1. Composition with reflections on the post
"When I post in Orchid Pavilion, my handwriting is like running clouds and flowing water. I push it hard under the moon. I am as careful as your footsteps. I am so busy that it is easy to expand the millennium monument but it is difficult to expand your beauty." ..." This Orchid Pavilion preface uses its long melody to sing out the kind of lost thoughts and fresh and elegant sadness, which is true for those who appreciate music.
I will never say that "Lanting Preface" is inferior to "Blue and White Porcelain". "East Wind Breaks" is the best.
.Different from the pathos of Chrysanthemum Terrace. .The poignant beauty of blue and white porcelain.
.The sorrow of separation caused by the east wind. .And the preface to Orchid Pavilion is more about vicissitudes and helplessness, beautiful and sad, and heartbreaking.
.Every time I hear it, I always seem to see Wang Xizhi brushing up his right sleeve with his left hand, holding a pen with his right hand, dipping it in thick ink, and writing down flowing clouds and flowing water. His hair is tied up high and flowing. The clothes, the sloping rain outside the window, some decayed window lattice, and the white rice paper filled with the fragrance of ink give people a sense of elation, as if they saw Li Bai sighing alone under the willow branches, or Du Fu singing and drinking in the thatched hut, that kind of feeling The fairy spirit, that kind of charm, that kind of momentum all come to my eyes... I have always liked China's material civilization. I feel that it has a sense of simplicity that has been accumulated through history. It is a kind of superb art. Every time I write about China When it comes to culture, I have no idea where to start. I feel that the words are pale and weak, and cannot express my feelings at all. Therefore, I prefer to use a pen to describe Chinese characters stroke by stroke. This process always makes me think about the copybook without reading the content. , just looking at the fonts, I was keenly aware of the subtle differences in each calligraphy, which brought different feelings. I have known Li Fangming's calligraphy since I was a child, so I still have a deep memory of his handwriting. His handwriting is elegant and free, which always reminds me of Li Bai, who said "the emperor couldn't get on the boat when he called me, and he claimed that he was a wine fairy". He was unrestrained and uninhibited. There is no room for restraint, which reminds me of Li Bai looking at the bottle under the moon, singing loudly, with a layer of mist floating on the stone table, stone chairs, and branches. His laughter is full of disappointment and happiness, and expresses his emotions. , I have always been particularly fond of Li Bai. He uses the posture of Tang Dynasty to strike the flowing words on his fingertips, expressing his eternal poems.
He was holding a cup of wine and thinking about the past. He was drinking in the moonlight and looking down at the passing water. Dance alone in nature.
He sailed hard in his own sea, and I saw the clear tears he left behind. That’s why I like Li Fangming’s fonts. They are elegant, free and easy, fresh, a bit fairy-like but also full of vitality. They are sad but not sad, sad but not worried, and as ethereal as a fairyland.
Sima Yan’s words have a sense of grandeur, which reminds me of the Forbidden City and the Forbidden City, with beautiful bead curtains and jade railings. In the thick aroma, the king and his concubines are drinking and having fun. See The neon dance, which has been passed down for hundreds of years, has no depressing atmosphere. Just like the poems of Bai Juyi, the young master of the Tang Dynasty, which was at its peak, it is as straightforward as words, and it is all expressed line by line. It reminds me of "the great river goes eastward, and the waves are swept away, and the romantic figures of the ages."
To the west of the ancient fortress, the human path is: Three Kingdoms Week? Red Cliff. Rocks penetrate the sky, and the waves crash on the shore, rolling up thousands of piles Snow.
The country is picturesque, how many heroes are there at that time? , unlike "the water is bright and clear, and the mountains are empty?" ? Lying on the vine?
鏏飞ばス槿ダ谉龃狠狠棳堂稹谓? It's easy to write and the fragrance of the ink never fades, leaving you with a lingering taste. It's still lingering in the air, and you're still recalling time... 2. Remarks after learning classical Chinese
Chinese classical Chinese is unique in the world in its simplicity. , catchy, and rich in information. By studying classical Chinese, we can travel through time and space, communicate with the ancients, improve our own quality, form a sound personality, and improve our personal ideological realm.
The ancients were very particular about practice. For words, "Two sentences are obtained in three years, and one chant brings tears." This is a refined sentence. "Yin'an is a word, and several stems are broken." But their refined words cannot exclude classical Chinese. Fuzzy, on the contrary, it illustrates the vague characteristics. For example, the word "nao" and the word "nong" mean "the red apricot branches are noisy in spring." The word "noisy" is used, and all realms are revealed. "The clouds break and the moon comes, and the flowers make shadows." With the word "Nong", the realm is completely revealed. The words come from Wang Guowei's "Human Words". However, "The spring breeze turns green to the south bank of the river" in Wang Anshi's "Boating the Boat on Guazhou" is regarded as a model for refining characters. Volume 8 of Hong Mai's "Rong Zhai's Continuation" says: "The first cloud 'arrives at the south bank of the river again'." The word "to" is removed and the word "bad" is changed to "guo". The word "ru" is changed to "man". "The author said. It is used because this word can evoke a variety of associations. It can not only express the joy of spring, but also express one's desire to create a new situation in the reform. In addition, it also reveals the wish to resign and go home as soon as possible. Therefore, we can see that the ancients took advantage of the ambiguity of language to make their poems full of infinite meaning and thought-provoking. There are many more examples, which have been discussed in detail by predecessors, so I will not go into details. Although this is just poetry, the same is true for classical Chinese.
For example, in "The Romance of the Three Kingdoms", Guan Yu's eyebrows are described using the vague term "wo silkworm eyebrows", which concisely and vividly depicts Guan Yunchang's image and reveals his masculinity.
In "A Dream of Red Mansions", Miaoyu's sentence "This is Lao Junmei" is simple and powerful, but it can express her wit and intelligence. Mr. Ji Xianlin has also elaborated on the issue of ambiguity in recent years, especially in the article "Poetry Composition and Meditation". Therefore, when we study classical Chinese, it is completely possible to introduce fuzzy thinking into classical Chinese, which is also feasible
The so-called fuzzy reading aims to grasp the ambiguity of classical Chinese. way of reading. Because students do not need to translate the entire classical Chinese text completely accurately during the exam. As long as they have a general understanding of the entire classical Chinese text, it is enough. They can use their own reading experience of modern texts to accurately translate the classical Chinese text. It is a place that is not a place that is studied in classical Chinese. Use this vague way of thinking to boldly guess it, without having to worry about which word or sentence has not been read through. Then after reading the entire classical Chinese text, it is enough to form a relatively clear image in your mind. This image can be in a transcendent state of "can only be understood, not spoken". There is no need to make it concrete. ization, precision. 3. Thoughts on learning classical Chinese
Original publisher: Xingyuan Blu-ray
1. It is best to get straight to the point at the beginning and write directly what happened in what kind of environment and background. Here are the following *** Foreshadowing. 2. Write about the event directly, what inspired you and what you realized. It doesn’t matter if you don’t have it now. Pay more attention when you do it in the future. The winter vacation is still long. I believe you will find relevant materials. Savor life carefully! 3. Then you can write the ending, which is what you have realized. It should be profound and touching. If you only write a small part, the composition will be finished. Insights on learning: "If you don't learn, you will fall behind." This is an old saying that never gets old: "People cannot work all their lives, but they must learn all their lives." This is a new concept advocated by a learning society. Knowledge is a kind of sacred "monster". The reason is that it is different from other resources. No matter how great the power, wealth, and force, "knowledge" cannot be plundered or captured. The only way to acquire knowledge is through learning. Because learning is the key to entering the palace of knowledge. Learning and Time Learning takes time, and time is the companion of learning. Those who are willing to spend more time, energy, and efforts in learning will have more content to learn, a higher level of learning, a deeper understanding of learning, and greater learning results. Time is a treasure that everyone has, but not everyone understands its value. Some people regard it as everything in life, and some people regard it as the interval between eating and sleeping. Time, like space, is both infinite and finite. "The greatest, most correct and most genius thing is time", this is Belinsky's attribution to time. But on the scale of time value, there is a different weight. The value of time is incalculable. Mr. Lu Xun believed that "time is life." Franklin asked, "Do you love life? Then don't waste time, because time is the material that makes up life." In this sense, Jane 4. What did everyone learn from "Lanting Preface"
If If calligraphy creation is regarded as an individual going to the bank to withdraw money, then writing a calligraphy is a kind of savings for the skill of pen and ink. When I study "Lanting Preface", I first practice single characters and start with copying. The entire work "Preface to Orchid Pavilion" consists of 324 characters, divided into 28 lines, each of which reads "The horse in the sky moves freely, and it marches freely". I cover the post with a relatively transparent paper, use the double hook method to hook out the words, and then fill them in with ink. Then I use a thinner rough paper or rice paper to cover the ink book and copy them one by one, copying them every day. After copying dozens of times, I had a rough grasp of the structure of each character in "Lanting Preface" and gradually became more proficient with the pen, before I started to write. The process of posting is sometimes like scientific exploration, an iterative process. All repeated characters are written in different ways, and they are all shaped according to the category, and are ever-changing. I listed all the repeated words and compared them to practice. For example, there are as many as twenty characters for "Zhi", some of them flow like cursive script, and some of them are as neat as regular script, but they all vary in size and shape, and none of them are similar. After practicing it several times, select a better assignment and compare it with the original post. Analyze and review it repeatedly to find out the gaps in the practice. The key is to ask for the meaning of the strokes. Pay attention to the beginning and end of the stroke and the connection between strokes. Keep the deficiencies in mind so that you can improve them next time.
Secondly, we need to understand Wang Xizhi’s state of mind. He believed in Laozi and Zhuangzi, admired nature, yearned for an unfettered and free life, and was filled with a feeling of pursuing the beauty of "nature" deep in his heart. Xi Zhi had "nature" in mind, so that he could pay close attention to every detail and feel at ease with nature. His brushwork was exquisite, making his paintings flow like clouds and flowing water, and have both form and spirit. Coupled with "the sky is clear and the air is clear, the wind is gentle and gentle" and "the flowing water is flowing", Wang Xizhi realized the beauty of mountains and rivers, the mystery of the universe and the true meaning of life. In the state of forgetting both things and myself, Wang Xizhi composed the eternal masterpiece "Preface to Orchid Pavilion" in one go. . Therefore, when we have a certain form of "Lanting Preface", what we need to pursue most is a kind of spirit. We must have both form and spirit. This is the artistic conception, and this is also the most difficult thing for us to write. I am constantly trying to figure out and pursue the artistic conception of "natural" beauty in "Lanting Preface".
In fact, writing a post is a very simple and boring thing at the same time. However, only by depositing enough principal in the bank can the interest earned be generous. If I want to write well, I I just want to persevere and carry out the post to the end.