What is the artistic conception of Li Bai's Climbing Yueyang Tower in Twelve Summers and Du Fu's Climbing Yueyang Tower?

The two poems "Climbing Yueyang Tower in Twelve Summers" by Li Bai, a great poet in the Tang Dynasty, and "Climbing Yueyang Tower" by Du Fu describe joy and sadness. A strange imagination, a concern for reality, the contrast is very obvious.

"Climbing Yueyang Tower with Twelve Summers" was written by Li Bai when he was pardoned in exile and returned to Jiangling. Xia XII, Li Bai's friend, ranked 12th. Yueyang Tower is located on the high mountain in the northwest of Yueyang City, Hunan Province, "west of Dongting, left".

Mountain ",together with Yellow Crane Tower and Wang Tengting, is one of the three famous buildings in South China. Poets who moved guests in past dynasties all expressed their feelings and ambitions when they climbed the building. Li Bai went to the building to compose poems, leaving this well-known chapter, adding charming colors to Yueyang Tower.

Color.

The poet first described the magnificent scenery around Yueyang Tower:

"Yueyang wins in the building, and the cave in the middle of Sichuan is wide." Climbing the Yueyang Tower, you can have a panoramic view of the boundless scenery. The river goes far away.

In the square, Dongting Lake is vast and Wang Yang is boundless. This is a distant view from the height of the building. Stand high and see far. Yueyang, Chuanjiong and Dongting are exhaustion, Jiong and openness.

The vast scenery in the distance vividly shows the poet's high foothold. This is an indirect way of setting off, and it is self-evident that there is no need to write down the height of the building.

Li Bai was forgiven at this time and his mood was light. The scenery in front of him seems to be full of affection and interest, sharing happiness and joy with the poet:

"The geese bring sorrow to the heart, and the mountains hold the moon." Everything in nature described by the poet seems to have been given life. You see, the geese fly high, taking away the poet's sorrow and anguish; When the moon rose out of the mountain pass, it seemed that Junshan brought a happy reunion.

Month. "Goose brings sorrow", and Wen Yuan Hua Ying said that "Goose will not go to Qiu Jiang". The latter only writes that geese fly away from Qiu Jiang coldly, lacking emotional color, far less than the former writes that geese understand human feelings and take away sadness.

Heart, and with the next sentence Junshan intends to "hold the moon" against each other, forming an opposition, so that the image appears lively and full of interest. The phrase "holding a good moon on the mountain" is novel and unique in imagination, and the word "holding a title" is very sudden.

The realm is exhausted, and the writing is mysterious and humorous.

The poet is full of enthusiasm and fantasy, as if he were in a fairyland: "Even the clouds are left, and the cups and plates are facing the sky." Accommodating drinking on Yueyang Tower is like being at the end of a cloud in the sky. The architecture here is written by way of setting off, which exaggerates its towering state. This seems to be a dreamland in the dim eyes. Admittedly, the poet is a little drunk:

"Drunk wind blows, sleeves dance back." The building is high and windy, and the height is too cold. Drunk and cool, still writing a building. The cool breeze is blowing, the sleeves are fluttering, the appearance is so chic, the mood is so carefree, and the attitude is so detached and open-minded! Passion and ambition are beyond words. The pen is vivid and contains a strong interest in life.

The whole poem uses techniques such as contrast, contrast and exaggeration, and there is no direct description of the height of the building. Every sentence looks at the distant, open and towering scenery around Yueyang Tower from top to bottom, but it shows the height of the building everywhere, and there is no trace of axe chisel, which can be described as natural and ingenious.

While climbing Yueyang Tower, Du Fu did not have such lofty sentiments and was desolate everywhere. His "Climbing Yueyang Tower" is very broad and magnificent.

The poem "There is Wu in the east and Chu in the south, and you can see the endless drifting of heaven and earth" refers to the vast Dongting Lake, which is the dividing line of Wu Chu. The sun, the moon and the stars are like a whole floating in the lake, which vividly depicts the huge and boundless image of Dongting Lake in only ten words.

In his later years, Du Fu was already a "southwest man wandering between heaven and earth" and had no fixed place to live, so he had to "take a boat as his home". So he continued to write: "But my relatives and friends didn't give me any news. I was old and sick, and I was alone with my boat." Relatives and friends heard his news at this time.

All gone, only the old, weak and sick poets are wandering around in the boat! From here, we can easily understand what kind of artistic conception the first two sentences "I've heard about Dongting Lake for a long time, and now I finally climb this tower" originally contained. These two poems on the table,

On the surface, the artistic conception seems simple: the poet said that he had heard about the scenic spot of Dongting Lake several years ago, but today he can climb Yueyang Tower and see the beautiful scenery with his own eyes. Therefore, Qiu of the dynasty recognized it.

As follows: "I've heard of it before, and I'm glad I was on the board." But only in this way, I have a shallow understanding of the original artistic conception of Du Fu's poems. Here, I don't write about the happiness of boarding, but I feel confused in this plain narrative.

There are so many feelings, lack of talent, vicissitudes of life, and the spirit of being good and strong. Yu Biyun's On Poetic Realm: "This topic is grand. Readers should think hard about how to start writing, and Shaoling should say it directly. I have heard the name Dongting before, but now I have to go upstairs and see for myself.

, with antithesis, strong and powerful. "It was originally a feeling of depression, not joy; If this is a happy feeling, it will not be connected with the railing here. How can I not cry? He summed up this sentence. We know that Du Fu's political life at that time was bumpy.

Yes, I'm not proud of it. But he never gave up his ambition of "being a gentleman first, then being simple in folk customs". Where did he think that he had accomplished nothing? His previous ambitions were all in vain today! The words "present" and "past" in the poem have profound connotations.

Meaning. Therefore, at the end of this poem, I wrote: "There are wars and mountains to the north of this wall. How can I not cry beside this railing?" "Looking at Guanshan, Wan Li, the world is still in turmoil, and the poet can't help crying when he looks back at Chang 'an in the north.

Tears filled my eyes.

This poem is known as a vast and magnificent artistic conception, which comes from the ambition of the poem and the poet's life thinking, and also plays a role in reproducing the background of the times.

There is a comment in this poem to the effect that the first four sentences of this poem are so broad and broad, and five or six sentences describe their own life experiences, and they are so desolate and lonely. The artistic conception of poetry turns from wide to narrow, and it comes and goes.

There is a great change, so it is difficult to arrange seven or eight sentences. Unexpectedly, the poet suddenly turned to write the words "there are wars and mountains to the north of this wall", such a mind, and the above words "there is Wu in the east and Chu in the south, so you can see the endless drifting of heaven and earth"

If we write the magnificent weather of nature together, we can set it off well, so the talents created will certainly overwhelm future generations, and no one will dare to write the poems of Yueyang Tower again.