Language (1) style
1. Sushi << Nian Nujiao Red Cliff Nostalgia >> Like an uninhibited school, other poems, such as frontier poems, reflect the poet's desire to make contributions and defend the country.
2. Wan Qing (new) is as beautiful as Li Qingzhao & gt as graceful and restrained, and some people like pastoral poets.
3. Beautiful language (attaching importance to decoration, gorgeous colors, gorgeous words, and doing everything possible) is like listening to the clouds.
4. Simple language (easy to understand, colloquial, but meaningful) such as Li Shen & gt
(2) The image is distinctive, concise and vivid.
1. Fresh and natural terms, novel and unconventional, such as Wang Wei's landscape poems.
2. Plain and simple, choose the exact words to state directly, or use stick figures, simple, true and profound, approachable, such as Tao Yuanming's poems and Li Yu's words.
3. Gorgeous colors, gorgeous words, and rendered atmosphere do everything they can, such as Li Shangyin's poems.
4. Clear and decisive, hit the nail on the head, such as Bai Juyi's new Yuefu poems.
5. Implication is not a direct narrative, but it is intended to be beyond words. When you say that, you mean him, but you won't send it. If you want to say it, let the readers appreciate it. Intriguing, such as Du Mu's quatrains and Li Qingzhao's later poems.
6. Concise, clean and concise, such as Jia Dao's poems.
technique of expression
rhetoric
1. Metaphor turns plain into magic, abstruse into simple, abstract into concrete, which makes the images depicted in poetry more vivid.
2. Metonymy is simple and complex, and reality is virtual.
3. Contrast bright colors, portray images and express rich meanings.
4. Exaggerate the essence and inspire people; Set off the atmosphere and enhance the appeal; Strengthen contact and create an atmosphere
5. Duality is beautiful in music, concise in expression and lyrical.
Key questions
7. Ask questions to attract attention and inspire thinking
8. A pun is just a hint.
(b) Methods and skills
1. The blending of scenes is indirect and implicit, and the description of scenes contains the poet's emotional love and hate.
2. Deliberately describe the contrast and contrast from the side, as a foil, to make what you need stand out.
3. Associative imagination is like a kind of imaginative imagination, which combines whimsy with the truth of nature.
4. Allusions can refine the language of poetry, increase the richness of content, increase the vividness and implicitness of expression, receive concise and interesting effects, and enhance the expressive force and appeal of works.
5. Symbolic images are vivid and concrete, turning reality into emptiness.
6. Use overlapping words to enhance the sense of rhythm and play an emphasis role.
7. Express your will and feelings, and express your feelings with obscure expressions.
8. The details are true and accurate.
9. Sketch is true and profound without rendering.
Thoughts and feelings
(1) When you are worried about your country and hurt it.
1. Reflecting social darkness: Du Fu "The wine and meat in Zhumen stink, and the bones on the road freeze to death."
2. Expose Du Mu's "Crossing Huaqing Palace" and Lin Sheng's "Title Lin 'an House", which are fatuous and decadent rulers.
3. Reflect the pain of leaving chaos: Du Fu's "Spring Hope"
4. Sympathize with the people's sufferings: "The Cottage Was Blown by Autumn Wind" Bai Juyi's "The Charcoal Man"
5. Worrying about the country and the people: Du Fu's "Climbing the Building"
6. Expose the belligerence of the ruler: Du Fu's "military vehicle shop" ("We already know that having a son is bad luck and having a daughter is very good ... who can get married and live in the neighbor's house, and under the grass, we bury our boy." )
(2) Contribute to the country
1. The desire to make contributions and the determination to defend the country: Cao Cao's "although the turtle is long"
"Join the army" Wang Changling
2. There is no way to serve the country, and there is no ideal-Xin Qiji's "Jingkou will always visit Gubei Pavilion"
Ugly slaves; Xin Qiji, the middle wall of Shuboshan Road
3. The pain of mountains and rivers falling: Wen Tianxiang's Crossing Ding Yang and Lu You's Xiuer.
4. The years have passed, the talents have not met, and the ambition is hard to pay: Su Shi's Water Tune; Chibi nostalgia "
(3) Homesickness and homesickness
1. Wandering and anxiety: Meng Haoran, Wen, staying in Jiande River at night, going to the good early.
2. Miss your relatives and friends: Wang Wei's "I miss my Shandong brother on vacation in the mountains" and Su Shi's "Jiangchengzi"? Ten years of life and death "
3. Frontier homesickness: Fan Zhongyan is proud of the fisherman.
4. Pregnant in the boudoir: Wang Changling in my heart, Li Bai, Wu Ge at midnight.
(D) Life miscellaneous feeling
1. Love the leisure of landscape and countryside: Wang Wei's Autumn Night in the Deep Mountains,
2. The past is better than the present, things are different, and the world is cold: Jiang Kui's slow Yangzhou, Li Bai's visit to Vietnam, and Liu Yuxi's stone city,
3. The feeling of satirizing the present through the past: Xin Qiji's "Looking Back at the Gubei Pavilion in Jingkou" Li Shangyin & gt Wei Zhuang << Taicheng >>
4. The sadness of fleeting youth: like a dream makes Li Qingzhao.
5. The depression of career frustration: Bai Juyi's Pipa Travel, Su Shi's Water Tune? When did the moon begin to appear?
6. Comfort the joy of life: Du Fu's "Delighting in Rain on a Spring Night" and the recovery of the Yellow River by the imperial army,
(5) Farewell to the pavilion
1. Reluctant memories: Yulinling by Liu Yong, Song of the Acropolis by Wang Wei, Parting at Nanjing Restaurant by Li Bai.
2. Affectionate encouragement:
Du Shaofu was appointed as the Wang Bo of Sichuan.
3. Confessions of Chen Xinzhi:
Wang Changling broke up with Xin Jian at Furong Inn.
Style characteristics of famous poets
Sui, Tang and Five Dynasties
Wang Bo, Jin Jian, Wan Chang, Han Yu, simplicity and adventure, Chen Ziang, simplicity and magnificence.
Liu Zongyuan is bright, quiet, steep, tall, desolate, tall and strong, while the white pony is fluid, beautiful and frank.
Cen Can is magnificent, and Yuan Zhen is alert. Wang Changling is natural and pungent.
Liu Yuxi is fresh and magnificent, Wang Zhihuan is sunny and Li He is fantastic.
Meng Haoran is quiet and far away, Du is Leng Yan and bright, and Wang Wei is quiet and harmonious.
Li Shangyin is quiet and graceful; Li Bai is elegant and chic; The text is exquisite and gorgeous.
Du Fu is depressed, while Li Yu is sad and soft.
Jin Song
Mei is unpretentious, vigorous and quiet, and Su Shunqing is bold and unrestrained.
Ouyang Xiu is fresh and smooth, and Wang Anshi is vigorous and graceful.
Liu Yong is sad and lingering, Su Shi is bold and broad-minded, and Qin Guan is beautiful and elegant.
Huang Ting is thin, hard and novel. Fan Chengda is fresh and charming. Yang Wanli is as bright as jade.
Zhou Bangyan is rich and exquisite, Lu You Xiong Fang is fluent, and Li Qingzhao is beautiful.
Jiang Kuiqiao Layali Xin Qiji is depressed and uninhibited, and Wen Tianxiang is depressed and tragic.
Yuan Ming Qing dynasty
Sadulla is beautiful and handsome, Wang Mian is simple and natural, and Ma Zhiyuan is clear and fluent.
Guan Hanqing is pungent and fresh. Zhang has a profound influence on the police.
Yu Qian is plain and straightforward, while Gu is vigorous and depressed, while Wang Shizhen is subtle and clear.
Yuan Mei is ethereal and elegant, Zhu Yizun is fresh and slim, and Nalanxing is gloomy and graceful.
Gong Zizhen is unique and magnificent, Zheng Xie is vigorous and fresh, and Huang Zunxian is simple and novel.