Du Fu's most famous poems Du Fu's ten most famous poems.

1. "Quequatrains" Two orioles sing in the green willows, and a row of egrets ascends to the blue sky. The window contains the snow of Qianqiu in the Xiling Mountains, and the door is docked with ships thousands of miles away from Dongwu.

2. "Mountain Travel" Far up the Hanshan Mountain, the stone path is slanted, and there are people living in the white clouds. Stop and sit in the maple forest at night, the leaves are as red as the February flowers in the frost

3. "Looking for Flowers Alone by the River" Huang Si's parents' house is full of flowers, with thousands of flowers hanging low on the branches. The butterflies dance all the time, and the orioles sing at ease.

4. "Climbing High" The wind is strong, the ape high in the sky whistles in mourning, and the white bird flies back from the clear sand of Zhugistan. The endless falling trees rustle, and the endless Yangtze River flows. Wanli is always a guest in the sad autumn, but he has been sick for a hundred years and only appears on the stage. Difficulty and bitterness hate the frost on the temples, and the wine glass is stained by the new stop.

5. "Wang Yue" How is Dai Zongfu? Qilu is still young. The clock of creation is beautiful, and the yin and yang cut off the dawn. Zeng Yun is born in the chest, and the returning bird enters the canthus. You will be at the top of the mountain, and you will have a panoramic view of the mountains.

6. "Happy Rain on a Spring Night" Good rain knows the season, and spring will happen. Sneaking into the night with the wind, moistening things silently. The wild paths are all dark with clouds, but the river boats are only bright with fire. Look at the red and wet place at dawn, the flowers are heavy on the official city.

7. "Ambition" To the north of Jinhua Mountain and to the west of Fulishui River, the windy day in mid-winter begins to become miserable. The mountains are connected to the mountains and rivers of Sichuan, and the water is scattered from Bayu to the five streams. The lonely crane dances without knowing what it is doing, and the hungry crow seems to want to crow at people. She Hongchun, the wine is cold and still green, my eyes are so sad, who can carry me with me?

8. "Immediately" A treasure belt with pearl armbands. When you laugh, the flowers are close to your eyes, and when you dance, the brocade is wrapped around your head.

9. "To the Snow" There are many new ghosts who cry in battle, but only the old man cries sadly. The clouds are low in the dusk, and the snow is dancing in the wind. There is no green when the ladle is abandoned, but the fire in the furnace is red. There is no news from several states, and I am worried about sitting upright and writing empty books.

10. "The Year of Li Gui in the South of the Yangtze River" is commonly seen in King Qi's house, and Cui Jiutang heard about it several times. It is the beautiful scenery in the south of the Yangtze River, and you will meet again when the flowers are falling.

11. Du Fu (February 12, 712-770), also known as Zimei, also known as Shaoling Yelao, was a famous realist poet in the Tang Dynasty. Together with Li Bai, he was known as "Li Du". Born in Gong County, Henan, originally from Xiangyang, Hubei.

12. The core of Du Fu's thoughts is the thought of benevolent government. He has the grand ambition of "bringing the kings to Yao and Shun, and then making the customs pure." Although Du Fu was not well-known during his lifetime, he later became famous and had a profound impact on both Chinese and Japanese literature. About 1,500 poems by Du Fu have been preserved, most of which are collected in "Du Gongbu Collection".

13. Content characteristics: In terms of the content of Du Fu's poems, most of his works reflect the social situation at that time, with a wide range of themes and far-reaching implications. They especially describe the sufferings of the people and express his compassion for the people and their love for things. Du's poems are known as the history of poetry because of his concern for the country and the people. This view was first seen in the late Tang Dynasty.