1, Mid-Autumn Festival in August Island, banana shake. -Shu Ting's Mid-Autumn Night
Appreciation: This is the Mid-Autumn Night by Shu Ting, a contemporary poetess. Shu Ting is 24 years old. Although she is very young, she has experienced a lot. 17 years old, she went to participate in the life of educated youth in the countryside. In the past three years, Shu Ting has often been accompanied by poetry.
After the life of educated youth ended, Shu Ting returned to Xiamen, but because she was not accepted, she worked as a temporary worker for eight years. After fully realizing the hardships of riffraff, Shu Ting's female consciousness awakened, and she realized that everyone should be respected as an individual.
In that difficult and complicated era context, Shu Ting used poetry to save herself, and also expressed some depressed and depressed feelings. Even on the night of the Mid-Autumn Festival, she was still writing "Wind and Rain See More" and "Ten Storm", and she was angry at the injustice she had suffered. At the same time, she also said that she "has never regretted" and "knows how to be gentle" and is not discouraged.
My mind is round, and the moon in the Mid-Autumn Festival in August is also the brightest and roundest. -Ai Qing, "My mind is round"
Appreciation: Ai Qing used many metaphors and contrasts. Miss is round. When she sees the full moon, she can't help but miss it. Is it because everyone else is looking up at the same bright moon in Wan Li?
As Dongpo said, "the moon is full and sunny" and "people have joys and sorrows". Looking at the moon and pretending to miss it, Ai Qing probably thought about the joys and sorrows of the world at that moment.
3. Cut the moon cakes to the world with one knife and divide the day and night into time with one knife. -Yu Guangzhong's Mid-Autumn Festival
Appreciation: Yu Guangzhong, a unique figure in poetry and prose in the 20th century, wrote too many classics. His poems are full of talent and elegance, and exude the classical charm of China.
In Yu Guangzhong's poems and essays, homesickness is his eternal theme, and this Mid-Autumn Festival also expresses his homesickness.
"* * * See Shan Juan on both sides of the strait tonight", because of historical reasons, Taiwan Province compatriots and many overseas Chinese can't reunite with mainland compatriots, and this homesickness has been fully exerted in Yu Guangzhong's works. Whether in his homesickness or this Mid-Autumn Festival, we can all see the lingering homesickness.