Inscription on a humble house
If the mountain is not high, it will be famous if there are immortals. If the water is not deep, if there is a dragon, it will be spiritual. This is a humble house, but I am virtuous. The moss marks are green on the upper steps, and the grass color is green on the curtains. There are scholars who talk and laugh, but there are no idle people when coming and going. You can tune the plain Qin and read the Golden Sutra. There are no messy ears of silk and bamboo, and there is no laborious shape of case documents. Zhugelu in Nanyang, Yunting in Western Shuzi. Confucius said: What is so shameful?
vAutumn Ci
Autumn has been a sad and lonely time since ancient times.
I say that autumn is better than spring.
A crane flies above the clouds in a clear sky,
It brings poetry to the blue sky.
Bamboo branches
The willows are green and the Qingjiang River is level,
I can hear singing on the Langjiang River.
The sun rises in the east and rains in the west.
There is no sunshine but there is sunshine.
Lang Taosha
The Yellow River has nine bends and thousands of miles of sand,
Lang Tao is blown by the wind from the end of the world.
Now we go straight to the Milky Way,
to the home of the Morning Glory and the Weaver Girl.
Walks wash over the sand
Mo Dao’s slanderous words are as deep as the waves,
Mo words are like the sinking sand that moves guests.
Although it is hard work to search for thousands of pounds,
Blow away the cold sand before you can find gold.
"Wuyi Alley" There are wild grasses and flowers beside Zhuque Bridge, and the sunset is setting at the entrance of Wuyi Alley; in the old days, the swallows in front of Wang Xietang flew into ordinary people's homes. I won't go into details about Liu Yuxi's life and death, but there is something upstairs For reference, let me talk about the characteristics of Liu Yuxi’s poetry! Liu Yuxi studied folk songs, poems that reflected people's lives and customs, with broad themes. The style drew on the implicit, subtle, simple and beautiful characteristics of Bashu folk songs, which were fresh and natural, healthy and lively, and full of the interest of life. His satirical poems often use allegory to support objects, criticize the powerful people who suppressed Yongzhen's innovation, and involve a wide range of social phenomena. In his later years, his style gradually became more subtle, satirical without revealing any traces of it.