First, Bai Juyi's "White Chrysanthemum at Chongyang Banquet"
A yard full of golden chrysanthemums with a bunch of flowers in the middle, the flowers are so lonely.
Just like today's feast, the old man went to the place where the young man went.
Appreciation: Bai Juyi, a poet in the Tang Dynasty, wrote a seven-character quatrain. In the first two sentences of this poem, the poet was delighted to see a white chrysanthemum in the garden. The last two sentences compare the snow-white chrysanthemum to an old man who took part in a "song and dance mat" and a "teenager" singing and dancing. The whole poem expresses the poet's interest in his youth, even though he is old.
This poem entitled "Give White Chrysanthemums" begins by saying that all chrysanthemums in the garden are golden yellow. "There are many flowers in the garden, and there are lonely clumps like frost in the chrysanthemum." This is a kind of foil technique, which makes the white "solitary cluster" in the next sentence more prominent, just like "a little red among all greens", and that little red is more eye-catching.
Compared with "enrichment", "depression" and "loneliness", chrysanthemum attracts more attention. The vivid metaphor of "color as frost" depicts the bright colors of white chrysanthemums.
Second, Wang Bo's "Nine Days in Shu"
On September 9, at Wangxiangtai, he sat in a farewell cup.
Human feelings are tired and bitter in the south, and Hongyan is from the north.
Appreciation: Nine Days in Shu is a quatrain written by Wang Bo, a poet in Tang Dynasty. The first two sentences of this poem take "homesickness platform" and "seeing off guests" as the antithesis, and use farewell to foreign guests to set off the homesickness of the people in the poem; The last two sentences are recited in calling language, thinking about flying from the north to the south, reflecting the anguish of northerners living in the south for a long time and missing their hometown.
This poem only uses four sentences to write homesickness, but it expresses homesickness incisively and vividly, breaking through the small pattern that the court quatrains in the early Tang Dynasty mostly used chanting things for progress.
Third, Meng Haoran's On Zhang Qiulai's Landing in Country-specific Mountains.
Facing the white Yun Qi Fu Feifei on the mountain ridge, I can enjoy myself as a hermit.
I tried to climb the mountain and look ahead, and this mood disappeared with the departure of the swan song.
Sadness is often the mood of dusk, and the mood is often the atmosphere of autumn.
Tourists come to the village on the mountain, walk across the beach, sit at the ferry and have a rest.
The forest in the distance is like a shepherd's purse, overlooking the river bank like a crescent moon.
I hope you will pick me up, bring a basket of wine and get drunk on the Double Ninth Festival.
Appreciation: Qiu Deng Lan Shan Zhi Zhang is the work of Meng Haoran, a poet in the Tang Dynasty, and was selected as one of the 300 Tang Poems. This poem is written around climbing the mountain in the clear autumn, expressing the feelings of missing friends. Write "geese fly high in my heart" first, and climb to see friends.
Because the "sadness" of missing at dusk and the "prosperity" of clear autumn can't be dismissed, and because I only watch "going back to the village" and don't see my friends, I want to invite the Double Ninth Festival to climb the mountain with wine and get drunk. The whole poem depicts the autumn dusk when climbing in extremely rigorous language, in which the phrase "there are trees like a row of grass on the horizon and islands like the moon by the river" has always been well known.