Literary common sense of nuclear ship story 1. Literary Common Sense of "Nuclear Ship Story" in Chinese Textbooks
The Story of the Nuclear Ship is an article written by Wei Xueyi, a writer in Ming Dynasty, and edited by Juck Zhang, a scholar in Qing Dynasty. The story of the nuclear ship vividly describes an exquisite micro-carving handicraft. This paper describes a ship carved with peach stones, which shows the superb realm of ancient craftsmanship and the wisdom of ancient working people in China. This paper introduces the image of "nuclear ship" by using spatial order from both ends to the middle and from front to back, and warmly praises the carving art and talent of folk craftsmen in Ming Dynasty. It shows the author's praise for Wang Shuyuan's exquisite craftsmanship.
Wei Xueyi (y:) (about 1596—— about 1625), a native of Amethyst, Mao Yan, was born in Jiashan, China (now Jiaxing County, Zhejiang Province) in the late Ming Dynasty, and was a famous prose writer in the late Ming Dynasty. He is a famous local scholar and the eldest son of Wei Dazhong, a generation of Ming officials. Later, Wei Dazhong was jailed for impeaching Wei Zhongxian, the eunuch of the DPRK. Wei Xueyi was not an official all his life, and he was fond of learning and writing, and he wrote The Collection of Mao Yan. The Story of the Nuclear Ship is his representative work, which is included in the New Records of Yuchu compiled by Zhang Chao in Qing Dynasty. The story of the nuclear ship vividly describes an exquisite micro-carving handicraft and the superb realm of the sculptor.
After all, we were fined 20 times for copying the nuclear ship in the second day of junior high school.
2. The story of a nuclear-powered ship
Reporter: In China's traditional literary concept, ancient prose and poetry are juxtaposed as authentic, and there is another important style, namely prose.
Prose has several different concepts in the history of China literature: ① Compared with "verse", "prose" has a wide meaning and refers to all blank words. (2) Compared with parallel prose, "prose" is also in a broad sense, which refers to those literary styles with single-line prose, no duality and temperament after Tang and Song Dynasties, and is called "ancient prose".
(3) "Prose" in the modern sense is one of the literary genres juxtaposed with poetry, novel and drama, including narrative prose, lyric prose, reportage and essays. In order to distinguish it from the ancient concept of "prose", it is also called literary prose.
(4) Only narrative and emotional prose, sometimes called "pure literary prose".
3. Ancient and modern synonyms in The Story of a Nuclear Power Ship
1, lying on the right knee: lying, ancient meaning: the causative usage of verbs makes ... dull.
Today's meaning: lie down, lie down.
Dongpo is the one crowned in the middle: coronation in ancient sense: coronation in ancient sense, wearing a high hat. Beard: Beard.
Today: Emei Mountain Top
3, two knees compared: than, ancient meaning: close.
Meaning: Compare two things.
4, Gao Xu: Yes, the ancient meaning: about. X: Almost.
Meaning: Yes.
Extended data
The ancient carving techniques in China have been very exquisite since the Ming Dynasty, especially the micro-carving techniques. Wang Shuyuan, a folk micro-sculptor in Ming Dynasty, carved this nuclear ship and gave it to the author, who marveled at its superb skills and wrote this article.
The sculpture written in this paper is made of a peach pit that is not big enough, but it vividly reproduces a famous allusion in the literary world of the Song Dynasty-"Red Cliff of the Great Soviet". Ingenious conception and vivid image show the outstanding achievements of ancient Chinese arts and crafts. After careful observation, the author accurately grasped all the details of this sculpture, and then described the whole nuclear ship according to a certain spatial order, wrote the author's love for nuclear ships, and expressed the author's admiration for the superb skills of artist Wang Shuyuan and the ancient folk art in China.
This paper describes in detail and methodically a micro-carving work-nuclear ship which he obtained by using line drawing technique, and it adopts the structural mode of "total-divided total".
Firstly, it briefly introduces the "ingenuity" and comprehensiveness of Wang Shuyuan's micro-carving skills, which is not only a summary of the full text, but also a preparation for getting down to business. Although the words are short, they are very useful and indispensable. Then it introduces the story and artistic conception of Su Dongpo's boating on Chibi in detail. From the whole ship to the part, from the bow to the stern, from the furnishings to the characters, it is written calmly and clearly without any confusion. Particular attention is paid to the description of details, such as the couplets on the carved column, the posture of the characters at the bow and the movements of the ship, which are vivid and impressive, and people admire Wang Shuyuan's carved gods.
4. Ancient and modern synonyms in The Story of a Nuclear Power Ship
In primitive civilization, there was a man named (wéi), who could be a palace, a vessel (mǐn), a figure, even a bird or a beast, and a wood or a stone. Wang (wǐ ng) was forced by the situation to be invisible, and each had its own modality.
Taste a nuclear ship, cover the big Su Pan Chibi Cloud. This ship is about eight minutes long from beginning to end, and is as high as two meters (sh incarnation).
The middle porch is covered with huts and bamboo. There are small windows on the side, four on the left, four on the right and eight on the * *.
When you open the window, the carved columns are opposite. If it is closed, the words "the mountain is high and the moon is small, and the bottom is clear" are engraved on the right, and the words "the breeze is Xu Lai, the water waves are quiet (X and ng)" are engraved on the left, and the words "three" are engraved.
There are three people sitting in the bow, Dongpo with an E-crown (guān) in the middle, Fo Yin on the right and Lu Zhi on the left. Sue and Huang have read books.
Dongpo's right hand is holding a curly tail, and his left hand caresses Lu Zhi's back. Lu Zhi held the end of the book in his left hand and the book in his right hand, saying something.
Dongpo's right foot, Lu Zhi's left foot, all the micro-sides, compared with their knees, are hidden in the folds (zhě). Fo Yin is a unique Maitreya Buddha, with bare breasts and high head, which looks different from Su and Huang (zh incarnation).
Lying on your right knee, you can punt with your right arm, while standing on your left knee with your left arm leaning on it-beads can be counted vividly. The stern is sideways.
There is a boat on each side. The person who lives on the right has his back, his left hand leaning against a log, and his right hand climbing his right toe, making him scream.
The person who lives on the left holds a banana fan in his right hand and touches the stove in his left hand. There is a pot on the stove, and their eyes are silent. If they listen to the sound of tea. When the ship's back was slightly thinner, it was engraved with an inscription saying, "Autumn Day in Rennei (xū), just engraved with a letter from King Yushan". Fine as a mosquito's foot, hooked and painted, and the color is ink.
He also used the seal (zhàn) 1, which read "Chu Pingshan people" and its color was Dan. Row a boat for five; Window 8; Make tents, pots, stoves, pots, hand rolls and rosaries; Couplets, titles and seal scripts are * * * with thirty characters and four characters (yü u).
However, its length is not enough. Cover the peach pit and trim it.
Hey, the skills are also strange! In the Ming Dynasty, there was a man named Wang Shuyuan who had a wonderful skill. (He) can carve palaces, vessels, figures, even birds, animals, trees and stones on wood with a diameter of one inch. They are all carved into images according to their original shapes, each with its own appearance and posture.
(He) once gave me a boat carved with walnuts, which depicts Su Dongpo boating under the Red Cliff. This nuclear ship is about eight minutes long from beginning to end, about two rice grains high.
The high and open part in the middle is a hut, which is covered with bamboo shoots. There are small windows next to it, four on the left and four on the right, and one has eight.
Open the window, and the carved railings are opposite. Close the window, you will see the inscription "The mountain is high and the moon is small, the truth is clear" on the right, and the inscription "The breeze is Xu Lai, the water is quiet" on the left, painted in the concave part of the word with azurite.
There were three people sitting at the bow, with a tall hat in the middle and thick beards on their cheeks. On the right are Su Shi (Su Dongpo) and Fo Yin (monk), and on the left is Lu Zhi (Huang Tingjian). Su Dongpo and Lu Zhi look at a calligraphy and painting together.
Su Dongpo's right hand holds the right end of the paper roll, and his left hand caresses Lu Zhi's back. Lu Zhi left hand holding the left end of the paper roll, right hand pointing to the hand roll, as if to say something.
Su Dongpo showed his right foot, Lu Zhi showed his left foot, and each turned slightly. Their knees close to each other are hidden in the folds under the hand roll. Fo Yin is very much like Maitreya, bare-chested, looking up, and his expression is not similar to that of Su Dongpo and Lu Zhi.
Fo Yin lay on his right knee, bent his right arm to support him in the boat, erected his left knee, leaned against his left knee and hung rosary on his left arm-rosary could be counted clearly. There is an oar at the stern.
There is a boatman on the left and right sides of the paddle. The man on the right wears a cone-shaped bun, with his face up, his left hand leaning against a crossbar and his right hand pulling his right toe, as if shouting.
The man on the left holds a palm leaf fan in his right hand and touches the stove in his left hand. There is a kettle on the stove. The man looked directly at the tea stove and looked calm, as if listening to whether the tea was boiled. The back of the boat is flat, and the author carved words on it. The word is "the apocalypse is endless in autumn, and the book of King Yushan has just been engraved". The strokes are as small as mosquito's feet, with clear eyes and clear pictures. Its color is black.
There is also a seal engraved with the words "Chu Pingshan people" and the color is red. A boat, carving five people, carving eight windows; Carved a canopy made of Indocalamus leaves, an oar, a stove, a teapot, a hand roll and a rosary; There are 34 couplets, titles and seal scripts.
It measures less than an inch in length. It turned out to be carved with a long and narrow peach stone.
Ah, the skill is really clever and wonderful! Pay attention to kit kat, the specialty is that one inch in diameter and one inch in diameter is used to describe the fineness of an object.
Do sth. This refers to sculpture.
Wood, trees. Kit Kat: This refers to people with wonderful and exquisite craftsmanship.
Inch diameter wood: wood with a diameter of one inch. To: make, verb.
Utensils: There are only utensils here. It doesn't matter if it is pictographic, but it has its own modality: nothing does not imitate the shapes of those things according to the original appearance of wood, and each has its own modality.
No, no,no. Cause basis
Image, simulation, imitation. Taste: Once.
Yi: Give it away. Gaidasu Pan-Red Cliff Cloud: A boat engraved with Su Shi's Red Cliff.
Su Shi (A.D.1036-101) was born in Meishan (now meishan county, Sichuan) in the Song Dynasty and was a famous writer. People call him and his younger brother Su Zhe "Big Su" and "Little Su".
Go boating, rowing, and browsing on the water by boat. Su Shi once traveled to Chibi, and wrote "Qianchibi Fu" and "Houchibi Fu".
Chibi outside Huanggang County, Hubei Province. Eight points: Literal translation is eight points long.
Odd numbers: There are still some. There is the same "you", odd number: zero.
G: It's about as tall as two yellow rice grains. Yes, about.
Xu, up and down, left, right and left. Spacious: spacious and bright.
Canopy: A sunshade made of bamboo leaves. The mountain is high and the moon is small, and the truth comes out: the sentences in Su Shi's Fu on the Back of the Red Wall.
Cool breeze in Xu Lai, calm waves: the sentences in Su Shi's Fu on the Red Wall. Blue-green pigment.
Three: painted on the engraved words. A man with a tall hat and many beards.
E crown, high.
5. What are the characteristics of the description of the nuclear ship?
Character: There are three people sitting in the bow. Dongpo is crowned in the middle, Fo Yin is on the right and Lu Zhi is on the left.
Sue and Huang have read books. Dongpo's right hand is holding a curly tail, and his left hand caresses Lu Zhi's back.
Lu Zhi held the end of the book in his left hand and the book in his right hand, saying something. Dongpo's right foot, Lu Zhi's left foot, each side, two knees, each hidden in the bottom fold).
Is a unique Maitreya Buddha, topless, holding her head high, her expression does not belong to Su and Huang. Lie flat on your right knee, hold the boat on your right arm, stand on your left knee, and lean on it with your left arm missing the beads-the beads can be counted vividly.
The stern is horizontal. There is a boat on each side.
The man who lives on the right has a spine bun on his back, his left hand leans against a balance beam, and his right hand climbs his right toe, which makes him scream. The person who lives on the left holds a banana fan in his right hand and touches the stove in his left hand. There is a pot on the stove, and their eyes are silent. If they listen to the sound of tea.
(including interrelationships).