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Appreciation of Tagore s three poems;
1, Jinhua:
The poem "Golden Flower" is selected from Tagore's famous collection of children's prose poems "Crescent Moon Collection". Poetry begins with a deduction, always flapping the wings of imagination with a "if", which leads to the whole article. Then, the poet drew two pictures carefully. The first picture is a picture of mother and son amused. The poet imagined himself as a beautiful golden flower, growing on a tall branch, swaying in the wind with a smile and dancing on the new leaves. When my mother shouted, "I" didn't answer, but deliberately teased her, "secretly laughing there" and "silently". What a profound picture of mother-child love! Then, the poet described a picture of loving mother's life in detail, showing her charming style. The poet imagined himself "quietly opening the petals" and watching his mother work. At this time, the poet selected several close-ups: after the mother bathed, the long-haired shawl went to the yard where she prayed, which was lovely; After lunch, I sit at the window and read poems. I love learning heroism. At dusk, I went to the cowshed with a lamp to write hard ―― I tried my best to render and praise my mother's beautiful, beautiful, simple and hardworking image and virtue. Finally, the poet ended the poem with a mother-child dialogue, which is even more ingenious.
With rich association and imagination, the author eulogizes the golden childlike innocence of children, showing their naive nature and naughty innocence, innocence and childlike interest.
This poem, full of childish imagination, depicts the naive and playful psychology of children playing with their mothers, and implicitly expresses the strong feelings that children can't live without their mothers for an instant.
Step 2 say goodbye
A Farewell is written in the tone of a child. Through the childish words and naive imagination spoken by the child and the mother, it eulogizes the sincere feelings between the mother and the child. "I should go, mom, I'm going." The child imagined that he would leave his mother and sneak away in the dusk. When his mother stretched out her arms to hug him in the morning, she was surprised to find that the child was gone. Where did the naughty boy go? He proudly told his mother: "I want to become a breeze to touch you;" I want to be a ripple in the water. When you bathe, I kiss you again and again. "Oh, it turned out that he turned into a breeze ripple and still accompanied his mother. Not only that, the author then further shows the constant affection between children and mothers with specific hearing, vision, specific scenes and vivid images. You see: "when raindrops are falling in the leaves, you will hear me whispering in bed;" When lightning strikes your room from the open window, my laughter also flashes in late at night. When the mother misses her child and can't sleep, he will sing her a lullaby from the stars. He would secretly lie in his mother's warm arms by moonlight; He will also become a dream and go deep into his mother's sleep to see her; Melting in the flute of the festival, trembling in my mother's heart ... where is he? Finally, the author revealed his position through his mother: "He, he is now in my pupil, he is now in my body, in my soul." Through the author's description, the whole poem presents the image of a naughty and lovely child to us and gives people infection.
This poem is about the attachment of children to their mothers when they leave, which is expressed in strange, wonderful and profound ways and languages.
3. Banyan Tree
In the poem "Banyan Tree", the banyan tree became a child's friend. The poet vividly described the child's meditation and fantasy about a tall banyan tree in the second person. "The furry banyan tree standing by the pool" and "the pool" are the places where banyan trees grow, which lays the foundation for the following further dialogue. "Pengtou" is the shape of a banyan tree. Banyan is an evergreen tree with many branches, air roots and a large crown. It grows in the tropics and is a common tree in India. In literary works, banyan is often a symbol of hometown. Therefore, the poet imagines the banyan tree as a child's friend, which is convenient for expressing homesickness. "Like a bird on your branch", the poet compares the child to a bird here to arouse the memory of "banyan tree".
The "tangled roots on the ground" are invisible, but from the perspective of children, they are visible. "Root" is a pun here, which means "seeking the root and never forgetting the root".
Then it describes three pictures of daily life: women pumping water, dancing in the sun, ducks swimming around. These pictures of life can arouse children's memory of "banyan tree".
Finally, the poet imagines the child as a "wind", "shadow" and "duck" that cannot be separated from the banyan tree for an instant.
Banyan is the embodiment of hometown and mother. Children's meditation and fantasy in the face of banyan trees is a manifestation of missing their hometown and mother. The description of banyan in the poem reminds us of our mother's character and image.
Banyan is the embodiment of hometown and mother. Children's meditation and fantasy in the face of banyan trees is a manifestation of missing their hometown and mother.
In these three poems, the poet observes nature and feels life with children's eyes and hearts, and simply shows children's naive imagination and pure feelings, leading us to fly to the innocent and beautiful children's world like a new moon and relive our childhood dreams.