust and reuse of the imperial court. "I can bow like a full moon, look northwest and shoot Sirius", and Sirius is Liao and Xixia. By depicting the image, the author expressed his ambition, killed the enemy, served the country and made contributions. Xia Gan expressed his political proposition of strengthening the country and defending the enemy by hunting, and his lofty aspirations and lofty sentiments of being eager to serve the imperial court.
This word is full of unrestrained feelings, which makes people feel that "storms are coming", and it expresses the author's mind and knowledge, emotional interest, hopes and ideals, full of twists and turns, full of posture and "crazy" state; Although there is no lack of generosity and indignation, the weather is magnificent, the word "pointing all the way, refreshing the world" is weak, full of masculine beauty, and it has become a historical masterpiece.
Jiangchengzi Mizhou Hunting
Su Shining was appointed to JaeHee for four years (107 1). Because of his different opinions on Wang Anshi's political reform, he invited himself to be appointed. The court sent him to Hangzhou as a general, and three years later he was transferred to Mizhou as a satrap. This word was written in the winter of the seventh year of Xining (1074), and I went hunting with my colleagues.
The first film in the poem tells the story of hunting. Su Shi, 38 years old, calls himself an "old father-in-law" and is quite disappointed. At the beginning, I said I shouldn't be crazy, but I want to talk about it myself and find out the lofty sentiments of young people. The yellow dog leads with his left hand, and the goshawk carries it with his right arm. He wore a brocade hat and a mink coat. They led many followers through the hills quickly. It shows that this is a well-equipped and crowded hunting. The words and deeds of "Hu Anping Gang" go very fast, which shows that the hunters are in high spirits and full of energy. Low-level writers came out to watch the satrap hunt in return for people's connivance. He wants to shoot the tiger with a bow in front of the horse, just like Sun Quan did. Sun Lang is Sun Quan. The History of the Three Kingdoms records that during a trip, Sun Quan's mount was injured by a tiger. He calmly killed the tiger in front of the horse. This shows the arrogance of the author when he was young, especially after describing the mass scenes of hunting with strong colors.
The following films are mainly lyrical. What does it matter that the writer's chest is a little white after drinking? The author doesn't care about his aging, but more hopes that the court can reuse him and give him the opportunity to make contributions. Here the author uses an allusion; According to Records of Historical Records, Biography of Zhang Shizhi and Feng Tang, Emperor Wen of the Han Dynasty was a satrap in the cloud and made meritorious service to the Xiongnu, but he was convicted and dismissed for reporting six more heads when he made meritorious service. Later, Emperor Wendi took Feng Tang's advice and sent Feng Tang and Jeff to the cloud to pardon Shang Wei. Here, the author uses Shang Wei as a metaphor, saying that when can the court reuse itself as it sent Feng Tang to forgive Shang Wei? Finally, the author expressed his ambition to contribute to the defense of the enemy of the country, saying that I will definitely pull the bow and shoot at Sirius in the northwest. Sirius, according to the "main invasion and plunder" contained in Jin Zhi, here refers to the Xixia army invading from the northwest. At the end of the sentence, Su Shi expressed his patriotic spirit of serving the country and caring about the destiny of the country.
This word is bold and unconstrained in theme, emotion, artistic image and language style. It is completely different from Wen's Looking at Jiangnan. After writing this poem, Su Shi wrote a letter to a friend, saying that this poem "is a family although it doesn't smell like Liu Yong" (Jane), indicating that the author at that time realized that there should be two different styles of ci, and Su Shi consciously practiced his own style in some of his own ci works.
[Appreciation]
By describing the magnificent scene of the poet's hunting, this poem expresses his patriotic enthusiasm and heroism aimed at killing the enemy for his country.
Jiangchengzi sushi
On the 20th of the first month, Yi Mao remembered her dreams day and night.
Ten years of life and death,
Never think, never forget.
A lonely grave thousands of miles away, desolate and nowhere to talk about.
Even if we don't know each other when we meet,
Face covered with dust, temples like frost.
When night comes, the dream suddenly comes home.
Xiao Xuan window, get dressed.
Care for each other without words, only a thousand lines of tears
It is expected that the annual sad place,
Moonlight night, short matsuoka.
About the author:
Su Shi (1037 ~110/) was born in Meishan, Northern Song Dynasty. He is a famous writer, one of the eight masters in Tang and Song Dynasties. He is knowledgeable and versatile, and has high attainments in calligraphy, painting, poetry and prose. His calligraphy is called "Song Sijia" with Cai Xiang, Huang Tingjian and Mi Fei; He is good at painting bamboo and strange stones, and also has outstanding opinions on painting theory and calligraphy theory. He is a literary leader after Ouyang Xiu in the Northern Song Dynasty, and his prose is as famous as Ouyang Xiu. Poetry is like the name of Huang Tingjian; His writing is magnificent, bold and unconstrained, and graceful. Known as "Su Xin" with Xin Qiji in the Southern Song Dynasty, * * * is an uninhibited poet.
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This is a eulogy. The author vividly reflects his sincere feelings and deep nostalgia for his dead wife by combining his unfortunate experience and infinite feelings in his political career in the past ten years.
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Two people have been dead for a lifetime, isolated for ten years, and there is no news. I don't miss it, but I will never forget it. His wife's lonely grave is thousands of miles away, and there is no place to talk to her about her bleak situation. Even if we meet, I don't expect to know each other, because I'm running around, dusty and cold.
In the evening, I suddenly returned to my hometown in a vague dream, only to see my wife dressing at the small window. They looked at each other in silence, only a thousand lines of tears. It is expected that the moon will shine on the grave hill with small pine trees at night in the place where the heart is broken every year.
When writing this word, the author knows that in Mizhou (now Zhucheng, Shandong Province), his wife Wang Fu died in Kaifeng, Song Yingzong for two years (1065). By this time (Xining eight years), it has been ten years before and after. The preface before the word clearly points out that the theme of this article is "recalling dreams". However, the dream scene only appears briefly in the next paragraph of the word and does not occupy a dominant position in the whole article. The reason why the author can enter the hometown of "quiet dreams" is that he can "remember dreams" in words. It is the inevitable result of the author's yearning for his dead wife and long-term unforgettable experience. So the tragic reality of "ten years of life and death" was pointed out at the beginning. What is written here is the personal sad life experience in the long years. Student refers to the author; Death means a dead wife. This shows that the living and the dead have missed each other for a long time, but the news is blocked and the voice is slim. The reason why the author mentioned life and death side by side is not only to clarify the role of the topic, but also to emphasize the sadness of the living, so the words "if you don't think about it, you will never forget" appeared immediately. "Don't think about it" is actually to retreat for progress, just to show the depth of the feeling that the living are "unforgettable". Immediately add a sentence, "A thousand miles in a lonely grave, nowhere to talk about desolation". Explain the actual content of "unforgettable". After the death of Wang, he was buried in Meishan, Su Shi's hometown. Naturally, there will be a saying of "a lonely grave of thousands of miles". As a result, it is difficult for the author to even get a chance to pay homage at the grave. The dead are "desolate" and the living are heartbroken. Ten years is a long time; "A thousand miles" is a vast space. In this long and vast space of time, there is an insurmountable boundary between life and death. How does the author not multiply the sigh of "nowhere to talk"? It is difficult to cross the boundaries of time, space and life and death, so we have to beg for a dream meeting. The above four sentences paved the way for "remembering dreams". At the end of the last film, three sentences suddenly changed the subject, making progress and retreating, imagining the unexpected consequences of not knowing each other even if they met. The contents of these three sentences are very many, including the author's ups and downs in his career in the past ten years, the long-term mental torture of his dead wife, and the physical aging in the past ten years. Hypothesis; Even if the boundaries between time, space and life and death are broken, the living and the dead can still "meet", but I'm afraid it's difficult for each other to "get to know each other" when they meet. Because ten years later, the author is "travel-stained, as cold as ice" and looks like an old man. These three sentences reflect the author's misfortune and great changes in the world in the past ten years (including his three-year life in Beijing after opposing the new law) from the reflection on the imaginary dead.
The next movie is about the sudden appearance of dreams: "When night falls, dreams suddenly come home". As far as the word is concerned. This article is really Apollo's true feelings. Every sentence is painful, but this sentence contains joy in sadness. Xiao Xuan Window Dressing supplements the above sentence with vivid images, thus making the dream more real. The author seems to be beside the newly-married king, watching her bathing in the morning light and dressing up in front of the mirror, and her heart is full of sweetness and tenderness. However, the word pen later changed from happy to sad. "There is nothing to say to each other, only a thousand tears." These two sentences should be "a lonely grave a thousand miles away". Now you can "go home" and it is time to enjoy "bleak words". However, I don't know where to start with a thousand words in my heart, so I had to "help each other" and burst into tears. These five sentences are the theme of this word: "Remember the dream". It is precisely because dreams are illusory and the artistic conception of the word is somewhat dreamy, so it is impossible and unnecessary for the author to describe it incisively and vividly. Only in this way can we leave room for readers' imagination. The last three sentences are a sigh after the dream and a comfort to the deceased. If we associate the first ten years with the uncertain "year after year", isn't the author's memory of his dead wife "and this endless sadness continues"? This article has a noteworthy feature in art, which is straightforward and sincere. Because the author has a deep affection for his dead wife, even ten years after the death of the other party, the author still fantasizes about meeting in his dream. And through the dream (or the part related to the dream), express your true feelings heartily, without taboo or concealment. Words like "I can't forget if I don't think about it", "I have nowhere to say" and "I only care about a thousand lines of tears" all reflect the natural characteristics of direct confession and voicing. Another feature is rich imagination and ingenious conception. The author gallops through the imagination from a long time and a vast space, and integrates the past, the present, the dream and the future into a unified artistic whole, closely following the words "thinking" and "unforgettable". The whole word is clear, but it is full of twists and turns. In the first film, there are eight sentences about the memory and emotional ups and downs before writing the dream, the first five sentences are about the sadness and joy in the dream, and the last three sentences are about the sigh after writing the dream. The plot has ups and downs; With a pen, there are advances and retreats, feelings, sorrows and joys; Do all the twists and turns. Another feature is frank language and pure line drawing. Because this is a poem that expresses true feelings, the language is also extremely simple and natural, with true feelings. If you understand, there is no trace of carving. This simple language and the staggered use of different sentence patterns (three, four, five, seven words) make this word handsome and sharp, which just shows the author's thoughts and feelings. It has an inherent sense of rhythm and gripping artistic charm that is difficult to produce in ancient poetry and rhythmic poetry.
In the Tang, Five Dynasties and Northern Song Dynasties, most of the words describing women were narrow and dusty. Su Shi's words are open-minded, his feelings are pure, and his character is noble, which makes people feel refreshed. It is Su Shi's initiative to mourn with words. This article should occupy a certain position in expanding the theme of words and enriching the expressive force of words.
This article can be compared with Pan Yue's mourning poem, Yuan Zhen's Mourning for the Past and Wu Wenying's Preface to Birds Singing in Southern Song Dynasty.
Supplement:
/kloc-At the age of 0/9, Su Shi married Wang Fu of the same county, and later went out to be an official in Shu. Husband and wife are good at harps and harps, and there is sweetness in bitterness. Ten years later, Wang Fu died and was buried in his hometown Zuying. This word was written by Su Shi ten years after Wang Fu's death after he had a dream in Mizhou. Although the living and the dead are separated forever, the emotional bond is knotted and exists forever. The phrase "never forget" seems ordinary, but it is heartfelt and sincere.
"Don't think about it" is heartless, while "Never forget it" is generous without tasting it for a day. This feeling is deeply buried in my heart and it is hard to get rid of it. I am used to the loving words of "I don't think for a day, but I gather my eyebrows a thousand degrees" (Liu Yong). Looking at Su Shi's poems again, we can feel that they are writing emotional types at different stages of life. The former is the feeling of youth, passionate and romantic, but easy to fade. The latter is a normal relationship between husband and wife who have been living together for life after entering middle age. Like daily life, it is bland, yet light and eternal, long and profound. Su Shi has always appreciated the artistic style of "dry outside and paste inside, seemingly light but beautiful in fact", and this is exactly the feeling expressed in this word, so he can never die.
Another noteworthy point of this word is that the encounter between husband and wife in this dream clearly marks the difference between life and death. Wang Fu in Sakura Dream is "Xiao Xuan window, dressing up", just like a young woman who has not been married for a long time. Her image is beautiful and brings out the joy of Su Shi's boudoir. But the changes in the world in the past decade, especially the psychological trauma, are obvious to both sides.
Su Shi's mood is very old because of the ups and downs of his official career and his running from north to south. When Wang Fu met Su Shi, he was also "caring for each other without words, only tears", as if he were talking about the infinite grief after "Where are you going?" The hardships of life also have a potential and far-reaching impact on unconscious dreams. In the last three sentences, I imagined the loneliness and sadness of my dead wife buried in the ground. In fact, two hearts are interlinked, and the living miss the dead more.
I really appreciate this sentence of Su Shi. Imagine Su Shi waking up in the middle of the night, still wondering if his wife Wang Fu really came back or just a dream?
Is it really just a dream?
Dressing like that in front of the mirror, laughing like that, that's just a clip from ten years ago? When was that deeply rooted in the memory of ten years that passed by?
So Su Shi sighed slightly, full of sadness, and only said gently: Ten years of life and death are two boundless. ...
Love and death are eternal themes, especially love with death paragraphs.
Holding "In the Center of the Sea", the old rose stood on the foggy sea that once swallowed Jack, recalling every word that broke through the cold night. All she wanted to say was "ten years of life and death"; Watanabe, 38, occasionally heard the Beatles' Norwegian Forest on the plane and remembered the hairpin behind Naoko's head. All he said was "ten years of life and death". If Lu You passes Tang Wan's grave, "wrong, wrong, wrong" is meaningless. It is better to insert a chrysanthemum and sigh: "Ten years of life and death are two boundless"; When rascal Cai has a family and a room, every time he drinks coffee, he thinks of the dancer in brown, and he should also think of Ten Years of Life and Death. The Supreme Treasure will always remember that Xia Zi, who died in a wedding dress with hatred, will endure the inner pain and say, "There has always been a sincere feeling in front of me, although it is ten years of life and death."
Ten years of life and death are two boundless. The lovers who once cared for each other have been separated by yin and yang for many nights. I can't think of it, I can't say it. I only have the joy and pleasure left in my memory. As tea that has been soaked for thousands of times, I relive the familiar taste repeatedly and add fragrance by hanging the tea ten years ago. "Ten years of life and death are boundless", and "infinity" is more than "life and death". Ten years later, everything is "boundless" and "not what it used to be". It's just that this feeling is not "boundless", it's gone. Even if the deceased has passed away, the living will always remember that on the night of lovesickness every month, without thinking, they return to the window of Xiao Xuan, heartbroken, missing, helpless, sad and feeling, saying "boundless"!
Supreme Bao once asked Guanyin's sister before casting a spell, why you can hate someone for decades and hundreds of years, but you can love someone for decades and hundreds of years. Su Shi's "Ten Years of Life and Death" made me see a tear that can be preserved for thousands of years in the confusion of the past and the present, and an unbeaten white chrysanthemum in front of the fragrant grave.
Jiangchengzi sushi
Tao Yuanming visited Xiechuan on the fifth day of the first month, sat in a temporary class, watched Fu Nan and loved the unique scenery of Zengcheng. His Xie Chuan poem still makes people want to see its position. In the spring of Yuanfeng, it is a pity to cultivate on Dongpo, build a snow hall to live in it, surround the pavilion in the south and control the micro-spring in Beishan in the west, and it is also a trip to Sichuan. It's a long and short sentence, sung by Jiang Chengzi.
I woke up drunk in my dream.
Only Yuan Ming was a former life.
Travel all over the world, but still plow.
Last night, Dongpo was full of spring rain, black magpies were happy, and the weather was fine.
On the west bank of Tang Xue, a dark spring is singing.
The northern mountain slopes and streams cross.
Looking at the pavilions in the south, the lonely show shrugs the city.
It's all the scenery of Xie Chuan that day. I am old, send my remaining age.
Appreciation of Su Shi's Ci
This word was written during Su Shi's relegation to Huangzhou. He compared himself to a visit to Xie Chuan by Tao Yuanming, a poet in Jin Dynasty, who "dedicated himself to Dongpo and built a snow house". He combines reasoning, scenery description and ambition in one furnace, and expresses his deep admiration for Yuanming in his poems, and his broad-minded mind of being happy and forgetting his worries. The works are bold and unconstrained in plain, full of quiet, leisurely and rough pastoral interest.
The first sentence, "I wake up when I am drunk in my dream", is contrary to common sense, saying that I can only wake up when I am drunk, and I can understand in my dream, which expresses my cynicism. This sentence shows that Su Shi can understand Yuan Ming's drinking mood and know that he is actually awake in a dream or drunk, which is their similarity. "Only deep, is a former life. Traveling all over the world, still ploughing the fields ",full of bitterness, this situation, coupled with the roundness, how similar their fates are. "At the end of the Yuan Dynasty and the beginning of the Ming Dynasty, Su Shi returned to the field because he was dissatisfied with real politics, but he was demoted as a sinner. This is their difference. Su Shi hinted with sadness that Dongpo's formation was caused by political persecution.
"Last night, the Dongpo spring rain was enough, and the black magpie was happy to report a new sunny day." After some discussion, it blended into the scene. Through the description of the vibrant scene of black magpies reporting sunny days after the spring rain, the poet's joy, joy and love for nature are vaguely expressed.
The last four sentences are mainly about scenery, which are very stereoscopic in these words. Springs, streams, mountain pavilions, distant peaks and ears are connected, showing the quiet realm of rural life and giving people a sense of relics beyond the world. The author then draws the conclusion that "all the scenery in Xiechuan is on the same day", because he is eager to be profound and eager for him to go to Xiechuan that day, so he feels that what he sees is also the scenery in Xiechuan that day, and at the same time extends deeper feelings. Tao Yuanming abandoned his official position and returned to the field at the age of 4/kloc-0. Later, he never returned to his official position. At the age of 50, he went to Xiechuan. Su Shi was 47 years old and devoted himself to Dongpo. Everything seems to be a profound situation that day. Will he spend the rest of his life like Yuan Ming? At that time, politics was dark, and Su Shi had little hope of making a comeback, resulting in a feeling of dying. The heavy lament at the end of the sentence "I am old and have the remaining age" shows that Su Shi is not self-numbing and blindly optimistic, but deeply worried about the rest of his life and is dreaming.
The structure of this word is quite ingenious. The first sentence was abrupt and the discussion was full of emotion. Then write the scenery, interlocking, distinct, closely linked to the first sentence, there is love in the scenery, and there is reason in the feelings. The conclusion echoes the first sentence and the scenery after the film, and summarizes the whole sentence. The spring scenery of Tang Xue in Dongpo today, like the scenery of Xie Chuan that day, leads to the yearning for Xie Chuan's trip that day, as well as the indifferent and complacent state of mind in adversity. "It's all the scenery of Xie Chuan's day", seemingly plain words, is the author's heartfelt wishes in the face of distant historical background.
Jiangchengzi
(On the lake, I was endowed with Zhang Xian, and I heard the piano playing. )
Phoenix Mountain Chu Qing is rainy, the water is clear and the sunset is bright. A lotus flower is still blooming. Where do the double herons fly? Mu Pingting if you are interested.
Suddenly, I heard that there was mourning for Zheng on the river, which was bitter and affectionate. Who will be sent to monitor? Smoke gathers in the clouds, which is auspicious according to the agreement. I want to ask for it at the end of the song, not seeing it, counting the peaks.
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Appreciation of this word was made by Su Shi when he was a judge in Hangzhou from five years (1072) to seven years, and when he visited the West Lake with the famous poet Zhang Xian (990- 1078) who was over eighty at that time.
The author closely follows the topic of "Wen Qin Qu" with great interest, and describes the beauty and touching music of the pianist from many aspects. In the poem, the violinist was placed in the beautiful lakes and mountains of Chu and Qing after the rain, which made the characters and scenery set each other off, and the music and mountains complemented each other. In the description of characters, the author uses metaphor and contrast.
The first three sentences are about mountains and lakes, just like the background pictures of characters. The phrase "a lotus" followed closely, which not only described the water lotus, but also compared it to the beauty who played the piano, and received the artistic effect of pun. Structurally, this surface describes the scenery, but in fact it turns to the description of the pianist, which can be said to be seamless. According to "Mo Zhuang Man Lu", the zither player is over 30 years old and "elegant in charm and generous in posture". Here, it is not only accurate but also interesting to write about her with the metaphor of "a lotus in full bloom". Then, the beauty of the pianist was set off by the admiration of the egrets. The double egret in the word actually refers to the situation that two guests are indifferent.
The next film focuses on music. From the general melody of the music, it is called "mourning for Zheng", and from the feelings conveyed by the music, it is called "bitter (extreme) affection"; "To whom" means that music is sad, and whoever has the heart to listen is written from the listener's point of view; The sadness of music is further exaggerated, which means that ignorant nature is also moved by it: smoke converges and clouds collect; Finally, to sum up, this sad music is like a perfume goddess playing a harp to pour out her sadness. Xiangling used allusions from E Huang and Nv Ying. At this point, sad and moving music is moving towards the highest peak step by step. It seems that there is no such sad and moving music.
Everything in the world can only come from the hands of a god like perfume goddess. At the same time, the phrase "Xiangling as agreed" is a metaphor for the beauty of Xiangling. At the end of the word, Cheng Yiyue is waiting for the screenwriter, but he acts hard to get. He did not describe the characters positively, but wrote that the pianist had drifted away, only to see the green hills and peaks still standing quietly by the lake, as if the sad music was still rippling among the mountains and rivers. The phrase "When no one is seen, the peaks are green" is so natural, apt and traceless, according to the poem "When no one is seen at the end of the Song Dynasty, the peaks on the river are green" written by Qian Qi, a poet in the Tang Dynasty. It not only has a moving image, but also implicitly inherits the sentence "according to the contract is a spirit" in structure, combining the upper and lower allusions. "Several Peaks" also responded to the scene described at the beginning of the word "Phoenix Mountain Rain in Chu Qing", which is really memorable and memorable.