Wen Yiduo's "three beauties of poetics" are "beauty of music, beauty of painting and beauty of architecture". "Musical beauty" emphasizes "there are scales, levels and rhymes"; The Beauty of Painting emphasizes that the choice of words should be rich, vivid and colorful. Every poem can form an independent picture. "Architectural beauty" emphasizes "symmetry of nodes and unity of sentences".
Its main purpose is to have beauty in the content and form of poetry. Wen Yiduo's thought of "three beauties" of new poetry laid the theoretical foundation of the new metrical poetry school, overcame and corrected the cultural tendency of loose vernacular poetry and prose to a certain extent, and the poetic theory of "three beauties" better embodied Wen Yiduo's purpose of establishing the artistic form standardization of China's new poetry.
Three beauties: Crescent School advocated new poetry, and Wen Yiduo put forward "three beauties", namely "beauty of music, beauty of painting and beauty of architecture", which laid the theoretical foundation of New Metric Poetry School. To a certain extent, it overcame and corrected the shortcomings of rambling vernacular poetry since the May 4th Movement, and made a unique contribution to the healthy development of modern poetry in China.
Specifically, "the beauty of music" emphasizes "there are scales, levels and rhymes"; "Beauty of painting" emphasizes that the choice of words should be beautiful, vivid and colorful; Every poem can form an independent picture. "Architectural beauty" emphasizes "symmetry of nodes and unity of sentences". Its main purpose is to have beauty in the content and form of poetry.
Three beauty creation practice;
Mr. Wen Yiduo's poems have a unique artistic style. Due to the pursuit of artistic rigor, most of his poems are full of romantic fantasy, rigorous and strange ideas, volcanic passion, three-ring rhetoric, and flexible use of rhetorical devices such as metaphor, exaggeration, symbol and repetition.
The poems such as Discovery, Word and Dead Water in the collection of poems Dead Water are either sad or heroic, expressing the poet's anxiety and concern about the fate of the motherland and strong patriotic enthusiasm. Dead Water is the representative work of Mr. Wen Yiduo.
The poet compared the dark and corrupt reality of old China to "a pool of stagnant water", expressing his hatred of ugly forces and his love for the motherland. The last verse of the poem shows that, on the one hand, he has no illusions about darkness and firmly believes that ugliness cannot produce beauty; On the other hand, it's not like death. "It is better to abandon ugliness and cultivate one's morality" is an angry word.