Li Bai's poems have a strong romantic spirit. With his artistic genius, he used a variety of techniques in a wider range and expanded the field of romantic expression. Its characteristics are mainly reflected in the following four aspects.
(A), a strong subjective color and romantic mood
Li Bai is a sober realist. His poems are based on real life and have a strong voice of the times. Most of Li Bai's poems are lyric poems. In these poems, the poet does not express life calmly and carefully, but focuses on expressing his warm inner feelings. He showed his unique originality with strong subjective color and romantic sentiment.
For example, when he criticized the political darkness, he angrily rebuked "barbarians are full of nakano and prosperous" ("Antique" 51); When criticizing the Anshi Rebellion, he cried out bitterly: "Bones turn into hills, where is the sin of ordinary people" ("Give Jiang a good slaughter")! Express his strong anger. He always expresses his ideals with great confidence. "Since God has given talents, let them be employed!" (into the wine),
(2) Use rich and unique imagination to express feelings.
The romantic feature of Li Bai's poems is also reflected in his ability to use rich and peculiar imagination to describe images and express feelings. Sometimes, he uses fantasy to capture surreal images, create a beautiful ideal world, and express his thoughts and feelings of despising darkness and pursuing light.
For example, in "Dream on Mount Tianmu", a sailing tourist will talk about Japan, and the smoke is hard to find; But the more people talk about the mother mountain, the clouds are light or visible. Straight into the sky, its peak into the sky, the potential to pull the five mountains to cover the sincerity. The Paradise Terrace Mountains are 100 miles long, and it is here that they begin to extend to the southeast. My heart and my dream are in Wu Heyue, flying over Jinghu Moon overnight. I went to Yanhe, and the moon lit up my shadow.
(C) Clever use of rhetoric to express passion and emotion
Bold exaggeration, novel metaphor and personification are also common artistic techniques used by Li Bai to express his romantic feelings.
Sometimes he uses both exaggeration and metaphor, saying that "white hair is three thousands of feet, and sorrow is like a long beard" (Song of Autumn Pu, the fifteenth time) and "Snowflakes from Yanshan Mountain come to the table" (Popular in the North) are all famous sentences with metaphors in exaggeration.
Sometimes he combines rich imagination and peculiar exaggeration to write his own strong emotional surge: "The strong wind blows my heart and hangs Xianyang trees in the west" ("Meet Wei Ba Jinghua in this hometown"), which shows his feelings of missing Chang 'an very magically and vividly.
(4) The language is straightforward, straightforward, and directly expresses the mind.
The language of Li Bai's poems is straightforward, fresh and bold, and it is also reflected in the informality, no carved sentences, and the unity of everything with nature.
The so-called "clear water produces hibiscus, which is naturally carved." Those lyrical poems that express one's heart directly, such as "The road is as wide as the blue sky, but there is no way out before my eyes" (Part II of Difficult Walking), are straightforward, natural and heroic languages. This helps to show his romantic passion.