So I went straight to the turning point from the first sentence: "But I never showed it to anyone. It doesn't matter if there is a secret | The moon can't move me a hundred times. The flute caused by the moon was covered by me. " As can be seen from these poems, the lyric hero is a low-key and introverted person, and even suppresses his thoughts and personality consciously or unconsciously in many cases. As for "a hundred full moons can't impress me", I mainly write about the progress in time, but I don't rule out that one or more full moons are related to love.
What impressed me most about this poem is its tolerance, which comes from such a humble person and can almost rise to compassion.
"But someone got on the bus, someone went down, and someone threw peels and handkerchiefs from the window. Some people say that this is something related to spring ",which is a direct description of people getting on and off the bus." Probably from the poet's real life experience, it used to be like this on the train, but now this situation has been greatly improved on the high-speed rail. The behavior of these people is unbearable and their purpose is unknown, but the lyric hero can bear it calmly. If she doesn't have considerable endurance, it will certainly be difficult to do it.
In the last paragraph of the poem, this tolerance is further deepened: "The train in my body is mottled with paint | it is in no hurry, allowing drunks | beggars, artists, or leaders | to go up and down", which reflects her tolerance for human beings themselves; "The train in my body never goes wrong | so it allows heavy snow, storms, mudslides and absurdity", which is her dual tolerance for nature and society. She has always maintained this tolerance, but her paint is mottled. What is even more regrettable is that even if her paint is mottled, she never makes mistakes, and even if she encounters "heavy snow, heavy rain, mudslides and wilderness", she can still operate normally. What kind of extraordinary power supports her?
What is worth exploring is, what exactly does the lyric hero mean by "that train"? Obviously, this is no longer an ordinary little love, but a great love that has sublimated to the realm of faith. "She" loves not only human beings, but also nature, not only the normality of human beings and nature, but also the absurdity of human beings and nature. "She" loves not only those who are related to herself, but also those who have nothing to do with herself and even those who hurt herself. When love is promoted to faith, when tolerance becomes a lifelong habit, what is it if it is not compassion?
Another character in the poem is a "little boy", who is "sitting in front of the light, his tears are still wet" and "holding a flower in his hand and opening his eyes wide". This little boy standing in front of a low hut in Jianghan Plain should have some symbolic significance, but I can't understand what he and his behavior symbolize at the moment.
It should be noted that the cultivation of the lyric hero of this poem has reached a quite high level, which is definitely beyond the reach of ordinary people. It is on this cognitive basis that I need to emphasize once again that we should never blindly confuse the poet with the lyric hero in her poems.