Thesis title: 34. Combined with specific works, this paper analyzes how Wang Wei's collection of poems "Wang Chuan Bie Ye" reflects his artistic achievements in the field of poetry;

34. Farewell to Wangchuan is a seven-rhythm poem describing the romance of mountains and rivers, describing Wang Wei's pastoral life during his seclusion in Wangchuan. The first author of this poem has not been to Wangchuan for nearly a year, and came back just in time for the busy farming season of spring ploughing. The thick green grass color I saw in the rain all the way was enough to dye things; The red peach blossoms on the water seem to be burning, which is very charming. The author gets along well with people in the countryside, whether monks or elderly people living in seclusion in the countryside. When they heard that the author was back, they all came to meet each other in rags and talked enthusiastically about things in front of the firewood door. This is the same as Tao Yuanming's "Lovesickness Dressing and Laughing", which shows the simple and intimate interpersonal relationship between villages, which is in sharp contrast with the officialdom of human feelings, and shows the author's love for rural life.

In the first four poems, the author used exaggerated coloring methods. In the spring sowing season, spring grass and peach blossoms are the most noticeable in Shan Ye. Most people have personal feelings about what spring grass is like and what peach blossoms are like. Therefore, it is not easy to make people feel immersive. However, Wang Wei has his own opinions. He used "comparable dyeing" to highlight a "green" word and "agreeable" to highlight a "red" word. This is the painter's vision, but also the painter's way of using color. Give high emphasis to red and green-red seems to be burning; Green, as if it can be used as a dye. As a result, abundant spring comes to life through the prominence and exaggeration of red and green colors.

Couplets are famous sentences handed down from ancient times, describing the spring scenery in Wangchuan. Write the static scenery full of motion, so that the already beautiful green grass safflower is described as greener and redder. This colorful picture reflects the poet's happy mood of "talking and laughing", with beautiful artistic conception, freshness and liveliness. These two sentences describe the beautiful spring scenery in an exaggerated way, which is similar to "peach blossoms contain continuous rain and willow greens bring morning smoke" (Wang Wei's Seven Pastoral Music).

35. Liu Yong skillfully used the epigraph "Yulin Ling" and told a gentle story with Fu as the word; Scenes blend, things and feelings are closely linked, reaching a realm of poetic beauty; The use of vulgar language makes the word easy to accept. Liu Yong's Yulinling is also a model of scene blending. Poets use the technique of blending scenes to create a fascinating artistic conception and express their feelings through the scenery with pictures. Every image of chilling cicada, pavilion, willow, wind and waning moon is full of sadness of parting. At the same time, this epigraph itself has the connotation of parting sadness, and Liu Ci is brewed on this basis, which exudes a deep feeling of parting and sadness. Liu Yong's aesthetic taste of ci is developing towards popularization, and this ci is no exception. The colloquial and slang words used in real life, such as "Miss", "More impressive", "Only" and "Say", make the language of the words popular and colloquial, and make feelings gush out unabashedly. At the same time, in the aspect of writing rhythm, the poet just "thinks" and "has one", and even uses three tones, so the urgency of his feelings is self-evident. Of course, the word Liu Yong is still based on the alternation and symmetry of two levels and two gaps, without losing its standardization.