"The different styles of poetry mean that China's classical poetry is incompatible with modern poetry in terms of genesis, textual research and reception, as well as in terms of language and function. China's classical poems are word thinking with monosyllabic words as the unit, while modern poems are word thinking. Secondly, classical poetry is an eternal sound and a space device without time trigger. Modern poetry has entered the process of reference era. Another is the change of mode, one is the mode of farming and pastoral, and the other is related to the high-speed and noisy urbanization process. The elegance and exquisiteness of classical poetry is also different from the instinctive image of modern poetry. " Chen said to:
Luo Zhenya, a professor at Nankai University, gave a speech entitled "A Hundred Years of Solitude in China's Pioneer Poetry". He said: "China's avant-garde poetry has a profound influence on every important turning point in the history of new poetry. Although it has never caused a huge wave in the poetry circle and triggered a strong public effect, it is always inseparable. Later, the more powerful and tenacious, the more it became the radiation source of artistic charm and achievements of new poetry. Therefore, some people say that modern poetry is superior to realistic and romantic poetry in terms of field achievements. The history of China's new poetry has hurt most poets with artistic achievements or poets with modernist tendencies. " "China avant-garde poetry has made many achievements in two aspects: what to write and how to write it, which has improved the taste of China's new poetry and left a lot of inspiration for it. However, China's avant-garde poetry has always been ill-fated, born weak and unaccustomed. These two points doomed that it never entered the center of new poetry or the mainstream position of leading the trend, and even could not compete with realism or romanticism. On the contrary, for various reasons, it was forced to become a divided muse. A hundred years of loneliness is an indisputable existence, and it has never got rid of the inner sadness in the depths of its bones. " Luo Zhenya said.
Ma Zhiyao, a professor at the School of International Education of Tianjin University, talks about contemporary poetry creation and personal poetry writing. He said: "If we observe a poet's creation from a holistic perspective in the process of poetry research, we will find that all poets are essentially biographies of individuals, and they are all writing individuals, but he sometimes shows it sporadically in the way of daily life, and sometimes in the form of chronology through poetry collections. On the whole, it seems to be intermittent, but
Kelly, a professor at the School of Humanities of Southeast University, gave an explanation on the topic "Ethical Orientation of Modernity Construction of New Poetry". He said: "With the acceleration of urbanization in China, natural villages have become weak. The composition of rural times is the process of the poet's culture returning to his hometown, and it is also the process of his being able to return to his hometown. This is an effective way for poets to reject the past and find their homes. Local poetry is a style with modern consciousness, modern spirit and modern inheritance. Because of living in the urban-rural fringe, traditional poets are squeezed by tradition and modernity, and often play the role of rural moral watchmen in social life, paying too much attention to writing ability, beautifying the countryside too much in content, following the tradition too much in form and technique, and entangled in the status of rural people and urban people, which leads to the irrationality of rural poetry creation, which is not conducive to the ability of China rural poetry to build a new countryside. "
Nishikawa said: "We are at a special historical turning point. One is the elimination of knowledge, and many things will soon become obsolete, no matter where you come from, from the west or just budding. This elimination means that a poet leads a trend in two or three years, but it passes quickly after that. This situation is also worth describing. We generally describe things that have lasting vitality, but things that have no lasting vitality and things that are quickly eliminated may also contain historical factors. "