A Beautiful Mask —— On the Image of Bai Liusu in Love in a Beautiful City
Perhaps, once she was pregnant with pure and beautiful girlish feelings.
But time and reality are slowly eroding and devouring all this.
Later, she was trying to find dying youth and tried to play with her last capital.
Later, she only longed for a physical support and tried to play "love games" with her prey.
Bai Liusu, a China woman who came slowly from the oriental tradition, is different from the virtuous lady and sexy described in male discourse.
Bai Liusu, an old-fashioned woman who ran to the times and trends, did not accept the new culture in parallel, but went to the society completely or defected to the revolution.
As a 78-year-old divorced woman, Bai Liusu began to seek her second marriage, which obviously had multiple purposes. She wants to escape from this ancient family that has obviously surprised her until now, even a little desperate, and escape from all eyes. Life has buried generations of youth, without any sympathy or funny remnants, leaving a feeling of desolation. When the whole family began to treat her with the attitude of "driving away", it seemed that all a poor woman could do was run away and hide. What's more, this kind of escape is similar to escape, and this kind of escape is similar to escape. ......
"This room can live! ..... I can't live any longer! " Bai Liusu's sense of helplessness bears a lot of grievances. She is going to fight, to accept the challenge of sin, to trudge through sin, to pay off her debts with her last bit of capital belonging to women-youth around 30 years old-and to find warm, fresh, most important and practical things. Women are always floating in the real world. They don't have their own stable "roots" and can't grasp their own experiences. They can only go with the flow. They don't have economic status and the ability to live independently, as Bai Liusu said: "I haven't read two books, so I can't pick my shoulders and lift my hands. What can I do? " In her subconscious mind, an unchangeable mindset that women depend on men has been formed, and she dare not and does not want to pull herself out of this mindset. It is this cowardly self-denial that makes her think most about how to grasp the stable and solid rocks on the shore, or just a little life-saving grass to seek temporary shelter.
"A woman, no matter how good, also can not get the love of the opposite sex, also can not get the respect of the same sex. Women are like this. " Bai Liusu absolutely doesn't want to spend her life in such a daze, and she doesn't want to have a man as a tool for her to show off to the same sex. Reality has taught her vanity, and such vanity cannot be chosen. She began to put all her eggs in one basket, and with the last unusual delicacy, she got Fan Liuyuan, the goal that everyone was waiting for, and drove away the evil spirits in her chest. . . . . .
It can be said that tassel has clearly seen her status as an ornamental. She is not crazy to get a true love, but has an attitude of living by love. The first marriage failed to bring her the expected effect. On the contrary, it deepened her sense of wandering and unease about life. She didn't give up in such a weak lifestyle. She faced this tragic fate and lived tenaciously with the unique survival wisdom of urban women. Her wisdom and sophistication made her know clearly what Fan Liu wanted, but she was still willing to accept him and approach him, so she married him. At the same time, Bai Liusu's heart was full of desire. She doesn't want to apply for a job or show even a little sincerity.
Fringe originates from women's inferiority and vanity, and tends to vulgarity. Her western-style shell is full of typical feudal attachment to money. But what Fan Liuyuan wants is ordinary appreciation and playing with vases. In this way, the hero and heroine began to flirt under the conflict of extreme contrast and contradictory love views. This contest about love is very harmonious. Both of them are so meticulous and calculating, and both sides have given 100% wisdom and energy to attack and defend the "war of love". Tassel's seemingly expressionless passive attitude is her "deadly weapon", and the gap between inner and outer about not being a good woman is her "killer weapon". In the "battle of love", although full of pain, helplessness and deepest worries. But on the whole, Bai Liusu has succeeded in doing this. It's just that such control seems too slim. Perhaps, at that time, Bai Liusu was designing a plan to bring them closer. She has always been a clever woman.
Fortunately, the fall of Hongkong helped Bai Liusu, which can also be said to bring two selfish hearts together. Selfish people can make some postures with their support, but when the capital falls, individualists have no place to live. "They began to look at each other transparently, only for a moment of complete understanding, but this moment was enough for them to live in harmony for ten years and eight years." When people see through the illusion of the world, they can understand who is the only dependence of whom, and such dependence can make the soul settle down. For men and women who love to hesitate, just like those who watch outside the besieged city, they should be able to shed this selfishness and give themselves a little warmth in the desolation.
Bai Liusu is very lucky. When she was in the seemingly irreversible paradox of life, she struggled out of the time track of Bai Mansion and started her personal life. When she was trapped in the endless maze of love, the fall of the ideal city fulfilled her.