Natural beauty, philosophical beauty and human nature beauty
The color of the moon, the love of the moon} the soul of the moon (meaning)
(Picture) (Reason) (Emotion) The moonlit night on the riverside contains the most beautiful moments in life. It is composed of spring, night, river water, flower trees and bright moon, among which spring, river water, flowers and night are only the background, and the bright moon is the image that the poet tries to render. In the poem "Spring", the image of the moon is beautiful and pure, and everything under the moonlight is pure and quiet, which embodies the artistic beauty of the moonlit night by the river. The moonlight in the poem "Spring" is extremely open and beautiful. "Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide, drifting thousands of miles. Where is there no moon in Chunjiang? " A bright moon rises from the riverside Ran Ran. This image is so vast and beautiful that people feel like holding their breath in front of the magical nature. In the bright moonlight, the water waves are rippling, and the garden with fragrant flowers and plants is like a snow-covered flower tree and a white beach. Everything is so beautiful and mysterious. In the moonlight, the poet's heart became clear and pure, and his heart had a spiritual exchange with nature. The great poet Qu Yuan once wrote Tian Wen, which shows the continuous exploration of the natural universe by human beings. More than a thousand years later, Zhang also questioned the universe, which fully reflected the unique "cosmic consciousness" of China poets. Mr. Wen Yiduo once emphasized the cosmic consciousness embodied in his poems, and thought that "in the face of magical eternity, the author has only consternation, no longing, no sadness" (Wen Yiduo's Essays on Tang Poetry and Salvation of Palace Poetry). On the one hand, the eight sighs for the moon in the poem "Spring" reflect the tranquility, profundity, broadness and vastness of the universe, but in the poet's mind, Jiang Yue is always the same, monotonous, unchanging and lifeless, but only monotonous repetition; Although life is short, as a group, human beings are endless and passed down from generation to generation. As an individual, the joys and sorrows of life are rich and vivid. As Shen Congwen said, "For all natural scenery, when I silently understand the subtle relationship between their own existence and the universe, I feel the solemnity of life" (Water Cloud). After feeling the conflict and contradiction between eternity and brevity, infinity and finiteness, the poet turned his affectionate eyes to the life he could admire, and the essence of this life is "emotion". The poet clung to the "bright moon on the riverside", and Jiang sent out all kinds of poems and paintings. From the sentence "Wandering in the poor building and under the moon, leaving someone to make up the mirror", we can feel the wanderer's pity for Sifu and his apology for not being able to accompany him, while "I can't get rid of it", "I will return it" and "I hope to shine on you every month" describe Sifu's delusion and resentment in detail. Moonlight can be annoying, but I am obsessed with being able to travel through time and space like moonlight and often accompany wanderers. How touching, devoted and persistent this feeling is! In contrast, the eternal and infinite nature of the universe is nothingness and indifference, while the life full of joy and trouble is rich and beautiful. Love and troubles interweave into a colorful life. Although it is small, it is very real and very emotional. This is people's affirmation of the value of existence and the embodiment of optimistic and upward will to life. The last eight sentences are very depressing. Time will pass, the years will get old, and the day of going home is still far away. The waning moon is slanting to the west, and the slanting moon will be hidden in the sea. How many people can go back to their warm homes under the bright moon? Home, this is also the power that poets use to compete with nature. "I don't know how many people return home every month, and the trees are full of rivers." What the author affirmed was a short, small, beautiful and rich life, which deeply moved me in the aftertaste. When writing landscapes, many poets often lament the eternal prosperity of nature. In the sharp contrast between life and nature, finite and eternal, they often choose to turn to the latter. The eternal natural landscape is higher than the fleeting prosperity in the world, and they emphasize giving up on life. However, in "Moonlit Night on a Spring River", the poet envies the wanderers who come home on a moonlit night, but he imagines a warm and real home. Wandering wanderers in the great era are not rootless duckweeds, but need a sense of belonging to counter the helplessness that life cannot be together forever, and the confusion of eternity and brevity, finiteness and infinity. This is the meaning of the image of "home". The poet takes the moon as the observation object, from describing the riverside scene last month, to rational exploration of the universe, and then to expressing his yearning for life. With the rise and fall of the moon, nature is flowing, time and space are changing, and poetry is from the universe to the heart, from rational questioning to emotional expression, which produces the psychological feeling of God and the moon and achieves the perfect fit of interest and image. As Goethe heard: "Once an artist grasps a natural object, it no longer belongs to nature. It can also be said that the artist is creating that object at the moment he grasps it, because he obtains something meaningful, distinctive and fascinating from it, thus making it more valuable." (Zhu Guangqian's History of Western Aesthetics) The successful grasp of the bright moon image comes from the poet Zhang's love for life, from the poet's contradictory and confused heart, self-reflection and profound pursuit of human spirit. In China's traditional aesthetics, the emphasis on emotion is consistent. "Preface to Mao's Poems" says, "Emotion moves in China, and form is in words", and Lu Ji thinks that "Poetry is beautiful because of emotion". For poetry, emotion is the essence of poetry. Zhang's "Moonlit Night on a Spring River" is full of deep feelings, which is the charm of the poem "Spring". The author of Moonlit Night on a Spring River is Zhang in the early Tang Dynasty. In the early years of Kaiyuan, He, He, Zhang Xu and Bao Rong were called "Wuzhong Four Scholars". He left few works for later generations. There are only two poems in the whole Tang Dynasty, and this one is the most famous. It claims to be "an orphan poem that completely ruined the whole Tang Dynasty", which established Zhang's immortal position in the literary history of the Tang Dynasty. This poem describes spring, river, flowers, moon, night and all kinds of related scenery, while moonlight is used to unify the scenery, containing philosophy and affection, forming a hazy, profound and wonderful artistic realm, which makes people explore endlessly and ponder endlessly. The whole poem can be divided into two paragraphs. "Water from the Yangtze River" is the first paragraph, and the beautiful scenery of spring, river, moon and night leads to philosophical thinking about the universe and life. The first two sentences show the broad vision of "Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide". A word "life" personifies the bright moon; A word "* * *" emphasizes the natural connection between Chunjiang River and the bright moon. The river flows thousands of miles, and the moonlight travels thousands of miles with the waves; The river flows around Fangdian, and the moonlight shines on the flower forest like graupel. In short, the moonlight and Jiangbo set each other off, with spring flowers and bright moon. How affectionate! The poet stood by the river and looked up at the bright moon. He couldn't help asking, "Who has seen the moon on the river?" ? When did Jiang Yue take the photo at the beginning of the year? "the problem. The poet naturally cannot answer this question about the formation of the universe and the origin of mankind. So I turned to meditation, "Life goes on from generation to generation, and Jiang Yue is only similar year after year. I don't know who Jiang Yue treats, but the Yangtze River sends water. "The universe is eternal, and the moon is always there; And life, personally, how short life is! But as far as human beings as a whole are concerned, they are handed down from generation to generation and live endlessly, so they can coexist with the bright moon. So, although I don't know when I took pictures of people at the beginning of Jiangyue, I have taken photos from generation to generation since the first photo. Compared with the eternity of the bright moon, the poet is not without emotion about the hasty replacement of life. However, when he thought that the endless life of human beings was also illuminated by the bright moon, he felt gratified. From this, I make a further exploration: is a "lonely moon" shining on the Yangtze River forever, and is it that her lover knows it clearly and hasn't waited yet? So Jiang Yue's association with "treating people with things" turned to the next paragraph. " Lonely Moon also treats people with things, not to mention swimming and missing women. The poet then galloped in the imagination, expressing his lovesickness, and looking at the woman on behalf of the wanderer. The poet fantasized that "whose ship is sailing tonight" was passing by the "Qingfengpu" by the river, witnessed the "white clouds drifting away" and gave birth to a wandering journey "sorrow", so he missed "where is the bright moon building". Judging from the word "Ying", which says "You should take your eyes off people's makeup mirrors", the following words "Wandering back to the moon on a poor building" are all the words of the poet's imaginary wife about how to miss herself: her wife looks forward to the moon and is pregnant with people, so she is afraid of seeing the moonlight. But she can roll up the "jade curtain", but she can't roll away the moonlight; You can erase the anvil, but you can't erase the moonlight. "We don't know each other at this time," and Gankun's moonlight can see my husband, which leads to the delusion that "I hope to shine on you every month". "It is impossible to follow the moonlight to see my husband, so I want to send books and letters to Hongyan and carp according to ancient legends. However, Hongyan cannot fly out of the light and shadow of the bright moon. Carp yue longmen can only cause ripples on the water. Next, the poet's imaginary "boat" misses home and wife, and the dream is shaped by imagination. He saw the fallen flowers in his dream and realized that spring was over and he hadn't gone home yet. Helplessly watching "the spring river flows away, Hechi melts the moon and falls back to the west", time goes by, and my youth and longing are also passing by. However, Jieshi, Xiaoxiang and Shuiyuan Mountain are far away. How can I go home by the moon? Ending the whole article with "full of feelings in the shadow of the moon", the feelings are swaying and touching. Since Baiyun, the lovesickness of vagrants and women has been written with spring, river, flowers, moon and night as the contrast. There is imagination in imagination, and there is dream in the real world. The mind and matter are interlinked, time and space overlap, and the reality and reality complement each other, thus achieving a low, lingering and endless meaning. There are thirty-six sentences in the whole poem, and every four sentences change rhyme, level and level, cadence and cadence, adapt to the changes of content, explore its meaning and have a melodious charm. This poem has been highly praised by poetic theorists since the Ming and Qing Dynasties. Hu Yinglin's Poem Internal Compilation (Volume 3) says: Zhang's Moonlight on the Spring River was published in Pulsatilla smoothly and tactfully. " Zhong Xing's "300 Tang Poems" stone: "It's really chemical to refine the five words of spring, river, flower, moon and night into strange light!" Lu Shiyong's Mirror of Tang Poetry: "The subtle feelings are mysterious, and most of them are strange to hang on." Yao Wang Qu's "Interpretation of Ancient Poems" says: "Love and literature are the same, each gorgeous, bizarre, unpredictable, really strange!" Wen Yiduo's "The Redemption of Palace Poetry" is even more praised as a poem with a peak. Moonlit Night on the Spring River is the old title of Qing Shang Ge and Wu Sheng Ge in Yuefu. This tune originated in Chen Houzhu, and its main feature is gorgeous and soft. This long song is based on "Moonlit Night on a Spring River", which combines painting and poetry with the observation of the mysteries of the universe and philosophy of life, creating a beautiful and thorough poetic scene. The poet "Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide" begins with the beauty of moonlight on the riverside. In the moonlight, the vast, transparent and pure riverside scenery shows the beauty and magic of nature. The poet can't help thinking about the life of the universe while feeling the infinite beauty. "Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year? Life is endless from generation to generation, and Jiangyue is only similar year after year; I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water. "Time and space are infinite, life is infinite, showing a vast and profound sense of the universe, but time is like running water, which is gone forever. At this time, the poet has fallen into infinite sadness and confusion. Therefore, from the beginning of "the white clouds go away and the green maple is full of sorrow", I began to describe the departure of wandering women, and the poet's faint sadness merged into the quiet poetic realm. This sadness changes slowly with moonlight and running water. Finally, the whole poem is "I wonder how many people return every month?" "At the end of" Rocking the River Tree in the Falling Moon ",readers are deeply immersed in deep thinking about the life of the universe. The poem "Moonlit Night on a Spring River" is beautiful in language, vivid in image and full of philosophy. It blends real life experience into beautiful images and creates an ethereal and pure poetic artistic conception. Especially "Who saw the moon by the river? When did Jiang Yue take the photo at the beginning of the year? Life is endless from generation to generation, and Jiangyue is only similar year after year; I want to know who Jiang Yue treats. But see the Yangtze River send water. "A few words, became the eternal swan song, be told by later generations!
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