This is the so-called "elegant and popular * * * reward". Then how did Wang Xizhi express his taste for both refined and popular tastes? What are the methods and standards of "appealing to both refined and popular tastes"? And what effect does it have on calligraphy art? Wait for my command.
As the name implies, "to suit both refined and popular tastes" refers to a learned and knowledgeable scholar and an uneducated layman, who can get a beautiful feeling when enjoying calligraphy works, so they are called it. Whose work has such great ability? Nengman
Meet the needs of different people? Did they all cheer for it? Reach such a high level? It is no longer true that many people can't adapt to each other. I don't know any other calligraphy art, but I only know one person's calligraphy, and that is Wang Xi, known as the book saint.
Mr. Ji. It is surprising that Wang Xizhi's calligraphy is still so "hot" from more than 1000 years ago to today. From the perspective of popularity, Wang Xizhi's calligraphy should be popular, and it has been popular since ancient times. What made him achieve such an achievement?
Is the artistic realm of calligraphy high? In my opinion, it is "to suit both refined and popular tastes". There are three reasons: good-looking, hierarchical, eternal and indispensable.
First, it looks good.
The best calligraphy is good-looking, "elegant and popular * * *". Calligraphy is a visual art, and good calligraphy works must first look good. Just like a song, first of all, it should have a good melody and be pleasant to listen to. Only by looking good and listening well can we do it.
Can be appreciated and praised. Just like watching TV, the first is feeling. If it doesn't sound good, change the channel immediately and don't think about the content behind it at all. This proves that at the first contact, it depends on impression, feeling,
As long as you have a good impression and feel good, you can move on. This is probably the most common way of life. Look good, look good, look good, it's as simple as that, no reason is needed. In life, parents judge their sons' reading.
Good or bad depends on his academic performance, which is a hard indicator and needs no other reason. Looking at Wang Xizhi's calligraphy again, the first thing is to look good. Therefore, Wang Xizhi's calligraphy, from the Jin Dynasty to today, is a great book.
Home can't compare. This permanent magnetism, tension and penetration deeply touched the hearts of people of all ages and at all levels, and were loved and favored by people. With the passage of time, science and technology
With the continuous development, Wang Xizhi's popularity is growing, and it is still rising. This has to make us ponder. What makes Wang Xizhi charming? It's been more than a thousand years, and the style is still the same? He is a noble man of all ages.
Admiration? Or the love of ordinary people? In my opinion, there are various factors, and the key is to look good. Just like sugar, everyone who eats it is sweet; Like meat, whoever eats it is fragrant.
Second, the level.
The best calligraphy is hierarchical, with inner and outer layers. As the saying goes, "I will watch the doorway, not watch the excitement." It is about hierarchy, excitement is the surface layer, and doorway is the inner layer. People at different levels can't tell either.
At the same time, different times and different cultural backgrounds have different understandings and understandings. For example, when people look at Wang Xizhi's calligraphy, they see the surface layer, which is symmetrical in structure and smooth in lines, like a little red in green leaves, which is a bright spot.
Eye-catching depends on intuitive feelings. Scholars and calligraphers are also good-looking, but one more layer is to look at the inside. He saw not only the outer layer, but also the inner layer and its connotation. Scholars and calligraphers
I often appreciate the reasons for the formation of Wang Xizhi's calligraphy, the characteristics of style, writing skills and so on. I am often moved by this wonderful calligraphy. Just like delicious sugar, users know it is sweet and delicious after using it; Researchers are different.
Now we not only know that it is sweet and delicious, but also know why it is sweet. Why is it delicious? Know the molecular structure of sugar and so on. Therefore, in the eyes of calligraphers, Wang Xizhi's calligraphy is redundant and not enough to remove it.
It is amazing and admirable that the modeling is so rigorous and the artistic conception is so deep and wide. Wang Xizhi's calligraphy has reached the highest level of unity of form and spirit and appeal to both refined and popular tastes.
Third, eternity.
The best calligraphy is eternal, not limited by time and space. It shines forever like the sun. Wang Xizhi's calligraphy has been shining brilliantly in the book world since the Jin Dynasty, and at the same time, it has also created many calligraphers.
It becomes a complete system. Such as Mi Fei, Zhao, Dong Qichang, Wang Duo, Liang and Bai Jiao. All from Wang Xizhi's door ... >; & gt
Question 2: What is the highest realm of China's calligraphy? Drawing is first of all a basic skill and ability, including: the quality of painting with a pen, the accuracy of structure and the accuracy of breath. This is often referred to as the "realistic method". On the basis of good tradition, you can innovate and learn the information you need from a copybook. As long as you grasp the breath, this is what is usually called "intentional approach". This is a very painful stage. Sometimes many people write an image later. As long as you keep exploring and thinking, every stage of calligraphy writing will be different. For example, if you copy it now and copy it ten years later, it will be very different. In fact, you will find it hard to do basic work, which requires long-term accumulation and correct learning methods. But it is even harder to move from tradition to innovation. Therefore, to answer your question intuitively, you must write an image first. When you have a good basic skill, you will naturally integrate other ideas. Naturally, you have the ability to write without losing tradition. Rome was not built in a day. Only by learning to walk can you learn to dance. As to whether to write regular script or official script first, people have different opinions. In the eyes of some famous calligraphers, they also have different ideas. Some teachers think that writing the seal script of the Qing Dynasty first is rigorous and relatively simple, and it can also help to practice the texture of lines. Master the proficiency of using a pen. Some teachers think that Weibei and Jinwen should be written first, because these two Chinese characters are not rigorous in structure, simple in writing and easy to use. Mastering this strange font at the beginning of contact with calligraphy can avoid writing too rigid in the future (that is, the kind similar to printing). If it is amateur writing, as a kind of cultivation, then write according to personal preferences. If you want to have professional development in this field, you might as well find an authoritative teacher to give you some advice, which will get twice the result with half the effort. It is terrible for calligraphy to avoid taking crooked roads and detours. In addition, it is very important that calligraphy is a very happy thing.
Question 3: What is the highest artistic conception of calligraphy? Chinese characters developed from Oracle Bone Inscriptions and Jinwen to official script, cursive script, regular script and running script. Its free and diverse line movements and spatial structure express and convey various forms, emotions and momentum. Through the combination of brushwork and ink painting, the font is fat, thin and dry, narrow and vertical in size, and it changes endlessly, thus forming the China calligraphy art with aesthetic characteristics. It has both figurative and expressive functions, and is a unique "line art" in China. It constructs artistic patterns with its simple and simple black and white stippling, thus presenting the ultimate beauty of calligraphy art-artistic conception. Artistic conception is the core category of China's traditional aesthetics, and it is a proper noun that marks the national characteristics of China's art. Calligraphy art makes works transcend the limited form and rise to the infinite realm through the combination change of stippling lines. Therefore, the artistic conception beauty of calligraphy art is the most unique: it is the overall aesthetic intention and atmosphere of calligraphy works and the soul of calligraphy art!
The beauty of artistic conception is the yardstick of calligraphy art. With artistic conception, Gog becomes a slave book without artistic conception!
one
The artistic beauty of calligraphy is the core of calligraphy art, which mainly presents the beauty of poetry and music to the appreciator from the outside.
First, poetic beauty. An excellent calligraphy work, like a beautiful poem, is full of emotion and rhyme, which makes the readers have meaningful interest. When we appreciate Yan's books, we will feel that he is magnificent and profound, as if he were a generous and vigorous "Jian 'an poem"; When we look at Huai Su's and Zhang Xu's crazy cursive scripts, the artistic conception of "The sand opens at sunset, the waves shake the rocks and move the water" ("Sailing in the East Lumen") in Li Bai's poems will come to mind, and it seems to have entered a state of elegance and broadmindedness ... Although calligraphy and poetry are not the same art, they are both natural expressions of the author's thoughts and feelings and have a strong sense of words. Since ancient times, poets have written poems mostly because of events, and writing is no exception. Cai Yong's On Pen: "If you want to write, you must first open your arms and let your feelings run wild, and then write. "Liu Xizai's art outline? Outline of the book: "A writer writes a will. "Thus, although calligraphy doesn't directly express one's mind through language like poetry, its artistic line combination and brushwork Mo Yun also convey the author's artistic interest. Secondly, in terms of creative methods, both of them attach great importance to the rhythm of cadence and emphasize the law of inheritance and combination. Moreover, calligraphy creation mostly takes poetry as the content to increase the artistic charm of calligraphy. Therefore, excellent calligraphy works often contain rich and meaningful poetry, which makes the artistic conception of calligraphy present a unique bookish and poetic beauty.
Family and music are beautiful. Zong Baihua, a famous aesthete, appreciates W Pate's statement that "all art is in a musical state" in the article "On the Origin and Foundation of Chinese and Western Painting". He also said: "China's music education has been lost, and poets can only express their spiritual charm in painting and calligraphy. Calligraphy has especially replaced the abstract art of music. " It can be seen that the relationship between calligraphy and music is very close. Music is composed of different notes, and the notes that make up calligraphy are all kinds of dotted lines. The ever-changing thickness, length and posture of these stippling lines, as well as the different ink colors, give calligraphy a musical sense of rhythm. Music major is like weeds in calligraphy, unrestrained, enthusiastic and strong; Minor is like grass in calligraphy, delicate and intriguing. And calligraphy is as disciplined as music. When you write a word first, you must control its momentum to the end. A word is the standard of the whole article. The first stroke of the next word and the last stroke of the previous word should be a link between the preceding and the following, running through the book. The most amazing thing is that the pen in the book is broken. The pen breaks like an eagle hitting the sky, intending to soar. It enriches the expressive force of calligraphy and adds a sense of meaning to calligraphy. In a word, music is touching calligraphy, calligraphy or music. Yu Shinan's "On Bone Marrow" said: "The sound of drums and harps is born at will", which also revealed the connection between music and artistic conception of calligraphy.
Question 4: Why is creation the highest realm of calligraphy? What is the highest realm of calligraphy? It is "elegant and popular * * *". What is the evidence? The calligraphy of Wang Xizhi, the sage of calligraphy, is beautiful to people who don't know calligraphy, and people who know calligraphy like it. Calligraphers with profound attainments will put it down. This is the so-called "taste for both refined and popular tastes". Then how did Wang Xizhi express his taste for both refined and popular tastes? What are the methods and standards of "appealing to both refined and popular tastes"? And what effect does it have on calligraphy art? Wait for my command.
As the name implies, "to suit both refined and popular tastes" refers to a learned and knowledgeable scholar and an uneducated layman, who can get a beautiful feeling when enjoying calligraphy works, so they are called it. Whose work has such great ability? Can meet the needs of different people? Did they all cheer for it? Reach such a high level? It is no longer true that many people can't adapt to each other. I don't know about other calligraphy art, but I only know that there is one person in the calligraphy world, that is Mr. Wang Xizhi, who is called a book saint. It is surprising that Wang Xizhi's calligraphy is still so "hot" from more than 1000 years ago to today. From the perspective of popularity, Wang Xizhi's calligraphy should be popular, and it has been popular since ancient times. What caused him to reach such a high level of calligraphy art? In my opinion, it is "to suit both refined and popular tastes". There are three reasons: good-looking, hierarchical, eternal and indispensable.
First, it looks good.
The best calligraphy is good-looking, "elegant and popular * * *". Calligraphy is a visual art, and good calligraphy works must first look good. Just like a song, you must first have a good melody and listen. Only when it is beautiful can it be appreciated and sung. Just like watching TV, the first is feeling. If it doesn't sound good, change the channel immediately and don't think about the content behind it at all. This proves that at the time of first contact, we rely on impressions and feelings. As long as we have a good impression and feeling, we can move on. This is probably the most common way of life. Look good, look good, look good, it's as simple as that, no reason is needed. For example, in life, parents' evaluation of their son's academic performance is only his academic performance, which is a hard indicator and does not need other reasons. Looking at Wang Xizhi's calligraphy again, the first thing is to look good. Therefore, Wang Xizhi's calligraphy has had an incomparable influence from the Jin Dynasty to today. This permanent magnetism, tension and penetration deeply touched the hearts of people of all ages and at all levels, and were loved and favored by people. With the lapse of time and the continuous development of science and technology, Wang Xizhi's enthusiasm has increased, and it is still rising. This has to make us ponder. What makes Wang Xizhi charming? It's been more than a thousand years, and the style is still the same? Is it respected by the nobles of past dynasties? Or the love of ordinary people? In my opinion, there are various factors, and the key is to look good. Just like sugar, everyone who eats it is sweet; Like meat, whoever eats it is fragrant.
Second, the level.
The best calligraphy is hierarchical, with inner and outer layers. As the saying goes, "I will watch the doorway, not watch the excitement." It is about hierarchy, excitement is the surface layer, and doorway is the inner layer. People at different levels see different things, and different times and different cultural backgrounds have different understandings and understandings. For example, when people look at Wang Xizhi's calligraphy, they see the surface layer, which is symmetrical in structure and smooth in lines, like a little red in green leaves. It is a bright spot, attracting attention and relying on intuitive feelings. Scholars and calligraphers are also good-looking, but one more layer is to look at the inside. He saw not only the outer layer, but also the inner layer and its connotation. Scholars and calligraphers often appreciate the formation reasons, style characteristics and writing skills of Wang Xizhi's calligraphy, and are often moved by its wonderful calligraphy. Just like delicious sugar, users know it is sweet and delicious after using it; Researchers are different. They not only know that it is sweet and delicious, but also know why it is sweet. Why is it delicious? Know the molecular structure of sugar and so on. Therefore, in the eyes of calligraphers, Wang Xizhi's calligraphy is a little redundant and a little insufficient. Its shape is so rigorous and its artistic conception reaches such depth and breadth that people have to be surprised and amazed. Wang Xizhi's calligraphy has reached the highest level of unity of form and spirit and appeal to both refined and popular tastes.
Third, eternity.
The best calligraphy is eternal, not limited by time and space. It shines forever like the sun. Wang Xizhi's calligraphy has been shining brilliantly in the book world since the Jin Dynasty, and at the same time, it has created many calligraphers and formed a complete system. For example, Mi Fei, Zhao, Dong Qichang, Wang Duo, Liang and Bai Jiao. They all came from Wang Xizhi's school and formed different styles, which greatly enriched Wang ...
Question 5: What does the highest state of calligraphy mean by "Taoism is natural"? Tao, law and nature mean that everything in the world and the whole universe are Tao, and Tao is nature. The most incisive is not this sentence, haven't you heard it? The Tao is in the rubble. It is conceivable that Tao is everywhere.
Question 6: Who can reach the highest level of contemporary calligraphy? The highest realm of calligraphy and painting is immeasurable.
Question 7: What is the best answer to calligraphy?
Calligraphy is one of the traditional arts in China. It is the art of writing Chinese characters with a brush to express the author's spiritual beauty. Its basic requirements are: one is to use a soft brush, and the other is to write Chinese characters with rich images. Therefore, there are two meanings: first, it refers to the rules of calligraphy, which mainly include methods such as holding a pen, using a pen, stippling, structure and distribution; Refers to the art of expressing the author's spiritual beauty by writing Chinese characters. It expresses the author's personality, interest, knowledge, temperament and other spiritual factors with the help of exquisite techniques and vivid modeling, and it embodies the combination of the two calligraphy art forms of China.
Question 8: How to reach the highest level of calligraphy creation? Love is in the text, intended to draw, quality in the chapter, ambition in the line, God is everywhere!
Question 9: What is the state of Wang Xizhi's calligraphy? Four letter word's incisive [rê mê sā n f ē n]
new word
Basic explanation
According to legend, Wang Xizhi wrote on the board, and when carving, he found that the handwriting penetrated into the board for three minutes. Describe that calligraphy is very powerful. Nowadays, the problem of metaphor analysis is very profound.
commendatory sense
tidy
Don? Zhang Huai's book broke: "Jin Emperor sacrificed to the northern suburbs; I wish you a better version; Workers cut it; The pencil is inserted into the wood. "
Question 10: What is the true meaning of calligraphy? I think everyone has the ability to reach the highest level of their own calligraphy.
After posting to a certain extent, I no longer consider what pen and ink to use, and write it with charm, even like painting. How chic!
Everyone has read Yan's "Sacrificing Nephew"! In the end, his old man changed from a running script to a cursive script, and his words fluctuated with the excitement of his mood, reflecting all his calligraphy skills for so many years. Can it be said that it is the highest realm of his calligraphy?
There is also Wang Xizhi's Preface to the Lanting Pavilion, which is obviously a bit stiff at first, but the more you write, the more fluent it becomes. With the strength of wine, his writing is elegant and natural. Can it be said that it is the highest realm of his calligraphy?
Hehe ~ The above is my personal opinion. Please criticize.