The long grass is so lush that the withered grass will thicken the color of the grass every autumn and winter.
Wildfire can't burn it out, but the spring breeze can revive it.
Weeds and wild flowers are all over the ancient road, and the end of the grass in the sun is your journey.
I once again sent my bosom friend, and the thick grass represented my deep affection.
Interpretation of vernacular:
How lush the long grass is. It is thick in autumn and winter every year.
Ruthless wildfires can only burn dry leaves. When the spring breeze blows, the earth is green.
Weeds and wild flowers spread and flooded the ancient road, and the end of the grass under the bright sun is your journey.
I once again sent away my bosom friend, and the thick grass represented my deep affection.
Creative background:
It was written in the second year (786) to the third year (787) of Zhenyuan, Tang Dezong. It's a trial poem of Bai Juyi when he was a teenager.
Explanation:
The author didn't write about Guyuan for the sake of "Guyuan", but at the same time arranged a typical farewell environment: Guyuan's scenery in "The Sand" was so charming, and the farewell happened in this background was so melancholy and poetic. The word "Wang Sun" is borrowed from Chu Ci to make sentences.
"The prince and grandson swam away, and the spring grass grew." Refers to people who have not come back when they see the lush grass. However, here, it is used in different ways. It is about seeing the lush grass and the sadness of parting. It seems that every blade of grass is full of special feelings. It's really "hate spring grass, and live farther away" (Li Yu's "Qing Ping Le Bielai Spring Half"). This ending is meaningful. At this point, the poem points out "Farewell", sets the theme, closes the whole article, and "Guyuan", "Grass" and "Farewell" are integrated into one, and the artistic conception is extremely muddy.