Flowers and plants school
China Five Pronouns School in Late Tang Dynasty. After the Five Dynasties, Zhao Chongzuo of Shu selected 500 works of the late Tang Dynasty with 65,438+08 pronouns and compiled them into Huajian Collection (65,438+00 volumes), among which Wei Zhuang, Xue, Niu Qiao, Zhang Bi, Mao Wenxi, Niu Xiji and Ouyang Jiong were the others. Their ci styles are generally similar. Later generations therefore called it Huajian School. Wen and Wei Zhuang are their representative writers. Although both of them mainly write eroticism and sadness, their styles are different. The words are gorgeous, but Wei Ci is neglected. The rest of the poets, such as Wen and Feng, sang in my heart forever's sorrow, bid farewell to hate, and were confined to the privacy of men and women, with low style. However, Lu, Ouyang Jiong and Sun Guangxian also have some works of practical significance. Huajian Ci is not very desirable in thought, but it is rich and delicate in style and has high artistic achievements, which has a great influence on later ci works. There are three editions of Huajianji in Southern Song Dynasty: Shaoxing edition, Xichun edition and Jubilee edition. Collection of Flowers and Schools in Modern Li Yimang 198 1 People's Literature Publishing House reprint.
Huajian school is one of the main schools in the late Tang Dynasty and the Southern and Northern Dynasties. Ci studies at that time were mainly divided into two schools: Huajian School and Xishu School.
The representatives of Huajian School are Wen, Wei Zhuang, Niu Xiji, Ouyang Jiong, etc. And their words are fragrant and beautiful, but I personally think that most of their words are made up of gorgeous words and expressions, and their feelings are empty, which does not make me fondle admiringly. Wei Zhuang is one of the more beautiful styles, but one of his songs I like best is not the typical flower style, but a very warm "Four Hometowns":
spring outing
apricot flower
Who is young to strangers?
Foot airflow
I intend to marry her.
Yishengxiu
Be mercilessly abandoned
Can't be ashamed
There are only three representatives of Xishu Ci School: Li Jing, a poet in the Southern Tang Dynasty, Li Yu, his late son, and Feng Yansi, the prime minister. I especially like all three of them. They are beautiful and natural, and their feelings are delicate and touching. Like Jing Li's "drizzle dreams back to the chicken, and the small building blows through the cold"; Like Feng Yansi's "wind wrinkles a pool of spring water"; I won't say much about Li Yu's.
At this time, the school of Ci was mainly the product of the transition from poetry to Ci, and the various schools had undergone a considerable period of integration and evolution. Moreover, due to the rise and maturity of the bold school in its heyday, the focus of the division of ci schools is determined to be "graceful school" and "bold school" "Graceful and restrained" has a wider meaning. She is the general name of a large class of styles, and her works have profound thoughts on soybean oil. The representatives are Liu Yong and Li Qingzhao, whom we are all familiar with. In fact, Qin Guan, Zhang Yan (father Yan Shu, son Yan), Zhang Xian, Jiang Kui, Wu Wenying and Zhou Bangyan are all outstanding figures with their own characteristics and achievements. Seiko, big and small; Zhang Xian's unique perspective, "the heart is like a double screen, and the Qian Qian Festival is in it" is not like a consistent graceful style; Jiang Kui is a famous Jiang Baishi, who is good at composing music and creating his own epigrams. One of the few Song Ci songs found in China is his 18 Jiang Baishi; Wu Wenying is also good at writing his own inscriptions, and his own "Qijia" is the longest existing inscription; Zhou Bangyan is known as the "master of grace and restraint". The genre division of "graceful school" and "bold school" is based on the commanding heights of the development of Ci, so its influence is greater than that of her before and after.
Generally speaking, the differences between Huajian Ci and Graceful Ci include: different periods of existence, different styles, different connotations, different genres and different influences. The representative figures must be different. If you want to know more, you can refer to books such as Legend on Earth and Dictionary of Tang Poetry and Song Poetry.