Appreciation of Wang Zhaojun's Poems

The first pair of couplets, "Jade Pass Spring Festival Evening, a Thousand Miles of Jinhe Road", creates a broad, profound and sad background and atmosphere for readers with scenery. Yumenguan, or Yumenguan, is the only pass leading to the Western Regions, the dividing line between the Western Regions and the Central Plains, and the dividing line between desolation and prosperity. When it comes to Yumenguan, readers will definitely think of Wang Changling's Why the Flute Blames the Willow. "Spring Breeze But Yumen Pass" shows the desolate scene outside Yumen Pass. Jinhe River, a river outside the Great Wall, is not very clear about the specific situation, and there are not many historical records. "Yutong in the late spring" is a great statement of the decline of the terroir in the late spring, and "a thousand miles of Jinhe Road" is a great statement of the Xiongnu's long journey. The opening of the poem, the auxiliary scenery and the creation of the environment laid the sad tone of the whole poem.

Zhuan Xu's "Qin mourns the laurel tree, Xiao resents the willow flower", and people are attached to things, animals and things, and everything is attached to people's feelings. Zhao Jun, who was full of sadness and couldn't let go, gave her feelings to the piano, so the piano sounded miserable and the flute complained. Qin and Xiao are heartless, and people can't be heartless. The sound of the piano floats on the soft branches of osmanthus trees, and the sound of the flute shuttles through the tidbits of willow trees. This situation suddenly increased people's desolation and sadness. When people look at things, they will overcome the pallor of all words. When people and things depend on each other, they will suddenly rise to know each other and cherish each other.

Neck knot, "the fog covers the makeup moon, and the wind scares cicadas", which is particularly neat and euphemistic, and it is very obvious that it is "matching". Let's take a look at its antithesis: fog to wind, cover to surprise, makeup to temples, moon to cicada; Fog covers the moon and scares the wind; Make up for the moon. Use words neatly, nouns for nouns, verbs for verbs, behaviors for behaviors, and modifications for modifications. Let's take a look at how the poet "collocates": it turns out that the fog clouds covered the moon in the sky, and the cool wind braked suddenly and disturbed the cicada in the tree. This is a description of natural phenomena. However, at this time, the moon is near the beauty's makeup, and the moon is to decorate the beauty's makeup face. At this time, the cicada enters the temple, melts into the beauty's temple, and decorates the beauty's temple. Therefore, the fog covers the moon and the wind scares the cicada, which is naturally related to people, and people and things are well integrated. At the same time, readers can also see that several layers of meaning are mixed and euphemistic.

Tail couplet, "seal the book until it is returned, tears run out", is an act promoted by Zhao Jun's grief and resentment. Writing a book, holding a glimmer of hope, waiting and suffering, in exchange for deep disappointment, helplessness and helplessness, only Lacrimosa will tell the inner bitterness and sadness to the white clouds in the sky.

This poem is a metrical poem with five words and eight sentences. Although the rhythm is not very strict, it is still neat after all. This poem creates feelings with scenery, creating a broad, profound and sad background and atmosphere for readers. People are attached to things, moved by feelings, and attached to things by feelings. Everything is attached to people's feelings, and people and things are well integrated.