"God has pity on the grass, and the world is sunny." It is a five-character poem written by Li Shangyin, a poet in the Tang Dynasty. The rest of the sentences have no source. This poem depicts the fresh state of the clear sky after the rain and the scene of commercial prosperity, expresses the poet's relaxed and happy mood and bright and optimistic mentality, and typically reflects the author's early emotional mentality in Guimu. Since Li Shangyin married Wang Maoyuan in 838 (regarded as Li's party), he has been in the narrow valley of party struggle and was hated and excluded by the Niu Party. He had to leave Chang 'an and follow Zheng Ya to Guilin as an adjutant. Leaving Chang 'an, the vortex of party struggle, is a kind of spiritual liberation. This poem was written against this background. The whole poem is as follows: live in the city and pay off in spring and summer. The grass was drowned by the rain and finally got the love of God. The rain was sunny. Climbing on the high shelf, overlooking the distance, the sky is high and the afterglow of the sunset passes through the window lattice. Birds' nests have been dried, and their bodies are light again. A person lives a secluded and quiet life, overlooking the city, leaving in spring and going to Qiu Lai in summer. The grass was drowned by the rain and finally got the love of God. It cleared up after the rain. Climbing on the high shelf and looking at the railing, the sky is vast, and the afterglow of sunset Ran Ran penetrates the window lattice. The nests of Vietnamese birds have dried up, and their posture has returned to lightness. Notes are as follows: Jiacheng: Qucheng outside the city gate. Excellent grass: grass in the dark. And: more. Singing: refers to the pavilion where the poet lives. Tim: Gao Yuan. Extended data:
Shou Lian said that he lived in seclusion, overlooking the city, and the season was the early summer of the Qing Dynasty. At first glance, it seems irrelevant, and the two sentences are not subordinate to each other. In fact, the "deep house" overlooking the city is the foothold of watching the yat sen villa, and the quiet early summer further points out the specific season of the yat sen villa, which can be said to be the fusion of poetry and topic from time and place-the yat sen villa seen by Gao Lan in early summer. Lingnan is carefree and rainy in early summer. After a long rain, it cleared up, and in the evening, everything suddenly became clear and people's spirit was completely new. This kind of sight and feeling is what ordinary people are used to and what they have. The poet's uniqueness lies in that he does not write the scene of yat sen villa in general or describe it in detail, but only takes the grass that grows in the dark and is not noticed by people, hides it in the dark with a pen in the imaginary place, and then writes his understanding and feelings about yat sen villa. After a long drought, the quiet grass meets the rain suddenly, so that it can absorb the afterglow and increase business. Excited by the scenery, the poet suddenly had the whimsy of "God pities the grass".