Enjoy 1:
This word describes the late spring scenery, the first one describes the pastoral scenery, the second one describes the interior of the courtyard, and finally ends with "the sunset shines into the depths of the courtyard", revealing a touch of sadness.
The first three sentences describe a typical scene of fragrant suburbs in spring dusk: on both sides of the path, flowers are sparse, and occasionally a few residual red petals can be seen; Looking around, I saw that green has spread all over the mountains; Near the high platform, the trees are lush and cool. "Red is thin", "green is everywhere" and "tree shade" indicate that spring has disappeared and the breath of late spring is very strong. Although three sentences are still in sight, the words "rare", "times" and "see" show the process and dynamics of things. From the order of "path", "fragrant suburb" and "high platform", there is also a sense of deformation.
"The spring breeze did not lift the ban on Huayang, which puzzled pedestrians." Huayang wrote a typical late spring scenery. However, when describing this scene, the poet injected his own subjective feelings and wrote that the spring breeze did not know how to restrain Huayang, so that it flew all over the sky and jumped on pedestrians. On the one hand, it implies that I have no intention of staying in spring, so I just need to listen to Huayang dance and send it back to spring; On the other hand, it highlights Yang Shuhua's vigorous vitality. Although the scenery here is written in late spring, there is no decadent mood and it is full of life. "Meng Meng" and "Pu Pu" are very dynamic. The word "pedestrian" reminds me that what I wrote above was what the poet saw in the country.
I read two sentences, "The hidden warbler with green leaves, the pearl curtain separates the swallow", which are divided into outdoor and indoor, one connected to the other and connected to nature. The last sentence says that the green leaves have grown very thick, and the figure of oriole can be hidden, which corresponds to the "shade" in the above picture; Swallows are separated by bamboo curtains and are not allowed to enter the room, which leads to the following description of the indoor scene. With the words "hidden" and "separated", the beautiful scenery of fine trees in early summer and the quiet appearance during the day are vividly written.
In such a quiet room, the cigarettes in the incense burner are curling up, intertwined with the floating hairspring, and gradually merged together, unable to tell which is the cigarette and which is the hairspring. The words "one by one" and "turn" seem to be dynamic, but in fact they tell the silence of the whole room. There is a word "static" on "11", and the realm has come out.
"When I woke up from a sad dream, the afterglow of the sunset shone deeply into the yard." Jump away, I wrote to wake up at dusk, and the original poet announced that he was sleepy and fell asleep at noon. When he woke up, it was already dusk, and the sunset was shining in this deep Zhumen compound. It is pointed out here that "sad dreams" mean that dreams are related to spring worries. After waking up, the setting sun still shines in the deep courtyard, and it is difficult to entertain in early summer.
Previous people have commented on the beauty of this word. Shen Jifei said in "Poems of Caotang": "The knot is deep and wonderful, but the truth cannot be written." In Shen Qian's Miscellaneous Poems, it is further pointed out that the conclusion sentence is "more spontaneous", which shows the characteristics of Yan Shu's ci-poetry that the scenery is more important than the form.
Appreciation 2:
Yan Shu was a famous graceful poet in Song Dynasty. Beautiful language, harmonious phonology, clear image and fresh artistic conception. The style of ci is beautiful and euphemistic, with the evaluation of "Yan Shu is the first person who specializes in this order".
This word describes the beautiful scenery in late spring to express the faint sadness of the passage of time. The first three sentences "red is scattered", "green is everywhere" and "trees are shaded" are all quiet scenes, but they imply a change in rhythm, which shows the dynamic development of things and marks that spring has disappeared and summer is coming quietly. Four or five sentences about Huayang's face imply that there is no plan to stay in spring, and also highlight Huayang's activity. Although it is a typical late spring scenery, it is not decadent, but full of life breath.
A few words, connecting the preceding with the following, naturally depict the indoor and outdoor scenery without trace. The leaves described in the previous sentence are so dense that orioles can hide among the branches and take care of the "shade" in the previous sentence. Swallows are separated by bamboo curtains and are not allowed to enter the room, which naturally leads to the following description of indoor scenery. "The incense of the stove is still spinning." In the quiet room, the incense of the stove rises, intertwined with the floating hairspring and intertwined with each other. There is a word "static" on "11", and the realm has come out. The lingering fragrance of the stove and the floating hairspring easily remind people of the author's leisure and boredom and slight sadness. The last two sentences are about drinking at noon, sleeping soundly when drunk, and waking up with the sunset shining in the deep courtyard. It's really hard to send away!
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