Lightweight rotation is like snowflakes flying, and agile movements are like frightened Youlong.
Hanging hands are as beautiful as wicker, and the dance skirt is tilted as if white clouds are rising.
Thrush is full of beauty, dance sleeves fly with the wind, and there are thousands of customs.
It was Lady Shangyuan (the goddess in Taoism) who invited the fairy sepals to open, and it was the Queen Mother of the West who sent the fairy Xu Feiqiong away with her sleeves.
The fast-paced twelfth dance music is rich and gorgeous, as bright as a beating pearl shaking a jade piece.
After the dance, it seems that the husband and wife are folding their wings, and the dance music is like a crane.
Through these vivid descriptions, it is not difficult to imagine the elegant charm of "Nishang Feather" and the wonderful and superb dancing skills of the dancers.
There are two kinds of dances widely circulated in the Tang Dynasty, namely sword dance and soft dance, among which there are many masterpieces handed down from generation to generation, such as Hu Teng, Jian Yan, Zhe Zhi, Bird Nightingale and Warrior Lan Ling, all of which are remembered by people for their excellent performances.
With its amazing creativity, Ci music in the Tang Dynasty had a wide influence on the social life at that time, so that it left a glorious image in all kinds of literary works in the Tang Dynasty, such as poems, legends, paintings and sculptures. And it still gives people a great sense of beauty, which is appreciated and fascinated by people today.
Among many poems about dance in the Tang Dynasty, the most famous one is Watching Gong Sundaniang Disciples Dance Sword written by the great poet Du Fu. With a series of gripping comparisons, the poet wrote the threatening momentum of Gong Sundaniang's sword dance, with the green hills bowing and the clouds changing color, as beautiful as dragons. This poem, together with Bai Juyi's Song of Dress Dancing, can be regarded as a double gem in Tang Dynasty's dance-chanting poems.
At the end of the Tang Dynasty, the flowering period in Ji Le ended. Although there were still developments in the Song Dynasty, such as the team dance performed by the "female disciples" and "children's teams" of the Song Dynasty, the scale and types of programs could not be compared with those of the Tang Dynasty. There are also official geisha, camp geisha and domestic geisha in society, but their power and influence are far less than that of the Tang Dynasty. "Women's carefree posture reflects the cold weather", and the dance of ci inevitably declined.