In ancient Greece, metrical poems did not pay attention to rhyme. They are not sensitive to rhyme, but sensitive to the length of language. The use of each word must accurately meet the requirements of rhyme.
In a place where Miao people are not sensitive to rhyme, but extremely sensitive to tone, their meter means that the tone of the last word must be the same. Moreover, it would be better if the tone of each word in the previous sentence is the same as the tone of the corresponding next sentence. For example, in Mandarin, the first sentence is Romance of the Three Kingdoms, and the next sentence is "Let's have a competition". They think it is very harmonious and beautiful.
Mongolian poetry requires alliteration, which is just the opposite of Chinese poetry.
Due to different times and regions, people's appreciation habits are also different. Therefore, the ancients in China attached great importance to the arrangement of flat and even lines which they felt very sensitive, and had strict requirements for flat and even lines in poetry. In addition, the four sentences in the middle of the metrical poem are required to be dual, and the internal structure of the whole poem must conform to the "connecting the preceding with the following"
In general, that's it!
Oh, my typing is too difficult!
The most rigorous metrical poem in the west is Come Up, which is a sonnet. There is also a more rigorous sonnet called Garland, which is to write a sonnet and then combine the first sentence of each poem to form the fifteenth poem.
China's most rigorous poems are metrical poems, five laws and seven laws, all of which are very rigorous metrical poems.