On Jia Yi is a character commentary written by Su Shi, a writer in the Northern Song Dynasty. The object of comment is Jia Yi, a politician in the early years of the Western Han Dynasty. The full text closely follows Jia Yi's frustration and makes an in-depth analysis of Jia Yi's personality traits. At the same time, it analyzes the historical background, the combination of reality and reality, and the positive and negative contrast at that time, and highlights Jia Yi's personality in a step-by-step and firm tone.
This paper advises Ren Jun to know talents like Jia Yi, use them boldly, and don't miss the opportunity. Advise Jia Sheng-style people to love themselves and be good at using them for their own use. The argument is well-founded and coherent.
2. Su Shi's title Xilin wall
The title Xilinbi is a poem by Su Shi, a writer in the Song Dynasty. This is a landscape poem with pictures and scenery, and it is also a philosophical poem, which contains philosophy in the description of Lushan scenery. The first two sentences describe the different morphological changes of Lushan Mountain.
Lushan Mountain runs through the mountains and rivers, and the mountains are lush and endless; On the edge, the peaks rise and fall, and the strange peaks rise one after another, rising into the clouds. Looking at Lushan Mountain from different directions in the distance and nearby, the mountain colors and momentum you see are different. The last two sentences are the author's deep thoughts: the reason why we look at Lushan Mountain from different directions will have different impressions because we are "on this mountain".
In other words, only by staying away from Lushan Mountain and jumping out of its shadow can we fully grasp the true face of Lushan Mountain. The whole poem tightly hugs you Shan to talk about your unique feelings, and expresses philosophy in a simple way with the help of the image of Lushan Mountain, so it is kind and natural and intriguing.
3. Su Zhe's Luan City Collection
This is a collection of poems written by Su Zhe in the Northern Song Dynasty. As early as the Song Dynasty, Luan Ji Cheng had many versions, including Zhao Yingji and Thirty-seven Articles. At present, the earliest collection of official documents carved by Su in Song Dynasty is divided into 50 volumes, 24 volumes, 10 volume, 12 volume and * * * 96 volumes. There are 46 volumes.
This was followed by Meng Xuan's engraving Su Wen Ding Gong Luan Ji Cheng in Ming and Qing Dynasties, with the same number of four volumes. Once again, it is the engraving of Su San Temple in Meizhou, Daoguang Renchen in Qing Dynasty, but the number of volumes and characters are different from those of Qing Mengxuan. There were only 48 volumes in the previous episode. Among them, there is a tribute to all souls in Qing Dynasty, which is a copy of Meng Xuan in Qing Dynasty.
4. Su Xun's "Bill of Rights"
The Complete Book was written by Su Xun in the Song Dynasty. Although it has passed, it is still used by the world. Its essence is this: people have a saying: "Confucians don't talk about soldiers." A righteous soldier wins without skill. If the soldiers of righteousness win without skill, will the prince of Wu share it with the squire? In the battle of Makino, "four cuts, five cuts, six cuts and seven cuts will not stop." What's the use?
The Book of Rights is also a book of war, so the art of benevolence and righteousness is also used. People who are terminally ill don't delve into it, but they mistake me for Sun Wu's disciple. Sun Shi's words are common, but I use this book as a last resort. So benevolence and righteousness are forced to do it, and then use my power of attorney. However, the book of rights is written for the poverty of benevolence and righteousness.
5. Su Shi's Post-Red Cliff Fu
After Red Cliff Fu is a poem by Su Shi, a writer in the Northern Song Dynasty. Written in the fifth year of Yuanfeng (1082) when Huangzhou (now Huanggang, Hubei) was relegated, it was a companion piece of "Red Cliff Fu". Different from the previous article, which simply writes about boating on the river, the latter article focuses on landing and adventure, without discussing metaphysical reasoning.
In front of the article, remember the true scenery, true feelings and feelings, and give people a magnificent sense of beauty through uncut natural beauty sentences; The detailed description of standing on the rocks, climbing trees and roaring across the river truly expresses the author's interest in landing on a moonlit night. Finally, dreaming that a Taoist turned into a crane is a pure illusion, an ethereal fantasy and a confusing trance, which shows the author's inner anguish.
Baidu Encyclopedia-Susan