(1) Due to the characteristics of genre, the language of poetry requires the simplest words to convey as much content as possible, forming a concise, implicit and leaping poetic language feature.
(2) Appreciation of poetic images Poetry must accurately grasp the artistic images in poetry.
(3) Emotional poetry is a style to express feelings and aspirations. When appreciating, we must deeply understand the emotional connotation of poetry. Poetry is a reflection of life in a certain era, and the characteristics of the times cannot be ignored in understanding the feelings of poetry. Poets express their feelings in various ways. You can express your confession directly, or you can borrow scenery or borrow things to express your confession. Many poems are mixed with scenes.
(4) The artistic features of poetry mainly refer to lyric means, allusion, conception and expression. In the appreciation of poetry, we should be able to master the common means of expression and artistic skills of poetry, such as personification, metaphor, metonymy, exaggeration, contrast, symbol, writing static by moving, seeing the big from the small, combining the virtual with the real, setting off the contrast, expressing the feelings by raising things and so on.
Secondly, "harmony" is generally the harmony of content, poetry structure and phonology.
Third, "A fish or a woman said-",the author said his own words in a woman's voice. Words can't be too true, and words can't be written too white. The original ecological presentation of reality can't reach the essence of reality better than the tension of fictional art, so the woman becomes a fish, and the fish says "I want to have the shape of your arm" and "I want to have it", which sounds like a girl's cry of pride, sweetness, firmness and expectation in the first love. I am a fish, you are water, and I want to have your shape. Fish is in water, water is attached to fish, and the embrace of water is the shape of fish. Women look forward to men's strong embrace, and men also get warm embrace in the embrace with women.
"I tend to melt into water lines" and "I tend to", which is my habit and my addiction. Women in love are affectionate, and compatibility between fish and water is a great pleasure. If only the story ended here. Just like the ending of fairy tales is always: "From then on, the prince and princess live happily together", not to mention the trivia of life afterwards. But the author went on to write: "You really love me as a mirror."
When you smile at the mirror and say you love me, the people in the mirror will smile at you and say they love me. You are a mirror, and the mirror is also you, regardless of each other. However, just like the mirror image in ancient China, the so-called "flowers in the mirror are like water and the moon", the flowers move with the moon, but the beauty is extremely illusory, as if love is lonely in the depths. When we get closer and closer, when we finally love you as ourselves, does it also indicate the next departure? If fish and water are compatible, it is extremely happy, but extremely fierce. So at this moment, when I realize that "you really love me as a mirror", should I feel happy or warm and sad?
You and I are far apart, but we have fish fossils. You and I are really far away, and you and I are also far away, so there are fish fossils. The fish died, sank to the bottom and was covered with sand. Because it is isolated from the air, the fish carcass does not rot (will our love rot? ), hundreds of millions of years later, the sediment wrapped the fish and turned it into a fish fossil. You walk away from me, and I wake up in a stone. Distance produces beauty, distance produces separation, and geographical, psychological and space-time distance finally creates the product of this beauty and separation-fish fossils. Beautiful and eternal, but the fish is not the original fish, the stone is not the original stone, you and I become each other, today is not yesterday, even if there are corpses that have not rotted for hundreds of millions of years, this beauty turned into stone contains endless sadness.
From the closeness of the first sentence to the intimacy of the second sentence, to the swaying of the third sentence, and then to the distance of the last sentence, the image of "fish fossil" runs through it, becoming a beautiful and sad feeling, deeply imprinted in my heart. Thinking of "The Eternal Butterfly", when the butterfly dies, it will always be what it looked like when it was beautiful. Venus' brokeback was perfect because of missing, and become a butterfly of Liang Zhu became an eternal classic because of regret. Fish and water are far apart, but they have created fish fossils that will not rot for hundreds of millions of years. Our memory is here, and our love is here. When I was a child, I was looking forward to: "I want to have the shape of your arm." Now, everything is condensed into the memory of fish fossils. Life is like this, and it's beautiful.
I don't know who the poet met at the most beautiful moment, but I believe that there is also a tear of a fish fossil hidden in his heart, which is beautiful, lonely and eternal.
Fourthly, the image characteristics of modern poetry.
Intention is a combination of two words. Meaning and symbol.
Meaning means that poetry attaches importance to the dictionary meaning or life meaning of a poem. Which means signifier.
The symbol refers to the extended meaning of the word. That is, reference.
For example, the signifier of "pine" refers to plants. It refers to tall, straight, stalwart, strong, and other meaning in different contexts.
To grasp the image of poetry, we must grasp the characteristics of the image. Some poems describe more images, so it is necessary to combine many individual images to form a whole image. The images depicted in some poems are not true references, but have metaphorical or symbolic connotations. Grasping the image of this kind of works cannot be understood literally, but should be combined with the background of the times and the author's experience to explore the connotation of the image through imagination and association. In a word, understanding the image of poetry should be based on profound understanding and overall grasp, rather than superficial.
There are many ways to shape images in poetry, which can be described directly or indirectly. It can be line drawing or heavy ink; It can use imagination and association to pave the way, set off and shape the image. Only by truly understanding the image of poetry can we deeply understand the feelings expressed in poetry. ?