Unforgettable, you have a good personality. You have been in the alley for a long time, and you regret not going with you.
Never forget your good figure, you waited for a long time in a long wait, and you didn't regret not going with you.
Dressed in brocade, covered with brocade. Uncle, hurry up and pick me up.
It is covered with brocade, brocade, brocade. Uncle, hurry up and drive me to the end of the road.
Poetry appreciation:
The Wind is Zheng Feng's 14 song. This poem is about a woman who for some reason failed to marry her lover and felt very sorry. Now, she longs for the man to pick her up in the car so that she can marry her sweetheart. Whether the interpretation of this poem by ancient theorists is "stabbing chaos". There is no way to get married, the male is at odds with the female, and the male does not obey (preface), or "the man that women expect has already gone to the hutong, but women have different ambitions." Writing poems when you regret it (Biography of Poems) accuses women of adultery. They either misunderstood the theme of this poem or were biased by Taoism, so it is impossible to comment correctly. There is no need to delve into it here. Some contemporary scholars have analyzed that the woman in the poem regrets not marrying her beloved. The reason may be that when the man proposed to her, "she ignored" and "was angry with the lover", as if the responsibility was still on the woman. However, Mr. Chen Zizhan thinks: "Feng Pian is a poem in which a man marries himself but a woman can't, her parents change their minds and a woman regrets herself." In other words, the responsibility lies with the parents. This statement makes sense.
In ancient times, the marriage of young men and women could not be independent, and their fate was in the hands of their parents. A pair of young men and women fell in love and were full of infinite yearning for a happy life. But as long as parents don't agree to this marriage, they can't get married. What a blow this is to both men and women, and what a huge trauma it has left to their hearts. Faced with their parents' obstruction, they may decide to elope together, or they may both be double suicide to show their resistance. However, the lyric hero in The Wind is a weak woman who succumbs to her parents' will and does not resist their interference. Her experience is unfortunate and deserves deep sympathy.
Although she failed to combine with her sweetheart, her love for her sweetheart has not been diluted by time, but has deepened. In her mind, her lover's appearance is so plump and beautiful, and her body is so strong and magnificent. Thinking of these, her heart is full of regret that can't be dispelled! The scene of that year is vivid: at that time, my lover was waiting for her to get married in the alley, and a happy life seemed to be waving to her. But because of her parents' change of heart, she finally failed to go with him. Now that she regrets it, she will make a final effort to appeal to her lover to reaffirm the old alliance. She fantasized about dressing up beautifully and couldn't wait to call her family to drive to pick her up for marriage. This strong feeling of longing for a happy life, which is full of regrets, is vividly expressed in the poem.
It should be pointed out that the lyric hero's strong yearning for a happy life in the poem is a hopeless pursuit in reality. In fact, she didn't find a ferry crossing the rapids to the other side of happiness. In the poem, the reader fully understands that her resentment is directed at her parents, but she can't know what she can do to change her parents' attitude. She can only imagine that one day her sweetheart will send someone to marry her. It seems that waiting for her is still a sad fate that cannot be changed. It can be said that this poem is a strong accusation against the unreasonable marriage system in the old society.
The lyric hero has deep feelings for his lover and shows extreme regret for his submission to his parents' will. He hopes that his lover will reaffirm the old alliance and express his feelings extremely urgently. In a word, he can express his feelings directly and heartily, which is a major artistic feature of this poem. In the first and second chapters, the reader seems to hear her sigh; In the third and fourth chapters, readers seem to hear her call. The description of the characters' images and psychology in this poem is very successful and impressive. In particular, the illusion that the lyric hero yearns for a happy life because of deep regret means a huge emotional leap, and readers can't help but be moved by it after reading it.
Appreciation of "Feng" original 2 Feng Ke original:
In a good year, there are many crops, as well as high, trillion and crops. For wine, for ancestors. In order to negotiate a hundred gifts, blessings are all.
Poetry appreciation:
In ancient China, the country was called the country, the country was the land god, and the millet was the valley god, which shows the important position of agriculture at that time. The people's survival depends on agricultural production, and the stability of political power also depends on agricultural production. The ancient Western Zhou Dynasty was definitely a society based on agriculture. At that time, the agricultural harvest was bound to be the top priority of the government and the people. Due to the limitation of productivity development, agriculture was basically harvested by the sky at that time. The joy described in Datian, Xiaoya, that "rain falls on my common land, then I gain private benefits" and the urgency described in Futian, that is, "play the piano and drum to protect my ancestors, pray for rain to attract my millet and protect my wife", are the best proof. Not every year can be a bumper harvest, so when it comes to a good year, it is natural to celebrate. "Harvest Year" should be an ode to celebration and sacrifice when a good year comes.
The preface of the poem says, "Autumn and winter also publish bumper years." Newspaper, according to Zheng Xuan's annotation, is taste (autumn sacrifice) and publicity (winter sacrifice). After the harvest in autumn and winter, it is natural to hold a series of celebrations ("treat each other with courtesy"). However, I'm afraid this kind of activity (sacrifice celebration) will not be held every autumn and winter. As I said before, it is impossible to have a bumper harvest every year. This poem named "Harvest Year" would be a funny self-mockery if it was sung in a year of poor harvest or even famine.
The beginning of this poem is very distinctive. It describes a bumper harvest, which is purely static: many grains (millet, grain), tall granaries to store grain, abstract uncountable figures (10,000,100,000,000 grain). These statics converge into a spectacular harvest scene, which naturally shows the prosperity of the Western Zhou Dynasty. Through statics, it is not difficult for readers to imagine the long-term hard work of hundreds of millions of farmers behind them. It is very economical to moisten things quietly and write with pen and ink, leaving readers with a broad ideological world. However, in the view of the Zhou royal family, the hard-won harvest is not only a personnel issue, but also an act of God. The so-called "Man proposes, God disposes", and the harvest is a gift from God in the final analysis, so the second half of the poem is to thank God.
It is most appropriate to thank the harvest of the five grains and sacrifice the fruits of the harvest of the five grains, so the poem says, "For wine (the harvest of the five grains), for the ancestors." Sacrificing "ancestors" is to realize the connection between heaven and man through the spirit of ancestors. Because of the bumper harvest and abundant sacrifices, you can "reciprocate" and cover everything. "Bless everyone" is not only a tribute to the grace given by the gods, but also a prayer for further universal blessing of the gods. In an era when it is difficult to control nature and master one's own destiny, people's desire to pray for God's blessing is particularly strong. The harvest year focuses not only on the present, but also on the future. Zhou people are not so good at foresight as they are deeply helpless because they lack the ability to control their own destiny.
"Thirty trillion. For the sake of wine, for the ancestors, for the ceremony ",in another work of Zhou Song," Zaiheng "also appears in one word, which is different from some repeated rhetoric in fu poetry. The first two sentences of Harvest Year are about harvest and sacrifice (made of harvested fruits), and the last two sentences are about sacrifice. With these four sentences, Zaiheng is a prayer and yearning for a good year. It seems that "Zaiheng" transplanted the reality written in "Good Year" into an ideal, which just reflected the difficulties of a good year at that time.
Appreciation of Feng's original text 3:
Fengle Pavilion Spring Tour (Mangroves and Castle Peak are dying) Original:
Fengle Pavilion has spring.
Mangroves and green hills are dying, and grass in the long suburbs is endless.
Tourists, no matter how old they are, will walk in front of the stadium in spring.
Poetry appreciation:
The sun going west reflects the red flowers and green peaks. On the vast Yuan Ye, the green grass is endless, and tourists still come and go in front of the pavilion, stepping on the fallen flowers on the ground, without considering that spring is coming to an end. It is inseparable from the description of scenery, and the artistic conception of poetry is expressed through scenery. Therefore, to understand the artistic conception of a poem, we can start with the scenery described in the poem. "Spring Tour of Fengle Pavilion (III)" describes the scenery around Fengle Pavilion in late spring and the feeling of tourists' spring tour. This kind of artistic conception is expressed through the scenery of "mangrove", "green hill", "green grass" and "fallen flowers" in the poem This article is about cherishing spring. The beautiful spring is coming to an end, and there are flowers all over the place next to Fengle Pavilion. As the sun sets, tourists are still reluctant to go, lingering in front of the pavilion and enjoying the scenery in late spring. These two sentences seem heartless, but they are affectionate. They are the same feelings as "I used to be a guest in Luoyang, and Ye Fang didn't have to cry at night" in Answer to Yuan Zhen, and they are the same feelings as "I'm afraid of birds falling" in Bird Singing, and they are nostalgia and pity for beautiful spring scenery.
Appreciation of the original text of The Wind 4. Unfortunately, I wrote the original text for Zeng Nanfeng:
On the twelfth floor of the main house, a suit is 3 thousand.
Ancient concubines were unlucky, and the victims were endless.
Dancers give Nanyang money to each other on their birthdays.
Endure the main clothes and be a spring girl.
Sound should be a complete day, tears should be a complete spring.
The dead are afraid of ignorance, and I feel sorry for myself.
The leaves can't afford to fall, and the mountains are red.
There is no end to donating to the world and benefiting my concubine.
Death is tolerable, but why should you be poor when you are 100 years old?
Isn't the world wide? My body can't stand it.
If the deceased knew, he would kill himself.
Always singing and dancing, the night rain is cold.
Poetry appreciation:
There are two lines in Chen Shidao's five-character ancient poem "My concubine is unlucky". The poet expressed his feelings in various ways, and expressed his mourning for his teacher Ceng Gong in a tone of mourning for the Lord. If it weren't for the poet's note below the original poem: "For Zeng Nanfeng." Later readers will think that this is an elegy for a concubine.
Regarding the relationship between harmony and harmony, Song people's notes are legendary: Ceng Gong passed by Xuzhou, and Sun Xin, then the prefect of Xuzhou, recommended him to visit him. Although Ceng Gong sent many gifts, he didn't say anything, which made Chen Shidao feel ashamed. Later, Sun Shen asked, Ceng Gong said, "I have read historical records for several years." Therefore, Chen Shidao studied for Ceng Gong all his life, and later said in the poem "Over Six Days": "There has always been fragrance, and I respect Zeng Nanfeng." (See Chen Que's "Continuing the Past") This kind of record is just the words of a novelist. In fact, the history books clearly record the detention of Zeng and Chen. In The History of Song Dynasty, Chen Shidao said in his biography that he visited Ceng Gong in writing when he was sixteen. Gong Jianzhi made it written in words, but people didn't know it. " Keep doing business. "During the Yuanfeng period (1078- 1085), Ceng Gong recommended Chen Shidao as a historian, but he was not allowed to reach the summit. Therefore, Chen Shidao has a profound understanding of Ceng Gong. Therefore, in 1083 (the sixth year of Yuanfeng), when he heard the news of Ceng Gong's death, he wrote this group of sincere mourning poems.
The first poem, on behalf of concubine, wrote the grief of the death of the Lord and expressed his loyalty to others. The second sentence is favored by the host. "Twelve floors" refers to a twelve-story high-rise building. In Bao Zhao's King Luo Jing of Chen Si, there is a sentence of "The Phoenix Building has twelve floors, and four households enter the window". This is to describe the grandeur and luxury of palace architecture. The phrase "three thousand for one suit" is taken from Bai Juyi's Song of Eternal Sorrow, which means that "there are other ladies in his palace, three thousand stunning beauties, and his love for three thousand is all concentrated on one body", but it is more refined into five words, so Ren Yuan, the most authoritative annotator of the poem, said this sentence is "concise". This just reflects the characteristics of Chen Shidao's poems, that is, he is good at exercising and punctuating the poems of his predecessors.
Since ancient times, the sentence has taken a sharp turn, and the protagonist laments that he can't serve his master to death. Read together with the last two sentences, it can be said that he is a young man and a depressed patient. "Dance is the main life" is the first sentence, and "Look at Nanyang Money" is the third sentence. In the Han Dynasty, the cemetery originally set up for his father in Nanyang was called "Nanyang Money", so later generations generally called it the cemetery. These two sentences capture typical events in very general language, which constitutes a sharp contrast: originally dancing to pray for the master's longevity, but in a blink of an eye, he went to the cemetery for burial. The images in the two sentences are rich and the rhythm is beating, which shows the conciseness of the poet's ink. Therefore, these two sentences "cover the first dance as a birthday gift, and now give Nanyang money, which is a person who wants to turn around without making false words" ("Huaigulu"). Liu Yuxi's "Daijing 'an Jiaren Complain" mourned the assassination of Prime Minister Wu, saying, "Xiao Laixing was crying outside the door, and Huatang was singing and dancing last night." It is also Syaraku's great compassion, life and death are impermanent, and the artistic conception is similar to these two sentences. However, Chen Shidao's words are more noble and concise.
Bai Juyi's poem "Swallow House" said: "I feel dizzy and my shirt is like smoke. I like it several times. I have been in an empty box for eleven years since I stopped dancing "Song of Nishang". " The two lines of "forbearance" in this poem are similar to Bai Juyi's poems, but they are not a pan-ode to the love between men and women, but they are meaningful. In the mid-Northern Song Dynasty, the political situation changed dramatically, and the Yuan You Party and the reformists took turns to take power. Therefore, most scholars keep the relationship between teachers and students secret so as not to be dragged down by the same party. Some people who follow the trend go with the flow and flatter the powerful. Chen Shidao's poems are a criticism of this trend. He asked: Do you have the heart to wear the clothes that my former master kicked me to win others' laughter?
The last four sentences are straightforward and full of sadness, pouring out. However, the dead are ignorant, and only the living pity them alone. The whole poem ends in the contrast between life and death, sadness and joy, knowledge and ignorance.
Appreciation of "Feng" 5 Feng Laoting You Chun's Third Ouyang Xiu
Mangroves and green hills are dying, and grass in the long suburbs is endless.
Visitors, no matter how old they are, will walk to the front of the exhibition hall in spring.
Translation of Feng Le Ting You Chun San
Red flowers are full of trees, green hills are faint, and the sun sets during the day. In the vast countryside, the grass is green and endless.
Spring travelers come and go in front of Fengle Pavilion regardless of whether they will leave in spring.
Three Stories of Youchun in Fengle Pavilion
Mangrove: a tree with red flowers or a reflection of the sunset, not red leaves in autumn.
Suburb: A vast country. Boundless: Boundless.
Old: passed away. A "do". Spring will grow old: spring will pass.
Appreciation of Spring Tour in Fengle Pavilion III
Fengle Pavilion is located at the northern foot of Fengshan in the southwest of Chuzhou (now Chuxian County, Anhui Province), on the Langya Valley Spring. This pavilion was built by Ouyang Xiu when he was a magistrate. He wrote an article "Fengle Pavilion", describing the natural scenery near the pavilion and the process of building it. Su Shi wrote a book and carved stones. Beautiful scenery, beautiful words, beautiful books and three beauties have become famous tourist attractions since then.
The scenery around Fengle Pavilion is beautiful all year round, but this group of poems takes the most typical spring scenery in the four seasons and describes it first.
"Mangroves and green hills are dying, and long grass is endless." It means that the Qingshan mangrove forest sinks in the west during the day, and the green grass is endless.
"Tourists, no matter how old they are, should step on the flowers in front of the pavilion in spring." "At dusk, spring will come back. However, enthusiastic tourists ignore these and still stroll in front of Fengle Pavilion to enjoy the beautiful scenery of this late spring. Some notebooks use the word "old" as "gold", which has similar meanings, but the word "old" is more vivid than the word "gold".
This poem describes that "attachment to spring" is both lingering and heartfelt. Of course, the poet himself is also included in this group of tourists who cherish spring. Ouyang Xiu is an expert in writing about the feelings of cherishing spring. He has a line in a poem "Butterfly Lovers": "Tears ask flowers for silence, and red flies over the swing", which is really heartbreaking; The sentimental tourists in this poem "Walking in front of the Pavilion" also disappointed the readers.
The first two sentences of this poem are all about scenery, and the last two sentences are lyrical. The scenery is colorful; Lyric, clear, vivid and meaningful.
The Creative Background of "A Spring Trip to Fengle Pavilion" (3)
Ouyang Xiu built Fengle Pavilion in the forest on the outskirts of Chuzhou in 1046 (the sixth year of Li Qing), and wrote the poem "Spring Tour in Fengle Pavilion" in March of the following year. This song is the third.
Appreciation of the original text of "Feng" 6 Original text: Because I draw many willows, some people say that I like willows; Because some people say I like willow, I seem to think I really have something to do with willow. But I also asked, why do you like willows? What is the deep relationship with willow? The answer is not available. It turned out that this was completely accidental: I lived in Baima Lake these years and saw someone planting willows by the lake. I asked them for a small plant and planted it in my corner. So I named this house "Xiaoliuwu", so I often use common willow trees as painting materials, so some people say that I like willow trees, so I feel that I have something to do with willow trees. If people had planted thorns on the lake, maybe I would have named the house "Little Thorn House", but painting thorns became a thorny fate. This is often the case in the world.
But if I want to become attached to willow, I won't say the above, and I can attach various reasons. Or I love its light yellow and light green, or I love it like a villain's waist, or I love it planted in Tao Yuanming's house, or I can quote the poems of "Green in the Guest Room" and "Good Green in the Tree", as well as various classics such as "The Appearance of the Princes" and "God of Zhang Xu" as my reasons for loving Liu. Even if you want to find 300 high-sounding, elegant and profound reasons, it is easy. This is often the case in the world.
Maybe I once said "I love willow" to people. But it's also fate. It seems that I accidentally bought a pair of black socks to wear on my feet. When people asked me "Why do I wear black socks", I told him "I like to wear black socks". In fact, I have never been interested in flowers and trees; That is, there is no persistence. This is because I grew up in a poor village. I have only seen Sang Ma, corn, tobacco, cotton, wheat and soybeans, and I have never been near a garden full of flowers. I have only seen beautiful names such as Wei Zi, Red Star, Peony and Peony in a few old books, but the owners who can get close contact with these names are rare. It's not that I haven't seen them at all, just because they often disappoint me. I don't believe these are Wei Zihua, who once treated Ziweilang, the red apricot that made Shangshu famous, the peony that once lay with beautiful women and let life slip past them, or the peony that symbolizes wealth. I think they are just a few kinds of plants, but they are rare and precious, and there is really nothing particularly lovely about them. It seems that they don't deserve to be praised in poetry, let alone occupy such a noble position among flowers and trees. So in my opinion, the famous flower praised in poetry is another kind, not the plant I see now. I have been to Fugui Garden occasionally, but I have never seen a scene that can be completely called "flowers like embroidery".
If I want to praise a plant now, I still want to praise the willow. But this has nothing to do with the frontier. This is just how I feel these days. I won't convert to it all my life just because I believe in religion or idolatry on a whim. Yesterday, for the good weather, I buried myself in writing until the evening, so I had to walk to the bench by the West Lake and sit for a while. . I saw thousands of bright green beads hanging on the willows on the shore of the lake, floating around in the warm spring breeze, and many slightly curved S lines floated out. I feel this plant is really beautiful and lovely, and I have to praise it.
It is said that this plant is the meanest. Cut a branch and stick it in the ground, and it will live, and later it will become a big willow tree. It doesn't need noble fertilizer or deep ploughing. As long as there is sunshine, soil and water, it will live, and it will be very strong and beautiful. Peony flowers should eat fat intestines, grapevines should eat broth, and many flowers and trees should eat bean cakes; But willow shouldn't eat other people's food, so people say it's "cheap". Probably "expensive" means eating. The more you eat, the better, and the more you eat, the more expensive it is. Eating too much is useless, but it looks more expensive. For example, peony is more expensive than grapes, because peony eats fat intestines just for viewing, while grapes eat broth and have results. Willow does not eat people's things, but has wood for people to use, so it is regarded as "base".
I admire the beauty of willow, but its beauty is different from peony and all other flowers and trees. The main beauty of willow lies in its drooping. Most flowers and trees grow upward. Red apricots can grow "outside the wall" and ancient trees can grow "towering". It is good to go up, but I often see lush foliage, as if I have forgotten the roots below and feel that they look hateful; You live on it, how can you just sit on it and never pay attention to it? Your life is built on it. How can you only covet your own glory without looking back at the roots in the soil? Most flowers and trees are like this. Even the roots below were smashed, but the flowers and leaves above were still thriving. Being a last-minute Fu Wei there is really hateful and pitiful! Willow is not so hateful and pitiful: it is not that it will not grow upward. It grows fast and tall; But the higher you grow, the lower you hang. Tamarix chinensis lour, a strange man, never forgets his roots. They often look down and always use the power of spring breeze to worship or kiss the roots in the soil. It seems that a group of lively children play around their loving mother, but they always lean against her or jump into her arms, which makes people feel very cute. There are some willows higher than the wall, but I don't think they are too high. I can work for it without forgetting my roots.
Since ancient times, poetry and prose often take willow as the main theme of spring. Write the spring scenery as "a thousand trees hang down on the poplar", write the spring scenery as "tamarix chinensis lour", and even call it "wicker spring". I think this is not only the reason why willow sprouts in spring, but also the reason why its tree has a special attitude and is in harmony with the quiet and beautiful spring. This gesture is characterized by "drooping". Otherwise, when few trees germinate in spring, why should wicker be the master of spring? Just because other trees are relying on Dong Jun's influence, they are desperately trying to go up, blindly climbing high and forgetting their roots. Their greed is not in line with the spirit of spring. The only thing that best symbolizes the spirit of spring is weeping willows.
This is the feeling of a whim when I saw the willow trees near the West Lake yesterday. But I don't just appreciate the willows by the West Lake. In the spring these days, willows everywhere in the countryside have such a commendable gesture. West Lake seems too expensive, but it is not suitable for planting this kind of "cheap" poplar.
Appreciation: Willow is an ordinary tree. It is not as tall and straight as pine trees, nor as tall and straight as poplars. Without the charm of flowers. But throughout the ages, it has become an enduring ode of literati. The willow tree written by Feng Zikai, a famous modern writer, painter and literary translator, is even more unique.
The author likes willow, but literally, the author seems to be on the side of people who don't like willow. This is called restraining first and then promoting. It is said that there are many willows in the author's paintings, and the author should like willows. The author has talked about his feelings for willow from the perspective of "someone said" many times. The reason why the author likes willows is not that some people think he likes willows on purpose. The author likes willow by accident, because he planted a willow near his home in the past year and named it "Xiaoliuwu". The reason why the author doesn't make it clear is that he actually likes willows very occasionally and often. Maybe in the eyes of others, this can't be a reason.
Reflect the characteristics of willow through comparison and praise willow. Willow is a kind of plant, but it is endowed with human quality and spirit in the author's works. The author praised the ordinary and simple quality of willow. The willow asks nothing but dedication, which is its "meanness". It does not covet its own glory, but "does not forget its roots", which is its "drooping". The quality of willow "high and able to descend" is commendable. As a man, we should learn this spirit.
The author thought of not forgetting the fundamental spirit from the low posture of willows. From trees to people, the theme is deepened. It is the way to be a man to drink water and think of the source and know how to repay one's kindness. However, many people in life are kicking down the bridge, or even hitting people when they are down. The author's narrative contains accusations against these phenomena. The author endows willow with subjective feelings, and uses willow as a metaphor to satirize some arrogant people in real life.
This paper mainly uses rhetorical methods such as parallelism, metaphor, contrast and personification to enhance the appeal of the article. For example, in the second paragraph, "Or I love its light yellow and green ... small waist ..." This is parallelism. For example, "it seems that thousands of strings of bright green beads are hung" is a metaphor. For example, the fifth paragraph "always close to your loving mother, or jump into her arms, makes people feel very cute." This is personification. The use of these rhetorical devices makes the expression more vivid and the reasoning more thorough and incisive.