"In April, the world is beautiful everywhere, and the peach blossoms in the mountain temple."
In April, all the flowers have withered, and the peach blossoms in the ancient temple in the mountains have just bloomed.
Precautions:
Man: refers to the flat village under Lushan Mountain. Fang Fei: A blooming flower can also refer to the beautiful spring scenery of flowers and plants. Exhaustion: refers to the withering of flowers.
Mountain Temple: refers to Dalin Temple. Start: only; Just now.
Peach Blossom in Dalin Temple by Bai Juyi in Tang Dynasty
In the world of April, the flowers have withered, and the peach blossoms in the ancient temples have just bloomed.
I want to find a place where my life is dying, but I don't know that it has been moved here.
Translation:
In April, the flowers have withered, and the peach blossoms in the ancient temple in the mountains have just opened.
I often regret that spring has gone nowhere to look, but I don't know that it has come here.
The phrase "The world is full of fragrance in April, and the peach blossoms bloom in the mountain temple" is that when the poet climbed the mountain, he was already in Xia Meng, and it was the time when spring returned to the earth and the fragrance fell. But unexpectedly, in the ancient temple in the mountains, I met an unexpected spring scene-a peach blossom that began to bloom. From the sentence "I hate spring for a long time, but I can't find a place to go", we can know that the poet is resentful, angry and disappointed for the hasty absence of spring before boarding the ship. Therefore, when this unexpected spring scene comes into view, it should make people feel how surprised and happy. The first sentence of this poem, "Fang Fei is exhausted" and the second sentence, "It begins to bloom", complement each other. Literally, they are chronicles, but in fact, they are also writing about the leap of feelings and thoughts-from sighing for the past melancholy to surprise, joy and even joy. Moreover, at the beginning of the first sentence, the poet deliberately used the word "person", which means that this adventure and this scenic spot have brought a special feeling to the poet, that is, it seems that he suddenly stepped into a fairyland from the real world of human beings and was in another non-human world.
It is under the trigger of this feeling that the wings of the poet's imagination soar. "I hate that spring is nowhere to be found and I don't know where to go." The poet thought that he hated the ruthlessness of spring because he cherished it and fell in love with it, but he was wrong. It turned out that spring didn't come back, but just sneaked into this place like children and people playing hide-and-seek.
In this poem, peach blossoms are used instead of abstract spring scenery to make spring scenery concrete and beautiful; Moreover, it personifies the spring scenery and writes it as if it really has feet, so you can hide it around. No, just feet. Look at it. It has a naughty and provocative character. In this short poem, the spring scenery in nature is so vivid and concrete, innocent and lovely, and it can't be written without infinite nostalgia and love for spring and the poet's childlike innocence. The beauty of this poem lies in its novel and ingenious conception, and its playful language is elegant and interesting, inspiring and pleasing to the eye. ...
Creative background:
This poem was written in April of the 12th year of Tang Xianzong Yuanhe (8 17). Bai Juyi was Sima of Jiangzhou (now Jiujiang, Jiangxi) at the age of 46.
Bai Juyi (772-846), a native of Xinzheng, Henan Province, was born in Taiyuan, Lotte, Xiangshan, and drunk. He was a great realistic poet in the Tang Dynasty and one of the three great poets in the Tang Dynasty. Bai Juyi and Yuan Zhen * * * advocated the new Yuefu movement, and together with Liu Yuxi, they called the world "Bai Yuan" and "Bai Liu". Bai Juyi's poems have a wide range of themes, various forms and simple and popular language, and are known as "the poet's magic" and "the king of poets". Official to Hanlin bachelor, Zuo Zanshan doctor. In 846 AD, Bai Juyi died in Luoyang and was buried in Xiangshan. Up to now, there are Bai's "Changqing Collection", and the representative works include Song of Eternal Sorrow, Charcoal Man, Pipa Travel and so on.