In the later period, feelings are more unrestrained. For example, in the poem "Die Hua Lian", "40% off Yangguan, sing all over Qian Qian", Yangguan is only 30% off. However, in order to keep her husband, the author sang at a 40% discount and even sang all over Qian Qian. How strong this feeling is, and the way the author expresses this feeling is so ingenious. Another example is the phrase "I'm afraid the ship can't carry a lot of troubles" in Wulingchun, which shows that the author's troubles are as thick as the sea and immeasurable, but he didn't write them directly, but used tangible ships to carry intangible troubles to set off endless troubles.
2. The language of Li Qingzhao's early poems is fresh and natural, cheerful and cheerful, occasionally dotted with leisure worries. For example, the small word "like a dream"
However, the tone of the late ci is mainly sad, and the sadness is much heavier than that in the early period, such as "cold fragrance and new dreams are gone, and people can't afford to worry", "I am happy all night, dreaming of Chang 'an Road", "boating on two streams, I am afraid I can't afford many worries" and "I am haggard now.
3. Due to the great change of mood, the themes chosen by Li Qingzhao in the early and late periods are also different. In the early days, girls were wandering and young women were worried. The previous quotations such as Meng Ling, Drunk Flowers and Dianjiang Lips were all the same. However, the theme of her later poems has obviously changed, such as her masterpiece "The Pride of the Fisherman".