Cunwan
Song Lei Zhen
The grass is full/the pond is full/the water is full, and the mountain is full/the sunset is cold.
The shepherd boy/returns/straddles the cow's back, piccolo/no cavity/loose mouth blowing.
The author introduces:
Lei Zhen, a native of Southern Song Dynasty, life is unknown. Or that Meizhou (now Meishan, Sichuan) is a scholar in Jiading, Song Ningzong.
Theme:
Village Night is a poem describing the rural night scene. Poets use local materials to describe the changes of natural scenery and the activities of shepherds. It is dynamic, quiet and colorful, which constitutes a rural night scene with great interest in life, shows the carefree feelings of the shepherd boy, expresses the poet's love and praise for the rural night scene, and yearns for a leisurely and quiet rural life.
Translation:
The pond is surrounded by grass, and the water in the pond almost overflows the bank. The distant castle peak, with a touch of red sunset glow in its mouth, reflects the shadow in the cold water together, flashing and sparkling. The shepherd boy sat on the cow's back and walked home, playing tuneless music with piccolo at will.
Precautions:
1 vicious (bēi): the pool shore.
Two: In the mouth. This poem refers to the setting sun, half hanging on the mountainside, as if bitten by a mountain.
③ Submerged: submerged.
④ Yi (yρ): ripples in water.
⑤ straddle the back of the cow: sit on the back of the cow.
6 cavities: tune.
⑦ Let go: Whatever.
Appreciate:
The first two sentences describe the scenery. The poet organically integrated the pond, the mountain and the sunset, and drew a very elegant and beautiful picture, which set the background for the last two sentences about the appearance of the shepherd boy. The word "person" describes the characteristics of the summer scenery and depicts the vitality of the scenery. The word "title" uses anthropomorphic rhetoric to write a pattern that the setting sun does not sink, and writes the mountain alive; A word "Man" is vividly reflected in the water by the setting sun.
The last two sentences were written by people. Compared with the first two sentences, these two sentences are vividly depicted with the word "horizontal", which shows that the shepherd boy is not riding straight, but sitting on the back of the cow at will; The shepherd boy doesn't play the flute seriously, but Blowing Without Cavity shows the naughty, lovely and innocent shepherd boy.