Reflections on Lu Xun's social dramas

First article

When I finished the last sentence of the article "Social Drama", I closed my eyes, as if I saw 12-year-old Lu Xun and his friends watching a drama. They are talking and laughing, drinking soybean milk, smiling on their faces and enjoying playing with their friends.

Childhood is colorful, and friends are indispensable. I remembered the last sentence of "Social Drama", "Really, until now, I really haven't eaten good beans like that night, and I will never see a play like that night again." In fact, the play that night was not really good-looking, only the people on the stage were singing; In fact, the beans that night were not delicious, not to mention other people's beans were sweet and delicious. But there is no adult company, only friendly friends.

When watching a play, everyone will discuss Xiao Dan's actions for a while and scold Lao Dan's songs for a while, and the worst play will become more exciting! Because the company. When cooking beans, everyone laughed and fought, throwing bean shells into the river to nest and taste together. The worst beans will become more delicious now! Because the company. Reading, I remembered the fun of my childhood.

It was a hot summer vacation. I was only seven years old. My mother asked me to attend a summer camp and experience rural life in the countryside. In the countryside, my friends and I are like a group of runaway wild horses, running and rolling on the grass, breathing fresh air. Through the grass, you can see a clear stream, in which there are groups of fish swimming. Without the teacher's permission, we jumped into the water one after another, and the water didn't reach my shoulder. "Go catch fish!" It was suggested that everyone agreed repeatedly, but the fish was not caught, but stepped into the mud. "Look!" Just as everyone was having fun, Wu Tian also cried. We followed her eyes and saw a huge buffalo bathing on this stream! We laughed and cried.

That meaningful sentence tells the author-Lu Xun's deep affection for missing his childhood. My childhood is not over yet. I want to cherish it and make it more exciting. Make some friends, intimate friends, so that you can share happiness and pain with her, and then your childhood will not be monotonous.

After reading this article, I love my childhood even more.

Article 2:

Reflections on reading social drama

Lu Xun's works have been read a lot. As a great writer, thinker and revolutionary in modern China, his works have amazing ideological depth and social analysis power, and have shaped a series of typical characters with national and times characteristics. But in his novels and essays, we can find a special group, that is, the image of children. In Kong Yiji, Hometown, Social Drama, Diary of a Madman, Blessing, Medicine and Storm, Lu Xun created a series of vivid images of children, most of whom were eaten. Through the description of these children, the essence of cannibalism in feudal society is profoundly revealed. What impressed me most was the image of children in social dramas.

Lu Xun expressed his feelings by describing children in a positive way, and created a group of innocent, lively, pure and natural images of children. Although the novel is called "Social Drama", it does not describe the content and performance of the drama in detail, but describes the process and mood of watching the drama. "I" have only seen three plays in the past twenty years, twice in the Peking Opera circle and once in Shaoxing village, Zhejiang Province as a teenager. The first part describes the feeling of "I" in Beijing Theater with satirical essays. The language is sharp and ironic. In the whole process of describing rural life, the romantic narrative method is basically adopted, and the beautiful lyrical prose style is used, which is poetic and picturesque. In fact, all three scenes are boring, and I didn't see anything in them. The "I" who watched the drama excused himself three times, but why did the author restrain the former and praise the latter? Even the language style, writing style and emotional color of the text were different. Connecting with the social and cultural background of novel publishing and analyzing the unique structure of the novel, we can find that this is exactly the cry of "save the children" issued by Lu Xun from another angle.

"Social Opera" began to be written in Peking Opera Theatre. Originally, it was cheerful. However, as soon as it enters the arena, there is a feeling of depression. On the stage, "red and green" flashed, and the audience was "crowded", and the ears rang. Even the bench makes people "think of lynching instruments of torture and can't help coming out", and finally they realize it. The second time I went to the theater, I was fascinated by it, because I heard that there were famous actors, and I had hope for the "first stage". However, the theater was as crowded and messy as it was the first time. "I" was crowded among the people who "watched Xiao Dan sing, Hua Dan sing and Lao Dan sing" in the distance, but the famous actors had not yet appeared, so I had to be deeply disappointed with this stage and famous actors. Coupled with Mr. Pang's disdain, it reflected the indifference of interpersonal relationship at that time, which made me change from disappointment to despair, and finally decided to "bid farewell to China Opera". This theater in Beijing is a microcosm of the society at that time. The environment is harsh and human feelings are indifferent. Such a society is "unfit for survival" for adults, let alone children. How can children who grow up in such a society become the future and hope of the motherland?

So, what kind of society is the author's ideal beautiful society? So, the author took us to a small fishing village far away from the hubbub. Although it is "extremely remote" and "there are less than 30 families", it is a paradise for children. Without the poison of feudal culture, children don't have to read "official rank, rank, dry, faint Nanshan", they are not bound by feudal ethics, and there is no law of "offending". Children who grow up here are naive, sincere, friendly, witty and brave, which is the life gene for the survival and continuation of the nation. It is in sharp contrast with Beijing's theaters and the chaotic and noisy real society. Perhaps, as Mr. Wang Furen said, "social drama" includes the opposition between noisy urban life and quiet rural life, the opposition between vulgar and selfish urban residents and kind farmers, the opposition between ignorant and arrogant adults and smart and naive children, the opposition between pretentious aristocratic urban literature and simple and civilian folk literature and art, and the opposition between chaotic society full of survival competition and beautiful and pleasant nature. These opposites, in the final analysis, are actually the opposites between society and nature. However, this paradise is only the author's ideal after all. The vague big stage in the moonlit night is "as ethereal as a castle in the fairy mountain", which makes people "doubt that it is a fairyland I have seen in paintings". For this ideal society, the author is not only tireless in pursuit, but also confused and skeptical.

Lu Xun's idea of replacing "old people's standard" with "young people's standard" has also been fully reflected in social dramas. Children in small fishing villages are far away from "famous religion" and secularism, and have not received strict feudal orthodox education. Their children's nature has been fully developed, retaining a natural and innocent childlike innocence. They are hospitable, "almost all the guests in a family are open"; When it comes to seniority, no one will think of the word "guilty" even if you "beat the squire, old and young in a village"; They are free and lively, commenting on the people on the stage, laughing or cursing; Despise the powerful and don't stay with the wupeng boat. They are the center of the world and everything can be decided by themselves. This makes the "I" who received feudal education from an early age deeply curious and envious. The double happiness in this group of children is a lovely image of a teenager, which embodies the author's feelings and ideals. He is alert, capable, independent and independent. When his grandmother and mother were worried about a group of children going to the theatre, he said several reasons in one breath: "writing tickets"; He went ashore to investigate before stealing arhat beans. When stealing beans, Afa's mother may find out that he advocates stealing some from the commons on June 1 day. When father-in-law Liu Yi asked, he replied, "Yes. Our treat. We didn't want yours at first. " Then I blamed my father-in-law for scaring his shrimp away. Here, children's status has been improved, and they can talk to adults on an equal footing. It is no longer "wrong before they say it".

Social drama is not only the simple lyrical beauty of homesickness, but also full of warmth, which hides Mr. Lu Xun's deep concern for the social situation at that time and sincere hope for children, and once again emphasizes that "establishing people" is the foundation of "building a country"!

Article 3:

Reflections on reading social drama

Ma Chao, Grade 6, Anqiaotou Primary School, Sunduan Town, Shaoxing County, Zhejiang Province

Although I am only a primary school student, I like reading the works of Lu Xun's father-in-law, especially the article "Social Drama". Because most of the books reflect the rural scenery, they are particularly kind to read, which makes me want to read it again. Whenever I look at it, a beautiful "country night scene" seems to come into my eyes: blue sky, round moon, slate-shaped bridge, small and exquisite boating. I came to the river with a group of lively and lovely rural children. They got off the boat and ordered a pole. Flying under the moon, the night view along the way is really beautiful! "Bean wheat exudes the fragrance of grass, grass by the river, hazy moonlight, dark mountains, faint Zhaozhuang, melodious flute and a little fishing fire. These landscapes are very common in rural areas, and we rural children are familiar with them. But after some artistic processing by Lu Xun's father-in-law, it seems that it has become the fairy beauty that everyone yearns for. From here, we can also see Lu Xun's father-in-law's nostalgia for the countryside and his attachment to his grandmother's family when he was a child. At the same time, it also aroused my love for my hometown with rural children.

In Lu Xun's father-in-law's pen, some ordinary peasant children are so lovely and simple, and their thoughts are so noble and selfless, which truly reflects the style of rural children at that time. Among these children, I prefer double happiness and seven pounds. They are brave and selfless, enthusiastic and lively, and love labor. Shuangxi is a loyal person. Qi Jin also often plays cricket catching games with Lu Xun. They never care about each other, live in harmony and become real good friends. I used to have conflicts with my classmates for a little thing, but now I feel ashamed to think about it. After reading this article, I feel that as a descendant of Qi Jin, I should also have the spirit of humility and build a harmonious campus by establishing good relations with my classmates.

I have repeatedly read my favorite novel "Social Drama", as if every word of the whole work devoted Lu Xun's deep love for rural children, and I really feel that rural children are also very happy.