the beautiful woman urged Qian to live a long life. Pepper with cypress leaves and finery sleeves. I don't know each other well in the depths of my hometown, but I am old with Dongjun.
Translation and Notes
1. Lotus leakage: A copper leakage timer that looks like a lotus flower is said to have been made by Huiyuan, a monk in Lushan Mountain.
2. Zhusu: Tu Su, the name of the wine.
3. Dongjun: the god of spring.
Appreciation
Lotus drops sent away the old year. When the wine was frozen in the well and Han Xiao invaded people, the slender figure of willow branches had revealed the breath of Chinese New Year. Although there are beauties and singers to persuade them to drink and cheer up, the poet is surprised by the phenology of early spring, as if he had seen the old friend who had been reunited for a long time. The idea is novel and full of emotion. Xin Qiji's "Jade Louchun" is endowed with Yunshan
"Jade Louchun is endowed with Yunshan"
Author: Xin Qiji
Who pushes the mountain in the middle of the night? Looking up at the four sides is a cloud, guess is the cloud dry.
there are always two or three peaks, and I can't find anywhere in the head of the stream.
the west wind glimpsed the horizontal degree of clouds, and suddenly saw a pillar in the southeast.
The old monk clapped his hands and smiled and praised each other, and he was glad that Qingshan still lived.
Appreciation:
In the second year of Qingyuan in Song Ningzong (1196), Xin Qiji moved to Qisidu Villa, which is located in the northeast of Lead Mountain (now Jiangxi), because his residence with the lake in Shangrao was destroyed by fire. There is a clear spring, which is shaped like a gourd ladle, so the poet named it gourd ladle spring. This word was written by the author while living in Piaoquan apartment. The content, such as the title, is a work of chanting Yunshan.
Although the title of this word is "Playing with Clouds", it focuses on the rapid changes of a natural phenomenon. However, it seems to imply the poet's belief between the lines: although the resistance to the Northern Expedition of Gold has been rejected and hit by capitulationists many times, just like the heavy snow can't crush the pine trees, this resistance to gold will not die out, but will gradually become a mainstay of the country.
open the first two paragraphs. The first sentence asks questions and the second sentence answers them, which is more intriguing than saying that Qingshan is covered by floating clouds. Moreover, because of the personification technique, the relationship between things and me has been greatly strengthened, which makes us seem to see the poet's staring and mumbling modality. A sentence with allusion, "Zhuangzi. Master: A husband hides a boat in a ravine and a mountain in a river, which is called solid. However, those who are powerful in the middle of the night walk away, and those who are ignorant don't know. Zhuangzi's statement is to express his nihilistic view that if he hides, he will die. Later, Huang Tingjian's poem "Jiuhua in the Pot of the Second Rhyme Dongpo" used its literal meaning, saying: Some people go to the mountain in the middle of the night, and they suddenly feel the blue sky is warm and green. Comparing the author's words with Huang's poems, Huang's word-holding diameter comes from the negative word in Zhuangzi, which is a bit formal and simple; However, the word-pushing by the poet is ethereal and ingenious, which is more in line with the scene that Qingshan is shrouded by clouds. It can be seen that the skillful use of allusion lies not in whether it can be learned literally, but in whether it can be understood at the scene and changed by events. And the floating clouds on all sides guess that it is your sentence. Why use guessing instead of knowing? Gaizhizi's judgment is too strong, which does not match the tone of questioning in the first sentence, and makes this sentence look dull; And a guessing word not only matches the tone of questioning in the first sentence, but also makes the whole rhyme smart and lively. Taking a break from the rhyme closely inherits the previous rhyme. By describing his actions of searching for two or three peaks and the results of traveling all over the stream, he further confirmed that Qingshan was shrouded in clouds, and implicitly revealed the poet's regret. Why are poets so persistent in looking for the green hills that are often relative? Because Qingshan is his bosom friend during his leisure in Piaoquan, and it is also a true portrayal of his aboveboard personality. The newly renovated eaves are the first, and the green hills are just opposite the small windows. ("the occasional work of the sand ladle spring in Huanxi") Qingshan is full of enthusiasm and seems to be charming for my return. ("Spring in Qinyuan is due again, Sibuzhu") I see how charming Qingshan is, and I expect Qingshan to be like this. Emotion and appearance are slightly similar. You see, the poet's affection for Castle Peak is so deep! No wonder he is eager to find it.
The first part of the word is about the worry that the castle peak is covered by floating clouds, and the second part is about the joy of seeing the castle peak again. In the next two sentences, the scene suddenly changed: the west wind was blowing, and the clouds were drifting away. Suddenly, I saw the green hills that I usually loved each other like giant pillars in the southeast sky. It is said that the lyricist saw the joy of Qingshan again, but he did not directly describe it, but expressed the author's emotional changes in an instant through the glance of the previous sentence and the sudden sight of the next sentence. If the next rhyme focuses on the changes in the natural landscape where the clouds are scattered and the green hills are seen in an instant, shouldn't the rhyme directly express the joy of seeing the green hills again? Instead, the author put pen and ink aside to describe an old monk's cheerful behavior and modality when he saw that Qingshan still stood in the southeast sky, and set off the joy of the poet through the joy of the old monk. This writing not only adds another layer of twists and turns, but also enriches the poetic context, indicating that there are many people who love Qingshan and care about whether Qingshan remains the same, and that old monk is one of them.
Although the title of this poem is "Playful Ode to Yunshan", the poet did not give a very detailed description and description of the object he chanted. Instead, he grasped the tilting changes of the objective scenery in nature and expressed his inner feelings in a light and clear style, with profound implications, not a dull sigh. The style of this little word is bright and clear, fresh and lively, which reflects the positive and optimistic side of the poet during his retirement. Yulouchun Silent Painting Hall Liang Shangyan
Wei Chengban Yulouchun Silent Painting Hall Liang Shangyan
Silent Painting Hall Liang Shangyan, with a number of high-volume green curtains. The spring scenery is annoying, and there are a few pieces of flowers everywhere.
Sorrow leans on the low snow surface of Jinping, and tears embroider the golden thread. It's sad when the weather is cool and the moon is cool, because Yulang is gone.
Translation and Notes
1. High-volume sentence: The green curtain is high-volume, and there are several screens in a row. Cuilian: Curtains.
2. Snow face: powder face, which means white face.
3. cool moon: it is suspected that it is a good night. All: still competing.
4. Why: Because.
Appreciation
This poem "Spring on the Jade Tower" describes always in my heart, and the artistic conception created is: In late spring, Liang Yan flies together and falls red all over the ground. The heroine leans against the brocade screen, feeling that spring scenery is annoying, and when Yulang disappears on a sunny night, she can't help crying and embroidering her shirt. The whole poem has a beautiful artistic conception.
what I saw in the last picture about the roller shutter, I felt resentment. The first sentence uses Liang Jianyan's language to express the silence of the painting hall, which is dynamic and static, and the feelings of the characters are also contained in it; High-volume sentences are transitional in structure; The last two sentences are touching the scene: the spring scenery outside the curtain, I feel that I don't own it, so I feel annoying; And the falling flowers on the ground remind her that youth is hard to come by!
In the first two sentences of the next film, she writes about her attitude when she is touched by the scenery and hurts her essence with sadness and tears. At the end of the sentence, point out the reason. I am deeply saddened by the four beauties (beauty, beauty, pleasure and pleasure) of being pregnant with people on the moon.
in art, an important feature of this word is the decorative feature of the image. The painting hall, falling flowers and brocade screen in ci are typical decorative images, which have distinctive pattern properties in color and shape. These images with pattern nature construct a whole pattern. These images are not the result of the poet's association, but the images with aesthetic abstraction, that is to say, they are all images with abstract significance without individualization and special characteristics. They lack the liveliness of random excitement, but they have some meanings that can be interpreted each other. The patterning of literary language is the most typical of the five pronouns in the late Tang Dynasty. Therefore, it can be said that this word reflects the * * * similarity characteristics of five pronouns in the late Tang Dynasty to some extent. Yulouchun Taoxi doesn't live calmly
Taoxi doesn't live calmly, and the autumn lotus root will never come again.
At that time, I was waiting for Chilan Bridge, but today I am looking for Huangye Road alone.
there are countless green flowers in the smoke, and the sunset glow on the back of geese is dying.
people enter the river clouds like the wind, and love is like rain and sticky ground.
Appreciation
This word was written by the author after parting from his lover, revisiting the old place and touching the previous situation with regret. It begins with a fairy love story that a person is familiar with, that is, the story of Liu Chen and Ruan Zhao meeting a fairy. According to You Ming Lu, in the Eastern Han Dynasty, Liu and Ruan went to Tiantai Mountain to collect herbs. Because of hunger and thirst, they climbed mountains to eat peaches and drank water from the stream. They met two fairies by the stream and fell in love and got married. Half a year later, they homesick for home. It was not until I came out of the mountain that I realized that more than 3 years had passed. In classical poetry, this feeling of regret caused by easily parting with lovers is often compared with rooftop stories. For example, Yuan Zhen's "Liu Ruan's Wife" says: "Lv Yun is rich in hibiscus fat meat, and it is painted on the balcony of Mount Qingdai. A thousand trees and peach blossoms are a medicine for thousands of years. I don't know what to remember? " It is the best annotation of "Taoxi". Wen Tingyun's "Dharma Chorus" is based on the phrase "autumn lotus root", but its meaning is reversed. The first sentence is euphemistic in terms of subjective feelings at that time, which is due to; The second sentence is to tell the truth about today's objective facts, which is the result. Use a light pen and a heavy pen. In contrast, the irretrievable state of affairs and the feelings of not being able to own them are brought out.
three or four sentences, catch up with the past from today. "At that time" should be the first sentence; "Today" should be the second sentence. At that time, by the Chilan Bridge, I felt more beautiful because I was waiting for my lover. Today, when I arrived at Huangye Road, I felt that the scenery was depressed because I was looking for old dreams alone. Chilan and yellow leaves are not only strongly colored, but also the "Chilan Bridge" just sets off the joy of youth, and the "Yellow Leaf Road" just shows the sadness of late autumn. This is not only to point out that the scenery is different from season to season, but more importantly, to symbolize that people's hearts are different because of separation. Although it is a strong contrast in the tone of the scenery, it is also a strong contrast in the emotional appeal of the poet. Today's yellow leaf roadside, that is, the Chilan Bridge at that time, is different from colleagues, and things are different. When these two sentences are linked with the above two sentences, the joy of "crossing the bridge" proves the mistake of "not living calmly"; The hatred of "looking for the yellow leaf road alone" also reflects the sadness of "never coming and never continuing" This shows that although it has been decided, its feelings are still lingering. The style of writing is also extremely depressed.
change the first two sentences and carry on the sentence of "today". I clearly know that this matter is like a bottle falling into a well, and I will never return, but I am still looking for old traces here, which clearly outlines the image of a so-called "sincere seed" in Chinese classical literature. After wandering on the yellow leaf road, I looked up and looked around, only to see mountains in the smoke and the setting sun on the back of geese. These two sentences are written in an open and distant way, and their intention is to show the inner emptiness and loneliness of the characters through this realm. If we simply regard it as a beautiful sentence to write scenery, and think that it is only the copying and development of Xie Tiao's "Sitting in a High Village in the County and Answering Lu Facao" and Wen Tingyun's "The crow's back is full of sunset", we will inevitably "buy a gift and return it to the pearl". If we further explore it, we can also find that the above sentence is cold and heartless, which implies that the mountain is far away; The next sentence says that the geese are setting at the back of the sun, and the reddish will fall, which is why the news is slim. Linked with the first two sentences, it also points out to us the harsh fact that Taoxi is separated forever, and the autumn lotus root has never come, and there is no news, and the mood of "looking for the yellow leaf road alone" is more understandable. There are many green columns, the setting sun is full, and the colors are gorgeous, which reflect each other with the "Chilan Bridge" and "Huangye Road" above, showing the poet's ability to paint with emotion.
at the end of the two sentences, compare the current situation with two metaphors. Past lovers, like clouds blown into the river by the wind, have disappeared without a trace; And my own mood, always bitter, is like catkins stuck in the mud after rain, and I can't get rid of it. The two words are extremely neat, but their meanings are connected. This knot, with stubborn words and stubborn emotions, adds a thousand pounds to the theme. Chen Tingzhuo's "Bai Yuzhai's Ci Talk" said: "There are some beautiful ci poems that are clumsy and skillful, such as the conclusion of" Yulouchun "... It is said that people can't stay, but they can't talk about their feelings. Don't spare their gestures, but they don't get sick of their boards or their fibers." This comment is to the point. It is precisely because of its skillful antithesis and coherent meaning that people do not feel stagnant because of the turmoil in the row. At the same time, it is not simply to pursue ingenuity, but to express very deep feelings, so people don't feel delicate.
The organizational form of this word tone is seven words and eight sentences, four sentences in the upper and lower parts, and the original pattern tends to be neat. Here, the author does not use scattered sentences and antitheses on average, as other poets or himself often do when filling in this tone, in order to form a harmony between neatness and change conveniently, but deliberately uses all antitheses, thus creating a dignified style suitable for the content. However, due to the turbulent pen and ink in the row, it is dignified and has a beautiful charm. This is especially worth thinking about when we read this word.