In Li Shangyin's love poems, there is no end to the first love.

Li Shangyin's Love Poems As an emotional poet, Li Shangyin's love theme occupies a large proportion in his poems. Besides expressing his feelings from his own point of view, there are many poems about women missing their lovers, as well as this poem "Untitled? Stealing a mirror at the age of eight tells the story of a girl's longing for love when she was growing up. Many people speculate that the girl described by the poet may be Li Shangyin's first love.

Untitled 8-year-old girls like to look in the mirror secretly.

The main idea of this poem is that when the little girl was eight years old, she secretly liked to look in the mirror and was able to draw her eyebrows into long ones. At the age of ten, when the little girl went for an outing in the suburbs, she would imagine making lotus flowers into her own clothes and skirts in her mind. When a girl reaches the age of twelve, she will learn to play the guzheng, and the silver armor will never be taken off her fingers. At the age of fourteen, girls will be ashamed to face men, even the closest ones. At this time, she may be thinking about when to get married. On the fifteenth day, the girl cried with her back to the swing and dried her tears in the wind, lest the beautiful youth disappear like spring.

In this poem, Li Shangyin vividly depicts the little girl's initial growth and gradual desire for love from the girl's perspective. She is anxious and depressed, and yearns for a young man's desire for love, as if a talent is waiting for an official to meet him. A series of processes, such as girls' love of beauty and thrush since childhood, lofty temperament, self-appreciation with lotus flowers, hard practice of piano, shyness of avoiding men's love for spring, and melancholy of boudoir to be married, are vividly described.

But through the description, some people think that the poet is so familiar with this girl, it must be that the opposite sex of childhood friends has such close observation, and the Spring Breeze of Fifteen Tears may only refer to their fruitless first love.

How to explain Li Shangyin's love history? A large part of Li Shangyin's poems are about love, and his love poems are widely celebrated and passed down through the ages. Many famous sentences are often picked up by us and used in letters. Li Shangyin's love poems, whether expressing feelings, describing girls' longing for love or describing women's longing for lovers, are incisive. So what kind of love history does such a passionate poet have?

Li Shangyin's Love Poems

Li Shangyin always hides his feelings, and his poems are often obscure. But as far as we know, Yi * * has three or four relationships, one of which is his own first love. The girl's name is Herry Liu. She is seventeen years old and good at melody. She lives next door to Li Shangyin's cousin Li Rangshan. Liu Zhi once loved Li Rangshan for reciting Li Shangyin's poems, so she tied the tape and asked Li Rangshan to give it to Li Shangyin.

The next day, Li Shangyin and Li Rangshan walked to Liu Zhiji's door. At this time, Liu Zhi had just tied a bun and stood at the door with a fan. Perhaps the society was relatively open during the Tang Dynasty, so they met immediately and met three days later. Behold, at this time, Li Shangyin suddenly received an urgent recommendation from Hu Ling, and wanted to go to Chang 'an to catch the exam immediately, so he missed it. Later, when he returned to Luoyang again, he heard from his cousin that Liu Zhi had news again, so he was sad but helpless. Although they didn't have much in common, he later wrote "Five Willow Branches" to commemorate this relationship. Presumably Li Shangyin was very interested in willow branches at that time.

Later, Li Shangyin married the king. Although they are separated, they have a good relationship after marriage. Unfortunately, the relationship between husband and wife was not long, and his wife died after twelve years. Since then, Li Shangyin has made a lot of mourning poems, which shows that he is also devoted to his wife.

What is the font size of Li Shangyin? Since ancient times, in addition to the names given by their parents and elders, ordinary aristocratic scholars in China will give themselves a word and a number when they grow up. Therefore, famous writers with profound literary attainments usually pay great attention to their own font size. However, today we are going to talk about the font size of Li Shangyin, a great poet in the late Tang Dynasty.

Portrait of Li Shangyin

Li Shangyin, a familiar name, is Yishan. His names are Yu Kesheng and Fan Nansheng. Among them, the word "H" is an ancient word, pronounced as Xρ, which is homophonic with the ancient word "Xi", so it is simple to write Yuxi sound on some materials. However, the intrinsic meaning of the font size given by Li Shangyin is very worthy of our consideration.

First of all, let's talk about Li Shangyin's words. What is the connection between Shangyin and Yishan? Explaining the name separately from the word, the word Shang Yin should be easier to understand, which probably means retiring from the world. It is reported that it is related to the famous hermit "Shangshan No.4". Yishan also had the meaning of seclusion in the mountains in ancient times, and righteousness may be the great righteousness advocated by the ancients. If we look at the combination of names and characters, it is not difficult to think of the allusion that Boyi Shuqi retired to Yishan in Shang Dynasty. Maybe that's what the great poet Li Shangyin meant. After all, the people of Sri Lanka have passed away, and it is really hard to study them.

Let's talk about numbers again. Li Shangyin took two numbers, which is not uncommon in ancient times, but both numbers have a short story. Among them, Jade G is a place name, which is the name of a stream in Wuwangshan, Jiyuan, Henan. According to the data, Li Shangyin studied Taoism here in his early years, so he took this name. Secondly, "Bannan" is also a place name. In today's Fan Chuan, a place in the south of Xi 'an, Shaanxi Province, it is understood that Li Shangyin probably visited today's Fan Chuan during his life in Gu 'an, and was moved by its beautiful scenery, so he chose this name.

Li Shangyin's Bird Wandering is a seven-character lyric poem. In this poem, the poet compares himself with a wandering bird. By describing the loneliness and helplessness of wandering birds, he expressed his life experience, traveling and drifting, lacking talent and ambition.

Liushangyin

The first couplet of this poem is about the wandering Yinger floating alone, with nowhere to go and nothing to rely on. The couplet points out the anguish and pain in Yinger's heart; Necklace is about the disappointment of street warbler living in this world, and she has tasted all the difficulties and obstacles; It was not until the end of the couplet that Li Shangyin really changed from Yingying to himself. The whole poem relies on the flowing warbler voice to express the sense of * * *, with a beautiful and gentle style and profound feelings.

Street warblers fly around, tossing up and down in fear, flying across roads and rivers, but unable to decide their own destiny. How can the warblers not be full of inner feelings when they constantly compose thousands of Qian Qian's light songs? However, even on a beautiful spring morning, it may not be able to wait for the day it has been waiting for. Whether it is a storm or a rainy day, whenever the doors of thousands of households in Qian Qian are opened or closed, it shuttles through the air day and night, flapping its wings. I am immersed in the pain of hurting spring, and I can't bear to listen to its sad cry again. Can there be a perch in the whole capital to stop it?

The first two sentences of this poem use a common metaphor, which refers to the living conditions of wandering warblers in the shogunate and reflects the poet's inner feelings; Three or four sentences are a description of the song of the warbler. The poet wrote that its song was not understood. Even if spring came, it still couldn't wait for the sadness of the ceremony. And the last sentence points out the meaning of hurting spring, and points out the bitterness of my unpaid years.

The rainy night to a friend in the north written by Li Shangyin is a seven-character quatrain written by the poet Li Shangyin when he was in a foreign land of Bashu. It is a lyric poem written to his wife in Chang 'an, thousands of miles away, and it is also a reply to the other party. This poem is novel and unique in conception, ups and downs, concise but affectionate, and touches people's hearts with subtle and euphemistic power. It has been talking for thousands of years, attracting countless people, and it can be said that it is never tired of reading.

Notes for Friends in the North on a Rainy Night Li Shangyin

The first two sentences of the poem begin with a question and answer and a description of the scene in front of us, expounding the poet's lonely mood and deep yearning for his lover. The next two sentences are the imagination of being able to reunite and talk in the future, so as to set off the loneliness tonight. This poem is an improvisation, describing the poet's instantaneous emotional changes. The writing is plain and unpretentious. Unlike most of Li Shangyin's works, this poem is clear and natural.

You asked me when I would go home, but I haven't decided yet. At the moment, the only thing I can tell you is that evening rain is falling, and autumn permeates Hechi. I don't know when I can go home and reunite with you. The two of us sat at home under the west window, cutting candles and talking. Then I will live in Bashan tonight, listening to the cold leaves and the autumn rain, and I will come back to tell you how much I miss you.

Li Shangyin's unique thinking, composition and structural rigor in this poem are all brilliant. The arrangement and conception of poetry are closely linked, imagination and the present situation are integrated, breaking the routine and creating the chaotic beauty of time and space and artistic conception, achieving the perfect unity of content and form.