The national style is the essence of The Book of Songs, and it is a bright pearl in the treasure house of China's national literature and art. The folk songs of the Zhou Dynasty with national style reflect the real life of the working people with colorful pictures, and express the unfair treatment suffered by the working people in the case of exploitation and oppression and their belief in striving for a better life, which is the source of China's realistic poems.
There are also many ballads satirizing and lashing the ruling class in National Wind, such as Xintai, Nanshan and Zhu Lin.
The realistic creative method of describing things in simple language and reflecting social reality with simple life paintings well embodies the "national style" and becomes its remarkable artistic feature.
In terms of image-building, Guofeng also has realistic artistic characteristics. The author can express his emotions and describe the protagonist's actions and personality characteristics through his inner feelings.
Extended data:
In Li Sao, Qu Yuan successfully created the first lyrical protagonist with full image and distinct personality in the history of China literature, which embodied Qu Yuan's great thoughts and lofty personality.
The theme of the whole poem, that is, through the description of the poet's lifelong struggle for lofty ideals, strongly expresses his anguish and contradictory feelings of being killed, his spirit of dedication to the country, and his deep patriotism and sympathy for the people.
It shows his indomitable fighting spirit of bravely pursuing truth and light and upholding justice and ideals. At the same time, it profoundly exposed the decadent and dark nature of the noble group of Chu headed by Chu Jun, and criticized their crimes of turning right from wrong, running a party for selfish ends, harming talents and doing evil for the country.