At the same time, we should also see that the appearance of "tsunami body" is not only people's deep concern about the return of poetry to life, but also their real expectation of poetry as a kind of "present" existence. In this sense, The Lovely China is an excellent work that effectively reveals and recognizes the humanistic ecology of an era in the form of poetry, and it is a pioneer work that strongly appeals to the humanistic spirit.
-Southern Seagull
Poetry is not a stage. Today, writing is getting weaker and weaker. This is the poet's real experience: words swing between disaster and calm, violence and culture, group and individual freedom, world and id. It is not a day's work, but a common symptom of national culture, which has long lacked effective intermediate existence and mitigation methods. Many times, it must be based on the public's emotional catharsis, which is easy to be banned, replaced by violent and irrational actions and tends to die out.
A song "Lovely China" explores the * * * same memory and mutual recognition that people can hardly get and bear in the face of national disaster, mass poverty and the destruction of natural life in contemporary China. "... is not mine, but ... is mine", which is the most common and necessary way for modern people to judge right and wrong, distinguish and identify with society and self, and is a necessary self-awakening of poets in the face of complex social structure, which embodies the universal spirit of contemporary poetry.
Bi cheng