Bai Juyi
In the evening, I bid farewell to a guest on Xunyang River. Maple leaves and mature rushes rustle in autumn.
I, the host, have dismounted, my guest has boarded his boat, and we raise our cups, hoping to drink-but, alas, there is no music.
Although we drank a lot of wine, we were not happy. When we were leaving each other, the river mysteriously widened in the direction of the full moon.
We heard a sudden sound, a guitar crossed the water, the host forgot to go home and the guests left.
We followed the melody, asked the player's name, and the voice was interrupted ... and then she reluctantly answered.
We moved the boat closer to hers, invited her to join us, and summoned more wine and lanterns to start our party again.
However, before she came to us, we called a thousand times and urged her for a thousand times, but she still hid half of her face behind her guitar from us.
In the first paragraph, write about the pipa girl. However, before she came to us, we shouted a thousand times and urged her a thousand times, but she still hid half of her face behind her guitar from us. You can sum up this paragraph.
... she turned the tuning pin and tested several strings, and even before she played, we could feel her feelings.
Every string is a kind of meditation, and every note is a kind of deep thinking, as if she were telling us the pain of her life.
She frowned, bent her fingers, and then started her music, letting her heart share everything with us bit by bit.
She brushes the strings, twists them slowly, sweeps them and plucks them, first "Nishang" and then "Six Yao".
Big strings hum like rain, and small strings whisper like secrets.
Humming, whispering-and then mixing together, like pouring large and small pearls into a plate of jade.
Between Guan Ying's words, the bottom of the flower is slippery, so you can't swallow the spring scenery and flow under the ice.
The ice spring is cold and astringent, as if it can't pass; And notes, fade away.
The depth of sadness and the hiding of sadness are more told in silence than in voice.
A silver vase suddenly burst, pouring out a stream of water, jumping out of the conflict and blow between armored horses and weapons.
Before she put down the pick, her stroke was over, and all four strings made a sound, just like tearing silk.
The east ship was silent, and the west ship was silent. We saw the white autumn moon entering the river.
The second paragraph is about the superb acting skills of the pipa girl. With "Dong Fang is silent, I see Bai Qiuyue entering the heart of the river." Can reflect the performance effect of pipa girl.
She tied it thoughtfully on the rope, stood up and smoothed her clothes, serious and polite.
Tell us how she spent her girlhood in the capital and lived in her parents' house in Toad Hill.
She mastered the guitar at the age of thirteen, and her name ranked first in the list of musicians.
Quba once taught good people to yield, and her beauty envied all the leading dancers.
How did the aristocratic youths in Wuling compete generously? Countless red silks were given to a song.
And the blood color of the skirt was stained by wine, China.
Season after season, joy followed, and neither the autumn moon nor the spring breeze attracted her attention.
Until her brother went to war, and then her aunt died, and the night passed, and the night came, and her beauty disappeared.
There were fewer and fewer cars and horses in front of the door, and finally she married herself to a businessman.
Who, first of all, stole money, accidentally left her and went to Fuliang to buy tea a month ago.
She has been taking care of an empty boat in the estuary, with no companions except the bright moon and cold water.
Sometimes in the middle of the night, she dreams of her victory and is awakened from her dream by her hot tears.
The third paragraph describes the life experience of the pipa girl. Sometimes in the middle of the night, she dreams of her victory and is awakened from her dream by her hot tears. You can describe the pipa girl who was once a smash hit, and now she is lonely and deserted.
Her first guitar note made me sigh. Now, after listening to her story, I feel even sadder.
We were all unhappy until the end of the day, when we met. We understand. What is the relationship between acquaintances? !
A year ago, I left the capital and came here. Now I am a sick Jiujiang exile.
Jiujiang is so far away that I haven't heard music, neither strings nor bamboo sounds for a whole year.
My residence is near the town by the river, low and humid, and the house is surrounded by bitter reeds and yellow rushes.
What can you hear here in the morning and evening? The cuckoo's bleeding cry, the ape's sobbing.
I often pick up the wine and drink it alone in the spring morning with flowers and the autumn night with moonlight shining.
Of course, there are folk songs and bagpipes in the village, but they are rough and harsh, and they are harsh in my ears.
Tonight, when I heard you playing the guitar, I felt that my hearing was illuminated by wonderful music.
In the fourth paragraph, the poet expressed regret for his life experience and sympathy for the pipa girl. "We are not happy-until the end of the day, we met. We understand. What is the relationship between acquaintances? ."
Don't leave us. Come, sit down. Play it for us again. I will write a Long song about guitar. ..
... she was moved by my words, stood there for a while, and then sat down to play her strings-they sounded even sadder.
Although the tune was different from what she had played before, all the listeners covered their faces.
But which of them cried the most? ? This Jiujiang official. My blue sleeves are wet.
In the fifth paragraph, as a confidant, the author sincerely said
Although the tune was different from what she had played before, all the listeners covered their faces.
But which of them cried the most? ? This Jiujiang official. My blue sleeves are wet.
Extended data
Poetry: a literary style that reflects life and expresses emotions through rhythmic and rhythmic language.
In ancient China, unhappy people were called poems and happy people were called songs. In modern times, they are collectively called poetry.
Ci: body name, a verse form of poetry, developed from five-character poems, seven-character poems or folk songs.
It began in the Tang Dynasty and flourished in the Song Dynasty. Originally, it was a poetic style sung by music, and the length of sentences varied with the tune.
So it is also called long and short sentences. There are two kinds of poems and slow words, which are generally divided into upper and lower parts.
Poetry, Ci and Qu are three categories of ancient poetry.
Poetry. Ancient poetry can be divided into ancient poetry and modern poetry. Classical poetry refers to poetry without strict meter, while modern poetry is poetry with fixed format.
Classical poetry: also known as ancient poetry and ancient style, refers to the poetry before the emergence of modern poetry in Tang Dynasty. Sentence patterns generally rhyme neatly, but there are no strict rules on the number of words, sentences, rhyme, level and antithesis, which can be regarded as freestyle. Every sentence of a poem has several words, which are called few words. According to the words, there are four-character poems, five-character poems (referred to as "five ancient poems"), seven-character poems (referred to as "seven ancient poems") and miscellaneous poems (there are more or less words in poems). For example, Storytelling is a four-character poem, Li Shihao and Drinking are five ancient poems, Pipa Xing is seven ancient poems, and Climbing Mount Tianmu in a Dream is a miscellaneous poem.
Broadly speaking, Chu Ci and Yuefu Poetry can also be regarded as ancient poems.
Chuci: Originally referred to as Chuci, it was created by Qu Yuan and became a new poetic style with strong colors. Long-length, long sentences, irregular sentence patterns, multi-language and a large number of modal particles "Xi". Such as Shejiang.
Yuefu Poetry: "Yuefu" originally refers to the music organ responsible for making music scores, training musicians and collecting lyrics (established at the beginning of Emperor Wu of Han Dynasty), and later refers to the lyrics collected for later music and works, which appear in the form of copying the old Yuefu theme or imitating Yuefu genre. Yuefu poems are generally miscellaneous words, including five words, three words, four words and seven words. The earliest Yuefu was mainly folk songs, such as Mulan poems and peacocks flying southeast. Scholars after the Han Dynasty, such as Cao Cao and his son, Li Bai and Du Fu, all imitated Yuefu poems, and there were also many excellent works. Bai Juyi's New Yuefu (selling charcoal Weng is one of them) reflects the development of Yuefu poetry, writing current events and creating new topics. Their works all inherit the realistic spirit of Han Yuefu, and their language is popular, lively and musical. Songs, lines, songs, quotations, songs, sighs, grievances and Cao Cao are all Yuefu poems in the Han, Wei, Southern and Northern Dynasties, which are used by later generations.
Modern poetry: Modern poetry refers to metrical poetry formed in the Tang Dynasty. At that time, in order to distinguish it from the non-metrical poems in the past, metrical poems were called modern poems or modern poems.
Modern poetry can be divided into three types: metrical poems, quatrains and edited poems.
Rhymes are divided into five-character rhymes and seven-character rhymes. Each song has eight sentences, and every two sentences are called a couplet. The first two sentences are called first couplet, three or four sentences are called platoon couplet, five or six sentences are called neck couplet, and seven or eight sentences are called tail couplet. The two leagues in the middle must fight each other. Even-numbered sentences must rhyme at the end (generally, the first sentence can rhyme or not). There are rules whether each word should be leveled (equivalent to leveled and leveled in modern Chinese) or leveled (equivalent to rising and falling tones in modern Chinese). For example, crossing the old village is a five-character poem, and the two sides of the Yellow River recaptured by the imperial army are seven-character poems.
Quatrains are also called sentence-cutting and sentence-breaking, because their forms are very similar to intercepting half of metrical poems. Or five words, or seven words. Every four sentences, two sentences or four sentences must rhyme (usually with flat rhyme), and there are rules on whether each word in a sentence should be flat or not, and there is no need to use antithesis for quatrains. For example, "Send Yuan Ershi to Anxi" and "The Storm on November 4th" are all quatrains.
Words. Ci also has the names of Quzi Ci, long and short sentences, Yu Shi and Yuefu. Ci originated in the Southern Dynasties, formed in the Tang Dynasty and prevailed in the Song Dynasty. At first, it was used to compose music for a score, not to sing. The lyrics of the soundtrack are called lyrics, and the tone chosen by the lyrics is called tone. Tones have names (such as "water turns around" and "Niannujiao"), which are called epigrams. Later, it became a literary genre that lost contact with music, and the epigraph became the name to explain the phonological format of words, that is, the word spectrum. When filling in the lyrics, point out the theme, and mark the theme below the epigraph. Such as "Go early" and "Yongmei".
Words are generally divided into three categories according to the number of words: poetry, alto and long sound. It is a small order within 58 characters; Fifty-nine to ninety words are alto; More than 9 1 word is a long sound. Only one paragraph of a word is called monosyllabic, two paragraphs are called disyllabic, and three paragraphs and four paragraphs are called triple quadruple. Part of it is called terbium. The two paragraphs in the double tone are called up and down, or up, down, triple and quadruple. The paragraphs in the trilogy are called the first and second paragraphs in order. The basic characteristics of words in sentence patterns are long and short sentences, ranging from one sentence to eleven sentences. In the dictionary, there are rules for the smoothness and rhyme of each tone.
Qu. Qu is the further development of ci. During the Song and Jin Dynasties, new music lyrics were produced in the north, and in the Yuan Dynasty, Yuan Qu (also known as Northern Qu) was formed, also known as Tang Poetry and Song Ci. Yuanqu includes Sanqu and Zaju. Sanqu is a oratorio, including poems and sets; Zaju is a kind of opera that can be performed. In addition, Southern Opera is also very popular in the south.
Poetry generally takes a piece of music as an independent unit, with only a few to a dozen words, which must be filled in according to the number of words specified in the music, and rhymes evenly.
Suite number, also known as divertimento or Sanqu, is a complete set of songs, consisting of two or more songs, and its composition has certain rules.
Zaju is a traditional opera with lyrics, scientific introduction and guest dialogue. There is a complete story, which is generally divided into 40% and a wedge. One fold is equivalent to a scene, and the wedge is at the beginning or middle of the four fold, which is equivalent to a prelude or a cut. In the whole play, Jack, Bai Bin and the lyrics cooperate with each other to jointly promote the development of the plot and portray the characters' personalities. The roles are Dan, Mei, Jing and Ugly. The whole play is sung by the protagonist. Guan Hanqing, Zheng Guangzu, Bai Pu and Ma Zhiyuan are known as the four masters of Yuanqu.