One of Hui Chong's late scenes, Chunjiang (Northern Song Dynasty), Su Shi's Peach Blossom Outside the Bamboo,
Riverside plumbing duck prophet graphic version. Artemisia selengensis (lóu hāo) is full of short reed buds, which is the time when the puffer fish wants to go up. Su Shi (1037-1101) was a writer and painter in the Northern Song Dynasty. The word Zi Zhan, and the word Zhong, is called Dongpo layman. Han nationality, Meishan, Meizhou (now Sichuan). Together with their father Su Xun and brother Su Zhe, they are called Su San. He is an all-rounder in literature and art, and Wang Yang and Ouyang Xiu, who are both unrestrained and fluent in writing, are called Ou Su, and he is one of the eight masters in Tang and Song Dynasties. The beach has been covered with Artemisia selengensis and reeds have begun to sprout, which is the season when puffer fish are on the market. The first sentence of the poem is "There are three or two peach blossoms outside the bamboo". On the quiet river bank, green bamboos are dripping, and the green bamboo leaves are dotted with three or two peach blossoms. Peach blossoms outside the bamboo, red and green set each other off, and they are on the verge of exploding, vividly expressing the artistic conception of "peach blossoms welcoming the spring" with flowers and bamboo interlaced and red and green set each other off. Peach blossom indicates spring, and spring is coming. Only three or two peach blossoms indicate that the season is actually early spring. The second sentence of the poem, "Duck Prophet of Spring River Plumbing", has a vision from far to near, that is, from the river bank to the river surface. Spring water is rippling on the river, and active ducks are playing on the river. The silhouette of "Duck Prophet" shows that the spring water is still slightly chilly, so other animals are not sensitive to the arrival of spring, which echoes the peach blossom "three or two branches" in the first sentence and indicates the early spring season. Summer: summer village's Miscellaneous Notes (I)
Fan Song Chengda
Plum golden apricot fat, wheat white, cauliflower thin.
No one has ever crossed the fence, only dragonflies and butterflies are flying.
Golden plums, full Xinger and snow-white buckwheat flowers are like montages in movies. Oh, it's already summer. The author suggests the change of seasons through the change of phenology. This change is implemented with the increasing scarcity of rape flowers-spring has indeed passed. Plum yellow and wheat white, two pure colors, collide, sway and blend with each other on the leaves, which brings us a sense of joy. Autumn: Mountain Walking [Tang] Du Muyuan's upper Hanshan stone path is oblique, and there are people in the depths of white clouds. Stop and sit in the maple forest late, and the frost leaves are red in February flowers. In late autumn, I walked on the winding mountain road on the mountain. In the foggy place, you can vaguely see several families. I can't help but park my car on the side of the road, because the beautiful scenery of the maple forest really attracts me tonight. Frosted maple leaves are redder than flowers in February. A brief comment on poetry draws a warm and gorgeous autumn color map of the mountain forest with the maple forest as the main scene through the poet's emotional tendency. Far up the Qiushan Stone Trail, first of all, give readers a farsighted view. At the top of the mountain road is a place full of white clouds. The road is made by people, so the white clouds are ethereal, and Hanshan is full of vitality, so the sentence "There are people in Bai Yunsheng" is logical. However, this is only to prepare for the last two sentences. Then the poet clearly told the readers that it was so late that I stopped in front of the mountain just because the mountain was in full swing and more beautiful than the maple leaves of spring flowers. Compared with the white clouds in the distance and people who are not necessarily visible, LAM Raymond is full of pure beauty and vitality. "Jiang Xue" Liu Tang Zongyuan
There are no birds flying over those mountains, and there are no traces of people in those paths. A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
analyse
Liu Zongyuan is a scholar at the age of 265,438+0. At that time, the country was politically corrupt and dark. Liu Zongyuan and several hot-blooded youths are determined to reform corrupt politics and save the country and people in dire straits. However, he was opposed and persecuted by the emperor and powerful ministers and was exiled to Yongzhou. At that time, Yongzhou was very remote and extremely poor, and Liu Zongyuan had no position, no right and nothing to do. He was very sad and angry at the thought that his lofty ideal of serving the country could not be realized and no one understood it. The poem Jiang Xue was written at this time and under such circumstances. )
Liu Zongyuan (773-8 19), the leader of the ancient prose movement in the Tang Dynasty, wrote many poems after his relegation, expressing his depressed feelings with elegant style, neat language, deep feelings and long lasting charm.
This poem may have been written by the poet during his exile in Yongzhou. He painted his feelings on the fisherman who fished alone, making him the spiritual embodiment of loneliness and complacency. The whole poem is about the snow scene in Jiang Ye, with a word "absolutely" and a word "absolutely". All moving things are excluded from the field of vision, and the rest is endless snow. In the center of this vast and cold picture, there is only a fisherman in a hat, fishing alone on a lonely boat by the cold river of Xuefeng. The whole poem is about scenery, full of emotion, and the "snow" at the end of the film is clear. Hope to adopt! !