What should you pay attention to when reading aloud?
Recitation is different from a speech. A speech is to convince others of your point of view. And recitation, as you said, is a "performance", so put your feelings on the recited works. You can’t go wrong if you invest yourself in it! Secondly, the manuscript must be familiar. Don’t think it’s almost enough. It must be blurted out. I don’t know if you have any experience in reciting. When you stand on the stage, you will always feel a little nervous. , if you are not familiar with the manuscript, you will be even more nervous! Third, you must add reasonable movements, expressions, and appropriate costumes. Finally, if you have the conditions, it would be better to add background music or ask someone to dance with you. !!
What should you pay attention to when reading poetry aloud? Please give 10 points
Recitation is an essential part of learning poetry. To recite a poem well, you must master the recitation skills. There are contrasts, ups and downs, and changes in the pitch, the volume, the strength of the sound, and the speed, making the whole recitation like a beautiful movement.
Here are three examples to talk about the skills of poetry recitation.
Example 1 "Spring Dawn"
This is a metrical poem. When reciting this poem, you should pay attention to the clear pronunciation of each word and the rhythm of the poem. Each line of poetry can be processed into three pauses: spring sleep/unconsciousness/dawn, everywhere/smell/singing birds. The sound of wind and rain at night makes me know how many flowers fall. When reading "xiao,niao,shao", the pronunciation of the characters should be appropriately prolonged, with a slight reciting flavor, so that the audience can feel the beauty and rhythm of the poem.
The first two sentences are about the scenery the poet saw after waking up in the morning. When reciting, he should use a soft and soothing tone, and the volume should not be too loud. The final sound of the word "bird" can rise slightly, indicating that the poet sees a bright scene of bright spring, with birds singing and flowers fragrant. In the last two sentences, the poet remembered that it was windy and rainy last night, and he didn't know how many flowers in the garden were knocked down. When reading "How Many Flowers Have Fallen," imagine a garden full of falling flowers. You can emphasize the word "fall", and then gradually reduce the volume of the three words "know how much" to show the poet's regret for the falling flowers.
Example 2 "My "Confession""
This was written by Comrade Chen Ran when the spies forced him to write a confession after he was arrested. This poem is not only a true portrayal of the lofty inner world of a Communist, but also a solemn pronouncement on the inevitable demise of the Jiang family dynasty. The whole poem is sincere and full of passion, fully demonstrating the martyrs' firm revolutionary beliefs and awe-inspiring revolutionary integrity. When we recite this poem, we must show the author's heroic spirit and extreme contempt for the enemy, and the tone must be high and powerful.
In the first stanza, the two words "Ren" show the revolutionary martyrs' strong will not to be afraid of being tortured by the enemy. It should be read more carefully: "No need", the tone of the three words is firm: "Even if Chest against a bloody bayonet!" This rhetorical question expresses an affirmative tone. The final sound of the word "blood" should be slightly longer and lower, showing contempt for the enemy's brutal massacre.
In the second stanza, "people" and "fear of death" are in contrast, and should be read slightly heavier: the ending sound of "confession" should be prolonged, indicating that it is a so-called confession: "I have planned to torture with poison." What!" A rhetorical question should be read.
The third stanza is the climax of the whole poem. When reciting it, it should be emotionally unrestrained and the tone should be high-spirited. It should show the heroic spirit of Communists who vow to fight the enemy to the end and the optimism that the revolution will win. spirit of doctrine.
If we can understand the artistic conception of the poem, we can deeply feel the author's unyielding heroic spirit and arouse our emotions corresponding to the content of the poem. If we can properly grasp the stress and pauses, we will be able to express emotions when reciting. It is full of energy and has a distinct rhythm, which makes the listener feel a strong infection.
Example 3 "Sunflower"
I wonder if the sun has its face raised during the day - what secrets does it have? Look, look, it makes you look down at night - so curious ? Thinking about it...
This is a ballad poem. The imagination of this poem is very novel and unique, and it can fully demonstrate the intelligent and agile thinking characteristics of children, so it is full of innocent and childlike interest.
This poem begins by personifying the sunflower. "I" poses a very interesting question to it. It is not only a question for "I", but it will also cause the young audience to think seriously. When reciting these two sentences, the speed should not be too fast, and attention should be paid to natural pauses to arouse the young audience's thinking.
"I don't know what/the secret/is on the sun", the emphasis of this sentence should fall on "I don't know" and "secret", and the final sounds of the words "know" and "what" can be appropriately dragged out. long.
The second sentence should emphasize "curiosity", the tone needs to be emphasized, and the final sound of the word "qi" should fade away.
The third sentence can be combined with children's innocence and naughty expression, with a brisk tone and appropriate head and eye movements.
The last sentence should be in sharp contrast to the third sentence. The speed should be slowed down, the tone should be gentle, pay attention to the pause, and leave room for association and aftertaste for the young audience.
In short, when reciting poetry, you should pay attention to the distinct rhythm and adopt a corresponding speed according to the basic rhythm of the work. What should be brisk should be recited more briskly, and what should be heavy should be recited calmly and slowly. As far as a poem is concerned, the recitation speed is not fixed, but is determined according to the need to express the content of the work, and has certain changes.
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What should be paid attention to when one person recites a poem and two people recite a poem?
The forms of recitation generally include solo recitation, antiphonal recitation, and joint recitation. Solo recitation is a recitation by one person, and the reciter can be male or female, old or young. It is the most commonly used way of reciting, and is suitable for articles that are short in length, have consistent emotions, and have few characters. It is characterized by flexibility and naturalness. Dual recitation is a combination of two people reciting. The reciters can be two people of the same sex, usually men and women of the opposite sex. Dual recitation is easy to express feelings, enhance changes, effectively display the artistic conception of the work, arouse the audience's imagination, and stir the audience's emotions. Love strings produce good sexual sounds. When selecting antiphonal roles, consideration should be given to the coordination of timbres of both parties, consistent pitch and vocal range, and matching appearance. Choral recitation is a large-scale recitation in which three or more people participate, also called collective recitation. Collective recitation is suitable for works with large emotional fluctuations, complex plots, numerous characters, and long lengths. It requires loud volume, strong power, and strong motivation. , with majestic momentum and touching power. Design the tone of the recitation.
Tone refers to the basic overall emotional pattern of the work, which runs throughout the work and is the emotional framework for recital expression. Design recitation***. Recitation should not be straightforward, like a jar of stagnant water. No matter what style or format of the article, it should be given a certain expression ***. In an article, the recited *** can be one, and the works of a *** are usually at the end of the article, such as Shu Ting's poem "Motherland, My Dear Motherland". This poem enthusiastically praises our great motherland. Motherland, great people. The poem is divided into two parts. The first part deeply remembers the difficult journey of the motherland and praises the footsteps of the people's hard work. The tone of recitation is low and the speed is slow; the second part expresses praise for the new atmosphere of the motherland, and the tone should be high*** , majestic. When reciting a ***'s work, it should spiral upward and gradually advance, and should not rise suddenly and lose touch with the previous part. In a work, there can be multiple recitations, which are generally articles structured according to a parallel pattern, such as Pei Duo's poem "I am willing to be a rapid"
The tone of reciting and reciting alone remains the same
But we must pay attention to mutual cooperation and tacit understanding
How to prevent everyone from interfering with each other when reading together? Or can you hear it when you read it aloud without disturbing others? 10 points
When everyone reads together, they should read together without disturbing each other, control their own volume, and cover their ears.
What should you pay attention to when reading a speech?
The voice is loud, the pronunciation of the words is accurate, the cadence is ups and downs, and the priorities are important.
What are the key points that ordinary people should pay attention to when reading scripts?
I have been following this for so long and no one has answered. As an ordinary person who likes radio dramas and dramas, I will make a small show of my shame and hope that it can See the answers and advice from the great gods.
Because the question is generally asking about the key points that should be paid attention to when "reading" a script, and most people will not be involved in imagining or creating a story, I will not talk about "paying attention to the logic of the story." , determine the development context of the story." These involve the specific plot parts. So excluding this part, I personally think that the most important thing is to put yourself in the shoes of the characters and experience the characteristics of the characters in the play, and to feel the changes in the characters' emotions, background, etc. based on the context. Remember to feel immersive and imagine how you would act if you were an actor.
First, let me talk about the radio drama scripts that I am familiar with. Due to its special expression technique, the scripts of radio dramas usually indicate the emotions that the CV should show during the dialogue before the characters' dialogue, or indicate the sound effects of the background environment. Therefore, the script of a radio drama is relatively easy to grasp the character's environment and the changes in the character's personality and emotions.
Posting a paragraph of the script I adapted from the novel "The Bandit Rushes Forward" for your experience (facepalm).
Qin Jiangyue: (slowly) Su Wu, I heard from the village leader Chen that you used to be a young lady from a wealthy family. No wonder, you turned out to be a prolific writer. It is rare that there are scholars hidden among the bandits. The poem I heard you reciting at the foot of the mountain today is very extraordinary. A pot of wine among the flowers, drinking alone without a blind date. What a good sentence. I wonder if Jiang Yue has the honor to see the whole poem?
Su Wu: (Sounds of swallowing, panic) Mr. Qin doesn’t know something. Well, the villain fell off his horse a few days ago and rolled into a ditch. He has forgotten what happened. This ink, this ink, didn't make sense at first, but today's sentence came from somewhere else, and I found it pleasant and remembered it.
The sound of standing up, the sound of footsteps, walking slowly
Qin Jiangyue: (Smiling but not smiling) Then, I dare to ask Su Wu from whom he heard this sentence. ?
Su Wu: (internal) Your grandma’s, do you want me to tell you that what I read is the sentences of Li Bai and Lu You from the Chronicles of Eternal History? Even if you tell me, you don’t know!
(Afraid) I don’t know, but I heard it from a merchant in the past when I was robbing. I am ignorant by nature, and I don’t know what it means. If I offended you unintentionally, please forgive me. Then one.
Although I am not a CV, when writing this script, I still silently try to figure out how each sentence will feel when I read it, and what kind of emotion is closest to the development of the plot.
Pay attention to the emotional tone of reading aloud
If you want to read an article aloud,
you should read it carefully to understand
the meaning before reading. Feelings
Praying Mantis Catching Cicadas Practice the dialogue between a young man and the King of Wu. When reading the text, pay attention to the different identities of the characters and what tone to read
Pay attention to the identity of the person. Facing the Crisis
Reading the second natural paragraph, what do you think we should pay attention to when reading aloud?
Which article should you read the second paragraph of?
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I wish you success!