Inferential prose and philosophical prose

It is the same reasoning prose, that is, it has the characteristics of scattered form and concentrated spirit, and it is also argumentative and inferential. Reasoning prose often has one or more central ideas, and expresses one's views through lyric, narrative and reasoning. In general, it expounds a truth, and some people call it philosophical prose, which is justified, excusable and meaningful, giving people philosophical enlightenment and emotional edification! Reflected in real life, prose about philosophy is called reasoning prose. Appreciation of Ji Bolun's Song of the Waves Appreciation of Song of the Waves This is a lyric work by borrowing things, and it is also one of Ji Bolun's famous prose poems. After reading Song of the Waves, we can't help but think of the poet himself and his passionate and bitter love for the motherland through the images of the waves and the coast. Anyone familiar with this poet knows that his motherland-Lebanon under feudalism and colonialism-did not give him much. As early as a teenager, in order to survive, he and his family had to leave their hometown and come to the United States thousands of miles away to survive. Later, the poet who was determined to serve the country was exiled in vain. There is not even a place to stand on your own land, and you have to live in a foreign country for a long time. However, this separation from his native land caused by poverty and the evil of the ruling class not only did not dilute his homesickness for the motherland, but cooled his ardent affection. On the contrary, he loves and thinks more deeply. He not only organizes Arab writers who have been exiled overseas to fight for the independence, freedom and democracy of the motherland, but also often expresses his deep love for the motherland in his poems. Song of the Waves is a masterpiece of this kind of poetry. With the help of the love image of the waves and the coast, he expressed his unswerving feelings and ardent childlike heart for the motherland with twists and turns. The image of waves in this poem is very touching. She is infatuated with lovers' beach, passionate and deeply in love. At dawn, she vowed to be faithful in her lover's ear; In the evening, she sang a poem praying for love. At the high tide, she was full of enthusiasm and hugged her lover tightly; When the tide receded, she was inseparable and threw herself at her lover's feet with attachment. Facing her sincere and passionate love, the coast is extremely grateful. He kissed her and tolerated her willfulness. However, the "cliff" connected with the coast does not sympathize with her or understand her. No matter how she flatters him, smiles and confides in him, she always turns a deaf ear and ignores him. His attitude made the waves feel sad and distressed. In the silent night, everything on the earth fell asleep in the arms of the sleeping god, but she tossed and turned and couldn't sleep. However, her love affair has not diminished or shaken her faith in love, and she is determined to "kill the years like this" as long as there is "one breath left". Show infinite loyalty. This attitude of the waves towards love also reflects the poet's deep love for the motherland. Ocean waves not only have the characteristics of human beings, but also can express the poet's feelings well. For example, her "willfulness", restless mentality, mood changes in the morning and evening, different actions of ebb and flow, and so on. Consistent with the characteristics of the waves. This also shows that this anthropomorphic image is very successful and shows the outstanding artistic talent of the poet. Everything in Ji Bolun's works seems to be the poet's shadow, his props, full of his breath and beating his poetic heart. In his literary world, everything seems to converge into a huge choir, singing in a whirl, praising life, nature and love, while life, nature and love seem to be just different expressions and different names of the same grand process in which the universe runs, in order to prove a final harmony-such an idea always makes us feel deja vu, because it is purely oriental. Different from the real world, in this prose poem, the waves are endowed with romantic flower images by the poet. It first appeared as a lover of the "coast". In the first four quarters, the image of a woman in love is laid out, and in the rhythm of ebb and flow, her lover is indispensable. Next, this female image melted into a deeper metaphor, and it became the guardian of the human world-"The night was quiet, everything was sleeping, but I stayed up all night". In the picture composed of starry sky, mermaid, reef and lover, there is an eternal sound, "Sometimes singing, sometimes sighing", and the singing of the waves is also a sigh of the waves. Therefore, we can understand the connotation of love for waves in the poem, which is not only love for the coast, but also a wider love for everything in the world. This broad love shines with maternal brilliance-"the true meaning of love is awakening", because I love the world, so even if "staying up late makes me look haggard", I will protect the world, its harmony and its beauty. Here, we only see the image of the poet himself. The poet should be the guardian of all kinds of beautiful values in this world, as written at the end of the poem: "This is my life; This is my life's work ",where the image of the waves has been transformed into the poet's own firm voice. The poet's hometown is located at the eastern end of the Mediterranean, which may be the reason why the image of the ocean in his prose poems is so cordial. In the dead of night, the dreamy picture of the sea patting the coast alone and singing a sigh must be the source of this prose poem, which can't be written by those who just think about the sea on the map and don't wander around the beach for a long time. & lt& lt Song of Rain >> Appreciating Ji Bolun is often called a philosophical poet, but his prose poems often have more connotations than ordinary philosophical poems. As far as this Song of Rain is concerned, like philosophical poetry, it mainly adopts anthropomorphic techniques, but it does not aim to learn some philosophy and teachings. Finally, an image with rich perceptual content is formed, which is difficult to be reduced to simple and true. In most of this prose poem, the image of rain is that of a devotee and an emissary, which nourishes everything and connects distant things ("the emissary of affection"). It is worth noting that many personification techniques are flexibly used in the poem: on the one hand, the rain is personified, starting from the third verse "I cried", which leads to a series of related images-flowers, clouds and fields. -personify accordingly. On the one hand, the image of rain is always changing, or the personification angle is different, or it is subtly transformed from personification to imitation, for example, I am from the sixth section. It seems to have acquired the image of another bird. In addition, in addition to the concrete in nature, some abstract things are often personified, such as the morning in the second section "Daughter in the Morning" and the death in the fifth section "The Arms of Silent Death", which can be said to be applied to the intangible. The sense of space in this article is still vast. The sky and the earth, thunder and lightning, Yun Ni, mountains, rivers, lakes and oceans are everywhere. However, due to the extensive use of personification, the world in this paper has become a "human realm". However, the human world was not really introduced until the appearance of the seventh book "Glass on the Window" and "Sensitive Heart". It turns out that everything is animistic, just because of the existence of people, or more precisely, because of the existence of spiritual people. Under their gaze, everything shows the modality of the world, and under their listening, the tapping of raindrops constitutes a kind of music. It is also because of the existence of human beings that rain has gained a new identity as an emissary-in the gurgling sound of rain, our sensitive hearts are often guided to touch those memories, dreams and a profound spiritual world that are often far away from us on weekdays. In nature, rain means a cycle, just as love means a cycle in the human world, it nourishes life, transmits the energy of life and makes it endless. The world in Ji Bolun's prose poems is always in motion. Sighs, tears and smiles are only one aspect of the movement of the human world, and nature is a moving mirror of the human world. In Song of Beauty, the poet regards beauty as God and truth. She is everywhere, and her power is amazing, which can dominate life and death, make you get love and inspiration, make people smart and beautiful, purify people's hearts and make society noble. At the same time, she can "overcome the storm" and destroy everything. The poet is not deducing philosophical propositions here, but vividly expounds the function and significance of beauty in the form of artistic prose poems and beautiful language. In Ji Bolun's early philosophy of life, beauty is full of mysticism. For example, he thinks that "beauty is a majestic and terrible force" and a kind of "divine power", "beauty is the truth", "beauty is the light" and "beauty can make your soul return to nature-that is the source of your life". In Song of Beauty, there are also such mysterious factors, such as "I (that is," truth ") is nature, and I arrange the vicissitudes; I am God, and life and death are my masters. Beauty has become a transcendental thing and a god who dominates all living things. In Ji Bolun's later philosophy of life, beauty began to downplay mysticism and emphasized the importance of people's own practice of beauty. For example, he said, "You are pursuing beauty everywhere. How can you find her except that she goes her own way and guides you? " Here, it is emphasized to "discover" yourself, and some people say: "Beauty is the eternity of one's own reflection in the staring mirror. But you are eternal and you are also a mirror. " "Beauty is in the lover's heart and really in the helmsman's arm." "There are only two elements in the world, beauty and truth." In other words, beauty is not everything, and there is truth besides beauty in the world. Beauty is not illusory, it is realistic, practical and creative, and it is in people's own hands. But the "beauty" in Song of Beauty has not yet entered his later period. The greatest feature of this prose poem "Song of Beauty" is that the poet uses abundant metaphors about life, popularizes many classic allusions, makes up stories, and deducts a very abstract idea (beauty) into concrete images, which makes people fascinated and causes people to think deeply about philosophy. Coupled with novel images and symbols, as well as the use of a series of parallelism sentences, the writing is gorgeous and smooth, full of music, showing a strong subjective color. This is not only the artistic feature of the prose poem Song of Beauty, but also the artistic feature of all prose poems in Ji Bolun, which is called "Ji Bolun style". Ji Bolun's prose poems are numerous, rich in content and diverse in style, including narrative, lyrical, argumentative, story-like, fable-like, dramatic, simple dialogue-like, letter-like, line-by-line poems, long stories, short stories, short poems, aphorisms and so on. He left a very precious legacy for the world's treasure house of prose poems. Ji Bolun: A Happy Song. I love my lover deeply. I long for him, and he is infatuated with me. However, how unfortunate! There is a third party in this love, which makes me suffer and makes him suffer. The domineering opponent named "material" followed us and never left; She is like a poisonous snake, trying to break us up. I looked for my lover in the wild, by the lake and among the trees, but I couldn't find him. Because the material has fascinated his mind, he was taken into the city and went to the place where he was intoxicated and ran amok. I looked for him in the temple of knowledge and wisdom, but I couldn't find him, because the material-that vulgar woman had led him into the castle of individualism and made him fall into the quagmire of debauchery. I looked for him in the contented night, but I couldn't find him, because my rival in love had locked him in a greedy cave, which made him unable to fill the demand. At dawn, the morning glow was golden. I called him, but he didn't hear me, because the nostalgia for the past made it difficult for him to sleep. At night, everything is silent. When Fang Qun was asleep, I played with him, but he ignored me, because the longing for the future occupied his whole mood. My lover loves me and pursues me in his works, but he can only find me in the works of the creator. He wants to associate with me in the splendid building built with the bones of the weak, in the golden hill and silver pile; But I can only meet him on the emotional river bank, in the humble hut built by the creator. He wants to kiss me in front of tyrants and executioners; I only let him kiss my lips quietly in pure filaments. He tried his best to find the media to fix us up, but the matchmaker I hired was an honest and selfless job-a beautiful job. My lover learned to make a hullabaloo about from my rival in love-material, make a hullabaloo about; But I will teach him to shed soothing tears from his heart and sigh for self-reliance and Excellence. My lover belongs to me and I belong to him.