China's poetry has a long history, with a history of more than 3,000 years since the first book of poetry, The Book of Songs, came out. However, the genre of ancient poetry is nothing more than ancient poetry and modern poetry. The so-called archaic poetry refers to the poetic forms formed before the Tang Dynasty, including four-character style, five-character style, six-character style and seven-character style. Generally rhymes, does not pay attention to parallelism, and the number of sentences is unlimited. Modern poetry is a new form of poetry that appeared in Sui and Tang Dynasties. There are two kinds of quatrains and metrical poems. Each sentence is either five or seven words, and pays attention to the level of rhythm, and metrical poems also pay attention to antithesis. Except for arrangement, the number of sentences is limited. Orderly structure and beautiful rhyme are a major feature of China's ancient poems. China's ancient poems are mainly composed of five words and seven words. Although there are not many words, every sentence can express complex meanings. Moreover, in the Southern Dynasties, people also found that Chinese characters have four tones: flat, up, district and Li, among which up, down and Li are oblique tones. In each poem, if we combine the words "even and flat" regularly, we can form a harmonious and beautiful rhythm. In this way, modern poetry in the Tang Dynasty has many characteristics different from classical poetry: it requires definite sentences, rhymes, sounds and words. Although the number of words in ancient poetry should be neat, there is no limit to the number of sentences, which can be more or less. Modern poetry has strict rules, four lines of quatrains and eight lines of metrical poems, but the arrangement is not limited to this. The rhyming status of modern poetry is fixed. The last word of an even sentence in a metrical poem must rhyme until the end, and it cannot be changed in the middle. Generally, only when the rhyme is flat can the rhyme pass, and the couplets in the middle must be correct. The quatrains are influenced by metrical poems, and the rhyming requirements are roughly the same as those of metrical poems, but quatrains can rhyme. The flat tones of every word in modern poetry are generally fixed and staggered, which makes the tone of poetry cadence. This is its greatest feature. The difference between ancient poetry and modern poetry in form is the most obvious and fundamental, especially in emphasizing the level and even the writing style. Paying attention to form, that is, stubbornly believing that writing poetry must be proficient in meter and completed in accordance with the prescribed format, is harmful and does more harm than good. Why modern poetry rises is a topic worthy of our consideration. Modern poetry creation is the mainstream of poetry creation in this era and even in the future, which can be seen from the proportion of poetry published on the Internet and traditional journals. On the other hand, if the mainstream position of ancient poetry is not restricted, I am afraid that the level of modern poetry has already surpassed that of ancient poetry. In detail, I think there is no difference between ancient poetry and modern poetry in time and history. Whether you like ancient poetry or master modern poetry is related to the author's personal hobbies and creative methods, and has nothing to do with the quality of the poem itself, or whether it exists or not, which has no conflict with the requirements of poetry creation (both metrical poetry and modern poetry need musical beauty, jumping, dialectics and a tangible life experience). When the development of China's modern poetry abandons the development direction dominated by western literary theory, we can't simply restore the tradition of metrical poetry as some viewpoints do. After all, the spoken language of China people today has changed a lot compared with that of 100 years ago. The future development direction of China's poetry is still to approach the most active and realistic oral language. In recent years, something similar to poetry has been quietly circulated in the society, such as "first-class male …, second-class male …, third-class male …", "Red flag does not fall, colorful flag flutters" and so on. Although the content is vulgar, these folk free creations have already possessed the embryonic form of real China's poems in the 2 1 century. In addition, the development of pop music will also promote the great development of China's poetry. For example, the lyrics of Farewell My Concubine sung by Tu Honggang can be regarded as a very good poem. Another tendency of poetry in Song Dynasty is metrical. People in later generations have a misunderstanding of meter, thinking that it is the law of poetry. In fact, the appearance of meter is the result of requiring poetry to be widely sung. At that time, music was an important part of market culture. The musical habit of teaching by example has fixed some classic aria and classical aria. Poetry is to match those arias or arias, so its length has certain requirements. In fact, there is nothing wrong with adding a word or two in some places in metrical poems. In fact, it is a little more segmentation and change when singing. To some extent, the metrical poetry in Song Dynasty is the requirement and result of socialized division of labor and assembly line manufacturing of poetry.
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