The cold chicken is in the wild forest, and the mountain wall is upside down.
Put on your clothes and watch the night, and mind your own thoughts.
I came to summer, and the vegetarian festival is over.
The high river notes the sky and falls outside Kyushu.
The breeze makes my chest cool, and the morning air makes me sleep.
In memory of Shi Jing's friend, Wen Jiu Gao Hui.
In the meantime, Sue and her second son, Mei, are even more awesome.
The chapters are rich in vertical and horizontal, and the sound and price cover each other.
A child's beauty is angry, and she knows everything.
Sometimes I'm crazy and drunk.
For example, a swift horse cannot be killed.
It's hard to get rid of one by one.
Weng Mei is very clear about everything, while Shiya washes the cold wrasse.
I have been writing poetry for 30 years, and I am still a junior.
The fresher the words, the broader the mind.
For example, a witch girl has a residual state in her later years.
Modern poetry is particularly difficult and difficult to chew.
Just like eating olives at first, but the real taste will last for a long time.
Su Hao was so angry that the whole world was shocked.
I only know poor plums, but ancient goods are hard to sell nowadays.
Two sons and two phoenixes are the first of all birds.
As soon as the cloud soars, the feather disappears.
Andrew swims with each other and sings all day?
Ask Hu Guoshi, how about the new crab with wine?
This is a song of five ancient times to comfort friends. Li Qing four years (1044), the author was appointed as a transshipment ambassador. Tour Hedong Road in April and return in July. When passing by (that is, Shuikou in the northwest of Wanxian County, Hebei Province), he walked alone, thought of his friends and Mei in Beijing, and wrote this long poem. Original note under the title: "There is a word' make up' on a title".
The whole poem has 48 sentences and is divided into three sections.
The first section is the first ten sentences, the scene of the writer's Night Walk in Shui Gu: In a desolate and cold hostel, the writer is awakened by a cock crow. At this point, the moon has set and it is dawn. I got up with my clothes on, remembering that the road ahead is still far away and I have to hurry; It was early summer when I left Beijing, and now it is autumn, and time is pressing. Then, it describes the dawn of autumn: the air is crisp in autumn and there are no clouds in Wan Li. You can see that the Milky Way is far away from the horizon, just like the water of Tianhe pouring down and falling outside Kyushu; The autumn morning breeze blows, giving people a cool feeling, and all the drowsiness disappears. This description is the introduction of the whole poem, which highlights a lonely shadow in a desolate and lonely environment and sets off a lonely and desolate atmosphere. This paves the way for the following to miss the prosperity of Beijing and the exchange of poetry friends.
The second section, which consists of 26 sentences, from "Remembering Shi Jing friends" to "True taste endures forever", is the main part of the whole poem, focusing on the poetic styles of the two poets. This section is divided into three layers: the first layer consists of six sentences, which gives an overall evaluation of Su and Mei. From the invasion of the night before dawn, I think of the cultural and wine high meeting in Beijing that day, especially Su and Mei, and think of "awesome love". Their rich creations and high popularity are inseparable. This layer is the transition, which is the inevitable result described in the previous section and the beginning of this section's comments. The last eight sentences are about Su Shunqin's talent. "Wan Qiao Hao Yi" uses the semantics in Zhuangzi to express his degree of "Qi Xiong You". That is to say, Su Zuo's poems are like a "massive breath" called wind, which is idle and full of life. It's magnificent. According to the Biography of Wen Yuan in Song Dynasty, Su was "good at cursive writing, and every time he drank, he put pen to paper, striving to be handed down from generation to generation." "Sometimes" implicitly praised the calligraphy of Su and Zhang Xu (Zhang Dian). This kind of calligraphy and poetry has formed a sweeping trend, just like a swift horse, once it is courageously hoofed, it cannot be stopped. This sentence means that Su's works are numerous and good, like a plate of pearls. They are all good, and it is difficult to point out their shortcomings. There are twelve sentences on the third floor, which describe the ancient style of Mei's poems. The phrase "stone teeth" describes Mei's poems as "clear and clear", which means that Mei's poems are as refreshing as a cold spring washing stones. The six sentences of "writing poems" show that Mei Yu is becoming more and more clear-cut. For example, it's like "Xu Niang is over 500 years old, and its charm still exists". The four sentences of "near poetry" are the realm of writing Mei poetry recently: from "clear cutting" to "ancient hardness", the deeper the kung fu, the harder it is for people without considerable kung fu to appreciate it. For another example, it's like eating olives, which have no taste at first, and you can only taste its "true taste" after chewing slowly; In other words, we must carefully consider Mei's poems in order to understand the true power of "ancient hardness". According to the Biography of Wen Yuan in Song Dynasty, Mei "wrote poems with profound and ancient meanings, which were unique and unknown at first". It can be seen that few people pay attention to Shi Mei's ancient and hard style. Another cloud said, "Ouyang Xiu is a poet friend, and he thinks he is inferior." Ouyang Xiu has the problem of writing poems. If we look at it from this angle, there is indeed something worse than May.
The last twelve sentences are the third section, which summarizes the whole poem. The four sentences in Su Hao compare the poetic styles of Su Shi and Mei, which means that Su Shi's poems are magnificent, magnificent and serve the present, and those who carve chapters and sentences can't appreciate the remnants. Mei's poems are simple and elegant, like a precious ancient cultural relic. Only Ouyang Xiu can understand them, but ordinary people can't appreciate them. On the one hand, it praised Su and Mei, on the other hand, it criticized the public opinion at that time. The six sentences in "Two Sons" praised Su and Mei and expressed deep sympathy for them. This means that Samui and Mei are talented, just like a pair of phoenixes, and should be respected and cared for by the society. However, as soon as they display their talents ("clouds soar"), they are immediately eliminated, excluded ("feathers") and treated very unfairly. In July, when the author wrote this poem, Mei released Huzhou as the tax supervisor and transferred to Kaifeng. Su Shunqin is even worse. On the recommendation of Fan Zhongyan, he was admitted to the Academy and served as the inspector of Jixian School. In September, he was accused by the villains for playing God's game in the hospital, and was sentenced to death for the crime of inside job theft, which saved the people. He died in Suzhou four years later at the age of forty. I hope to be with them often. Bang bang: Love and Fengming refer to the harmony between songs and poems. The last two sentences sum up the whole poem. These two sentences always have different interpretations. One solution is: although I am a "wine crab", I still miss it because I live alone and have no friends. One solution is to explain that writing this poem is to miss your bosom friend while drinking and eating crabs. These two explanations are too far away from the title of Shui Gu's Night Walk, and have nothing to do with the content described in the poem, which is inappropriate. I think hard because I walked alone in the autumn night and remembered the past when I was talking about poetry with my friends in Beijing. Maybe you are holding a crab with wine at this time, so I also sent a poem to tell you.
This is a poem commenting on the poetic style of Friends. The author talked about this poem in "Comments on Poems on June 1st", and once said: "Yu Sheng and Zi Mei are both famous, but their styles are different. Zi Mei's brushwork is magnificent. Surprisingly, she has surpassed others. The sage Yuqin's thought is implicit, which means deep leisure. They are extremely long, although a good theorist cannot be good or bad. " This is very helpful for understanding this poem. This poem vividly describes the characteristics of Su and Mei's poetic style, which not only has the accuracy of comments, but also does not lose the image of the poem, and can obviously feel the deep friendship between the author and friends, which is touching to read. Later generations often use this poem as an important basis for commenting on the poetic style of Su and Mei, and even use this standard to comment on the poems of later poets, which shows its far-reaching influence.
Yu Sheng and Zi Mei are famous at the same time, but the two schools have different poetic styles. ..... I tasted the poem "Night Walk in Shui Gu" and said one or two things: "The beauty of children is outstanding ... ancient goods are hard to sell today." Although language is not a work, it looks so rough, but it can't be divided into good and bad. (Ouyang Xiu's poem of June 1st)