He is a representative of the misty school, and so is Gu Cheng. ...
His poems have been widely circulated and selected as textbooks for high schools and univer
He is a representative of the misty school, and so is Gu Cheng. ...
His poems have been widely circulated and selected as textbooks for high schools and universities.
His masterpiece has become the most widely circulated poem commemorating the reform and opening up.
People's Daily published a heavy article to commemorate the 40th anniversary of reform and opening up.
Quote his poem at the beginning.
"I'm thinking about everything I lost."
He is a famous poet.
beam
Let's walk into his poetic world together. ...
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China of Liang, I lost my key.
It has become the most quoted poem to commemorate the reform and opening up.
Recently, People's Daily published a heavy article titled "Great Changes in History-Commemorating the 40th Anniversary of Reform and Opening-up" signed by Ren Zhongping (homophonic abbreviation of People's Daily's Important Comments).
At the beginning of the article, I quoted the poem "China, I have lost my key" by Liang, a famous poet and a representative of the misty school. This poem is Liang's masterpiece, expressing the special ideological course of a generation of young people in the period of rapid social transformation.
As the People's Daily article said, "A poem entitled" China, I have lost my keys "is all the rage, expressing the ardent desire of the whole country:' I am seriously thinking about all the lost things.' China needs to find that key, restart the time of historical progress, and open the door to the trend of the times. "
Since the reform and opening up, China has been struggling to find the answer. How to find the lost things? How to build a prosperous, strong, democratic and civilized society? Where will the big country recover from a serious illness go? China, I Lost My Keys by Liang, because of its strong artistic appeal, can reflect the thoughts and feelings of a generation and become one of the most widely quoted poems to commemorate the reform and opening up.
Liang's poetry creation runs through 40 years of reform and opening-up, and also profoundly reflects the changing process of China's contemporary poetry. When talking about the changes in China, Liang said that what he realized most was the present situation of Hefei, especially the present situation of Hefei's poetry. Poets emerging in Hefei, adhering to the beliefs of their hometown, have the persistence and simplicity of Hefei people, and almost all of their poems have a distinctive Hefei atmosphere. Liang called their poems "like wine, the better the taste, the better the fragrance".
Liang, a famous poet, signed his name at the International Poetry and Wine Culture Conference and Singing Reception.
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Vividness is greater than profundity.
Write ordinary days into poems
"I am a hieroglyph living in the mother tongue of our nation,' I am alive', and I write poetry" —— On June 17, Liang, a famous poet and representative of misty poetry, read his masterpiece Mother Tongue and accepted an exclusive interview with the International Poetry and Wine Culture Conference.
As a predecessor who has made great achievements in the field of poetry, Liang encourages young poetry writers with his own creative experience, hoping that they can show the essence of "mother tongue" with their poems and touch readers with sincere voices from the heart. Young people have just set foot in the field of poetry creation, and it is easy to fall into the strange circle of "worrying about adding new words". Liang said that poetry, as an exquisite text, is obviously not enough for many readers just because of rebellious psychology. Really good poetry is not only inseparable from life, but often what really touches people are those works that come from simple life.
"When I first started writing poetry, I still sent down the educated youth in the suburbs of Hefei. I wonder, what is the close relationship between the scene of doing farm work every day and people like me who want to learn to write poetry? I am on the horns of a dilemma. Later, I thought, I am an educated youth. I shouldn't write those lofty and impassioned poems. I should write about our educated youth life itself. " Liang said.
But what kind of life should a poet write about? The so-called "living life into a poem" is not to decorate a dull life with unnecessary imagination, nor to pile up a lot of adjectives on the description of life details. Liang once wrote such a poem-after the reception of the commune, a heart flew to the production team, arm in arm, and the director of the commune led us for a walk together. But he immediately realized that it was obviously not possible to write like this. If you want to turn days into poems, you must first have a pair of eyes that discover the poetry of life.
Liang Xiang told an "embarrassing thing" that happened to him. "When I was an educated youth in the countryside, one day, we caught the chicken in the yard and slowly stewed it on the kerosene stove under the bed. When the fragrance filled, the villagers looked over and we educated youths fell asleep. Then there was a strong wind, and I smelled chicken. I was so scared that I jumped out of bed and tried to stop the wind and prevent the smell from floating out and being discovered by my fellow villagers. " Liang said, "It is such a process that the smallness of our educated youth and the well-known tolerance of our fellow villagers have formed a huge contrast and taught me a vivid lesson."
This story was written into a poem by Liang-the fragrance of the chicken striding forward, "like a dashing teenager wearing a red feather crest" and "riding a fine horse", informing thousands of families that it was strangled before dawn. This kind of writing taught Liang an important truth and influenced his life's creation, that is, "vividness is greater than profundity".
Portrait of Liang (Mary)
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Become a poet
It's not just good writing.
19 17, Hu Shi published eight vernacular poems in New Youth magazine, which opened the curtain of China's new poems. One hundred years ago, the main voice of China's literary world came from the traditional learned people, and young Hu Shi dared to hold high the banner of new poetry and say "I write my own words", which was even greater than his poetry itself, and influenced many poets in China for a hundred years, including Liang.
"Mr. Hu Shi's' I write my mouth by hand' does not mean that poetry should be written as simply as spoken language, but that poetry should make an understandable sound like spoken language." Liang said: "According to my experience, poetry is difficult for people to understand and take root in their hearts. I always think that the language used to talk to children is the most difficult of all languages. Therefore, if a poet wants to write a poem that can influence others, he must regard the whole world as his own child. Adults must think it over in their minds before they can send some mandatory language to their children. So do poets. The task of poetry is to make some mandatory language issued by the poet thought-provoking. The poet knows what to express when he treats the world as a child. "
Liang said that when parents talk to their children, they will think before they speak, which is a manifestation of a sense of responsibility. Poets also need such a sense of responsibility in writing. They should use their own voices to influence people and make them listen. "The poet's road is flat, because it is too flat. Many people think it's easy to become a poet, as long as you write well, you can. But poets are hard to hear. I have an idea to encourage poets: be determined to make your voice heard by everyone, which is very important for the growth and maturity of poets. " He said.
The famous poet Liang accepted an exclusive interview with the International Poetry and Wine Culture Conference.
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Poets should cherish their mother tongue.
Writing is as serious as writing a composition.
Liang said that he gradually realized the significance of poetry to life. For decades, he has experienced twists and turns and difficulties. In the most difficult time, even the lunch for the next day has not been decided. Even in that case, he did not give up writing. On the contrary, in the poorest time, he supported his spiritual world by writing poems. In order to save manuscript paper, he was tired when writing poems. "I thought at that time that I would turn these poems without branches into branches if I had the opportunity. But later, I learned more and more about this kind of poetry writing. I began to know that writing poetry without lines is just a good way. It plays an irreplaceable role in expressing the inner voice. It eliminates the boundary between poetry and our life and elegant life. " He said.
"There is an obvious tendency among young poets, as if the more difficult and rebellious a poem is, the better it is." Liang said that young people can express their rebellious psychology in poetry, but this should not be the criterion for judging the quality of poetry. What a poet should do is to love his mother tongue and use it correctly. This time, Liang recited his own work "Mother Tongue" at the reception of songs and poems. For him and all the poets present, the mother tongue is the most familiar thing and the first tool for their creation. It is these poets who have the most sincere reverence for their mother tongue. The poem Mother Tongue is Liang's encouragement and reminder to himself. "Writing should be as serious as writing a composition. Our writing must first be written to ourselves, so that we can read it carefully and remember it. " He said.
"In fact, poets in China, including me, are not familiar with Wang Yang's mother tongue." Liang said, "Mother tongue is a lot of words in our Xinhua dictionary. When I write my mother tongue, I don't mean how proficient I am in China. On the contrary, I wrote in my poem,' Some words moved me, but I couldn't read them out loud'. For poets, mother tongue is a double-edged sword. Mother tongue, like land, always exists in front of us. Poets are nourished by native rivers and are hieroglyphics living in their native languages. "
The famous poet Liang recited his works at the International Poetry and Wine Culture Conference and Singing Reception.
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Selected poems of Liang
▲ China, I lost my key.
That was more than ten years ago,
I ran along the red street,
I ran to the wilderness in the suburbs, screaming,
Later, I lost my key.
Heart, painful heart,
I don't want to wander anymore,
I want to go home,
Open the drawer, look through my childhood photos,
Also look at the one sandwiched in the page.
Emerald clover
In addition,
I also want to open the bookcase,
Take out a Heine ballad,
I'm going on a date,
I held the book in front of her,
As my message to the blue sky
A signal of love.
All this,
All these beauties cannot be achieved,
China, I lost my keys.
Oh, my God, it's raining again.
My keys,
Where are you lying?
I think the wind and rain have corroded you,
You are rusty.
No, I don't think so,
I will stubbornly look for it,
I hope to find you again.
The sun,
Have you seen my keys?
May your light,
Warm and shining for it.
I walked on this vast field,
I followed my heart's footsteps,
All that's lost,
I've been thinking about it.
▲ Snow Wall
Mom,
I see snow-white walls.
In the morning,
I went to the street to buy crayons,
Saw a worker
It takes a lot of effort,
Paint a long fence
He turned and smiled at me,
He called me.
Tell all the children:
Don't scribble on this wall in the future.
Mom,
I see snow-white walls.
It used to be dirty here,
Write a lot of rude words.
Mom, you cried, too,
Because of those insults,
Dad left,
Gone forever.
Whiter than the milk I drink,
White walls,
Has been flashing in my dreams,
It still stands on the horizon,
Shining charming light during the day,
I like white walls.
Never scribble on this wall,
I won't,
As mild as a mother's clear sky,
Did you hear that?
Mom,
I see snow-white walls.
▲ Mother tongue
I write poems in our mother tongue.
Terrestrial forests appear in mother tongue.
The simplest fire
Some words moved me.
But I can't read aloud.
I am a person who has seen two continents.
A poet whose two languages clash.
Looking for water
I once forgot what I left on the beach.
Those patterns
Chinese alligator in mother tongue river
Won't drag the children from the shore.
Now, I point to those hieroglyphs again.
I also drew the flowing water on the beach.
The appearance of
I don't have to go to another continent to find Didi.
And the sun
I live in our mother tongue.
hieroglyph
I am still alive.
I write poetry.
▲ You let me walk into the girl's heart alone.
You let me walk into a girl's heart alone.
Shy person, please wait for me outside for a while.
Let me boldly walk in.
Feel her fiery temperature.
A whisper that fascinates me
I also want to follow the blood.
Travel by her slim figure.
I want to hold her tighter.
Let girls also exude masculinity.
Go ahead, please tell me.
Who is that man wandering alone in the dark?
Who wants to rush to the beautiful starlight because of infatuation
Let's walk into the girl's heart together.
Don't forget to bring two flashlights.
Let's go in bravely.
To discover miracles that the outside world has not yet seen.
On this river bank that originated in the heart
I will definitely pick up a book.
There is no decadence on it.
It inspired me how to kiss the future.
I wish I had a girl's heart, too
Let a whole generation enter the girl's heart.
When we came out again,
You must feel that youth is full of vitality.