The dual structure of poetry

Musical beauty: the whole poem consists of two sections, the upper section and the lower section are symmetrical. The first sentence, the second sentence and the fifth sentence of each section consist of three steps, such as "occasionally projected on your wave center" and "light shells placed on each other at this intersection", and the third and fourth sentences of each section consist of two steps, such as "You don't have to be surprised" and "You remember well/. It is easy to read, euphemistic and catchy. The overall symbol of poems with architectural beauty is consistent with the tension structure between "poem title" and "text" that we analyzed earlier. There are more tension structures inside the poetry text. " "You/I" is a pair of binary opposites, or "occasionally projected in the heart of the wave" or "meeting at sea" or "you don't need to be surprised/you need to be happy more" and "you might as well remember/you'd better forget" all show full tension with the emotional attitude of "binary opposition" and semantic "contradictory rhetoric", especially the song "You have yours, I have mine and my direction" Then I think it is not an exaggeration to praise it as the classic poem most suitable for tension analysis praised by New Criticism. "You" and "I" met by chance in the vast sea of people because of their respective directions, but they passed by and went their separate ways. Two completely different and opposite intentions-"You have yours" and "I have mine" boil down to the same word-direction. The beauty of painting can be transformed into many images under the title of "accident". Images such as "cloud-water", "you-me", "sea of night" and "mutual light" and the composition of the relationship between them can be understood or grouped differently because of the differences in readers' personal emotional experiences and the depth of their experience.